Collected Letters Volume Two: Books, Broadcasts and War, 1931–1949. Walter Hooper
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СКАЧАТЬ they all (cat included) leaped aboard us before we were well alongside with the frantic haste of porters or customs officials. The ferryman’s only explanation was the cryptic sentence ‘Brought us all together’ which he repeated about four times.

      The rest of the day was spent tramping along the route Warborough—Stadhampton-Denton-Cuddesdon-Wheatley-Kilns. It was a colourless autumn day—about a quarter of the leaves still hanging on the trees: you know—just a yellow freckle on the black timber. We had tea at Wheatley, Barfield denouncing birth control. I could not help thinking, though I hardly cared to say, that a man married to an obviously barren woman was in this matter an arm chair critic. We were both home for supper, both feeling enormously the better for our jaunt. It is curious how the actual length of a holiday and the feeling of length are almost in inverse ratio. We had the sensation of having been away from our routine for an almost endless time.

      Looking back on our own last trip I feel the same. I can believe that we were only a day and two nights at Larne: as for Castlerock, we seem we have been there for weeks, in all kinds of weather and at different seasons of the year. Did we really walk only twice to the tunnel? In retrospect, by the bye, the thing that wears best of all in my mind is the narrow gauge journey: the journey back, of course, is—like a lane by a brickyard on a hot day. Before Barfield went to bed that night (in your room) I gave him your will and he is doubtless now re-writing it in unintelligible language.

      Clearly the proper [answer] is ‘Ah such nonsense.’ I actually replied by telling them to consult the artist, and to ask him to consider the proposal on purely aesthetic grounds. Unless the artist is a fool, that ought to safeguard us pretty well, and if he is—why then there is no help for us in any case.

      I get rather annoyed at this endless talk about books ‘living by the style’. Jeremy Taylor ‘lives by the style in spite of his obsolete theology’; Thos. Browne does the same, in spite of ‘the obsolete cast of his mind’: Ruskin and Carlyle do the same in spite of their ‘obsolete social and political philosophy’. To read histories of literature one would suppose that the great authors of the past were a sort of chorus of melodious idiots who said, in beautifully cadenced language that black was white and that two and two made five. When one turns to the books themselves-well I, at any rate, find nothing obsolete. The silly things these great men say, were as silly then as they are now: the wise ones are as wise now as they were then.

      How delicious Cowper himself is—the letters even more than the poetry. Under every disadvantage—presented to me as raw material for a paper and filling with a job an evening wh. I had hoped to have free—even so he charmed me. He is the very essence of what Arthur calls ‘the homely’ which is Arthur’s favourite genre. All these cucumbers, books, parcels, tea-parties, parish affairs. It is wonderful what he makes of them.

      I suppose we may expect a Colombo letter from you soon. I will vary the usual ‘must stop now’ by saying ‘I am going to stop now’. I am writing in the common room (Kilns) at 8.30 of a Sunday evening: a moon shining through a fog outside and a bitter cold night.

      Yours

      Jack

       TO ARTHUR GREEVES (W):

      [The Kilns]

      Dec 6th 1931

      My dear Arthur,

      Hurrah! I was beginning to feel the want of a word from you. I envy you your stay at Ballycastle, or rather I wish I had been there: I feel I can do so without selfishness because I should have enjoyed the storms better than Reid who doubtless lost through them most of the pleasure he expected to get out of his jaunt.