Sensei of Shambala. Anastasia Novykh

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СКАЧАТЬ You are a future doctor, aren’t you? You should understand why you strike, where you strike, and what is going on during this process. Your goal is to cause a painful shock, not just to flap your hands. A blow should hit the exact location of the nerve or nerve plexus. It should be instantaneous. The faster, the better. Why? To cause a spasm in the muscle tissue. In its turn, the transmitted nerve impulse, through reflex channels of the nervous system, will cause intense irritation of the nerve-knot, which will inevitably lead to inhibition of a certain part in the brain cortex. In other words, the man will fall into a stupor caused by the nerve shock…”

      A crowd of curious guys began to gather around him during this conversation. Sensei continued to explain, “But the blow should be delivered taking into consideration that every human being has his own anatomical peculiarities. That’s why not everybody will be affected by an ordinary blow to this anatomical point. So in order to be one hundred percent sure, you should strike not with a straight “tsuki” (blow) but a blow with a twisted fist at the moment of the contact, so that the blow goes deep inside. As a result, a big “damage zone” will appear…

      “This strike goes into the point between diaphragm and solar plexus. Why exactly there? Be cause there passes one of the twelve pairs of cranial nerves, the so-called “nervus vagus” or the vagus nerve. It not only passes that point but also forms the nerve plexus which forms two vagus trunks close to esophageal opening. And what is the vagus nerve? It is, first of all, innervations of respiratory organs, the digestive system, the thyroid and parathyroid glands, adrenal glands, kidneys. It also takes part in innervations of the heart and vessels. Therefore the correctly delivered blow to this point causes an intense irritation of the nervous system, which temporarily distorts functioning of the cerebellum. And the cerebellum, as you know, is responsible for coordination of all movement functions. Man is momentarily disoriented. In other words, it means that you have time to make a certain decision. For example, to deliver a not her blow or to run away.”

      The last word caused a lot of selfish smiles on the faces of the surrounding people, including myself. ”What? To run away?!” I thought to myself dreamily. “If I’ve just dealt such a powerful blow, I would, I would… wouldn’t chicken out, that’s for sure!”

      At this moment, the Teacher looked at the smiling crowd and said seriously, “And why not run away, if that’s the best way out in this situation? In some cases it’s a lot better to get hit ten times in your own nose rather than to kill… to take somebody’s life.”

      His words made me shake and turn red, ashamed by my own egotistic thoughts and megalomania. With bitterness, he brought me back to the tough reality of my existence.

      “Because human life is invaluable,” Sensei went on, “your objective is to cause only a muscle spasm, a painful shock, in order to prevent the undesirable development of the situation. And in no way should you injure internal organs, break ribs or something else; that is, you should not cause serious after-effects to your opponent. That’s why we spend so much time here, in order to master the right technique of blows. Otherwise, if you deliver a powerful, uncontrollable strike, it is possible to cause great harm to the body or even to bring to death. What for?!… You should respect human life because one day you may happen to be in his place… Or maybe one day he will save your life. Because it is very likely that when you are in trouble it will be this human who will appear to give you a helping hand and save you. Because life is un predictable and anything might happen in it, even the most unbelievable, what you can’t imagine.”

      Throughout the rest of the training, I was very impressed by this peculiar, easily understood lecture of profound anatomy and unusual philosophy. It completely captured my thoughts, and from time to time I found myself thinking over what I had heard.

      Three claps of the senior sempai meant the end of the training. When everyone traditionally lined up, he commanded:

      “Dojo ni rei” (which means a bow to the martial spirit of the sports hall).

      “Sensei ni rei.”

      The Teacher also politely bowed in response and said, “We’ll meet as usual at the same time. And now whoever needs to, change, and whoever needs to, stay.”

      “There you are! And who needs what? Who stays? I want, too…” I thought to myself. But the majority ran in single file to the changing rooms, carrying me along. Running past Sensei, I saw the chubby man in glasses approaching him.

      “Igor Mikhailovich,” he said to the Teacher, with respect in his voice. “Concerning our previous conversation. Here, I brought something for you…”

      The rest I couldn’t hear in the noise of laughter and jokes of guys running close with me. In the women’s changing room, a storm of emotions already began to roar, caused by the discussion of the most vivid moments and Sensei’s explanations. All this was happening amidst women putting on many layers of clothes on their wet bodies.

      A girl with bright curls was changing next to me. Getting acquainted with her, I asked, “Have you been training here for long?”

      “No, only for three months.”

      “And does he often tell and show such things?”

      “Well, probably when it’s necessary. But, when he is in a good mood, he shows much more… Today it was nothing out of the ordinary.”

      “Not so bad, nothing out of the ordinary”, I thought to myself. “I can’t imagine what something special would be then?!”

      “What style did he master, the Tiger?”

      “Not only. I’ve heard from the senior guys that have been training here for a long time that he perfectly mastered the Dragon, Snake, Wing-chun, Cat, Mantis, and Monkey styles, and a who le range of other styles that I just can’t remember.”

      I gave her a distrustful gaze, “When did he have time to master all that? He looks like a young man. People sometimes spend their whole life mastering just one style.”

      “I was also surprised at first,” she went on. “But the guys say that, according to the Teacher, a young body doesn’t mean the age of the soul.” My new acquaintance answered, shrugging her shoulders.

      “Who is he, then?!” I started to become nervous, and my old thoughts, together with this new information, once again began tormenting my unsatisfied curiosity.

      “An ordinary man,” I heard in reply.

      Having changed, our company crowded before the exit and contemplated with admiration the unusual technique of a couple of athletically built guys who were training with the others who had stayed. I’d never seen such genuine, naturally beautiful undercuts, overturns, elusively smooth withdrawals, even in movies. But what struck me the most was the speed of their movements. “Is it really possible to move at such speed and still be able to orientate yourself so well in space?” I thought to myself. “Great! And where is Sensei among them?”

      Sensei turned out to be sitting quietly aside, looking through a pile of papers and books with bookmarks, presented by Dumpling. Two more men were sitting nearby carefully listening to the explanations of the Teacher. Then Dumpling unfolded a yellowed map, and all four inclined over it as if it were a priceless treasure. Sensei started to mark something there with a pencil, constantly commenting and explaining it. I really wanted to get my curious nose in there, but at that time we were gently pushed by guys trying to get out.

      “Hey, guys! Why are you standing here? Don’t you know the law of this dojo? You either train here or you stay on the other side of the door. If you want, go back in, and if you are going out, go out, don’t СКАЧАТЬ