Spike: An Intimate Memoir. Norma Farnes

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       Chapter One

      ‘What’s he really like?’

      Whenever and wherever I was introduced as Spike Milligan’s manager and agent I waited for the inevitable question. In not far short of thirty-six years it never altered. It was not one that could be answered in a few words so I generally made do with ‘Interesting’ or ‘Don’t ask’, the latter reserved for the days when either Spike or I had slammed the phone down on the other, or in his case perhaps flung it through the window. Then came the second question.

      ‘How on earth do you put up with him?’

      Sometimes I wondered myself, though not for very long. My answer was invariably ‘He’s very stimulating.’ The truth went much deeper. He could be lovable, hateful, endearing, despicable, loyal, traitorous, challenging, sometimes all of these things in a single day, but always original and never boring. I remember days of laughter and tears, exuberance and despair, and not a single one that was monotonous.

      While I was with Spike he went through depressions, marriages, numerous affairs, and very many tantrums. And at the same time there were always those flashes of inspiration, occasionally genius, that made him comedy’s most influential innovator in the last fifty years, and a fascinating human being. People either adored or detested him. Nobody ever dismissed him with ‘Oh, he’s okay.’ His disciples – and I use the word advisedly – worship him to this day. To them he could do no wrong, a view not shared by everyone, including me.

      When I walked into Nine Orme Court, Bayswater, on a stormy winter’s morning in January 1966 I never imagined I would spend the better part of four decades with the truly extraordinary man who was about to interview me. Perhaps the weather was trying to tell me something.

      I had been looking for a job in television production but then I spotted an intriguing advertisement in the Evening Standard:

      Showbusiness personality requires personal assistant. Must be bright and efficient. Good shorthand and typing speeds. Bayswater area. Ring Alfred Marks Bureau, Notting Hill Gate.

      That would do for the three months I reckoned it would take to get into television, and Bayswater was only a fourpenny fare and two tube stops from my flat in Kensington. I rang up and the salary was attractive too. I did not have any money so that was in the job’s favour. The girl at the agency wanted to know my shorthand and typing speeds, where I had worked previously and whether I had references. I satisfied her on all those counts. Then she seemed to hesitate.

      ‘Yes?’ I said.

      ‘Just one thing,’ she said. ‘You’d be working for Spike Milligan.’

      In her dreams.

      ‘No thanks. I’ve heard all about him. Not for me.’

      ‘He really is a very nice man. Do go and see him.’

      Spike was a notoriously turbulent character, but it would pay the bills and provide an introduction to the world I was interested in. And after almost three years as secretary and researcher to a driven newspaper and television journalist, being Spike Milligan’s assistant should not be too daunting. I had had all the temperament bit, curses, tantrums and books being thrown across the office. Surely it could not be much worse than that. Was I in for a surprise.

      Even after Spike’s death I still have my office at a strangely quiet Number Nine, where I manage his affairs for his children. His presence lingers and it will for as long as I remain his surrogate. Every time I arrange for a new edition of his books or scripts I recall the circumstances, the rows, the highs and lows that gave birth to them. If I am asked to do something that I know would not be right for him I hear his whisper. ‘That’s right, Norm. You tell ’em!’ Other great talents, household names, worked at Number Nine, but it was Spike’s moods that coloured the days and set the tone.

      Strangers often wonder, even suggest with a knowing look, that there must have been something going on between me and Spike for the association to have lasted. But there never was and that is perhaps one of the reasons we stayed together. He was my greatest friend and I was his, though I told him when I thought he was wrong and that did not always go down too well. As well as his manager and agent I was his peacemaker and confidante, and what confidences there were.

      Spike had his own explanation for why we stuck together so long.

      ‘I’ve always fought against being dominated by strong women. You’re one but with you there’s one important difference. You’re in my corner.’

      And I always was.

      A long stay was the last thing on my mind when I entered the stately Edwardian house for the first time. I walked into a bright reception area with a red carpet which continued on up the stairs and landings. The receptionist was friendly and we chatted until the switchboard buzzed. ‘You can go up now,’ she said, ‘it’s the first door on your left.’

      As I walked upstairs I wondered whether Spike Milligan would be as extraordinary as his public persona. He had converted the post-war radio audience to his crazy, anarchic sense of humour with The Goon Show. As a performer he was guaranteed to fill West End theatres: his unrehearsed antics convulsed spectators and unnerved the actors appearing alongside him. By the time I met him he was famous in South Africa, New Zealand, Australia, Canada and the United States, where he had gathered a following among students and – something that baffled him – intellectuals. Yes, it was rumoured that he was unpredictable and eccentric. Well, I had had a dose of that already and decided in advance that my stay with him would be for three months only.

      I stepped into a small cold room. French windows were open to a balcony and let in an icy draught. He was apparently oblivious to СКАЧАТЬ