Britain AD: A Quest for Arthur, England and the Anglo-Saxons. Francis Pryor

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СКАЧАТЬ archaeologists on the beach had to face the wrath of neo-Pagans and Druids, which they did with dignity and not a little courage. I remember how one of the Druids proclaimed angrily that he was a ‘British Aboriginal’, and that we were desecrating ‘his’ religious site. I replied, in a foolish attempt to use humour to defuse the situation, that that was fine, because I was descended from Vikings and was therefore allowed to do a little light pillaging. This made him apoplectic with rage. He genuinely believed in his racial purity, and that that gave him certain rights. The linking of rights to race is just a blink away from Nazi beliefs.

      Although it is not my main purpose, I do hope to debunk some of these spurious half-truths, and in the process help people come to their own conclusions about what it meant to be British in the past, what it means in the present, and what it will mean in the future—and of these three, the future is the one that matters most.

      I have had a lot of fun writing this book. I have visited remote and extraordinary places, and met many old friends and some fascinating new people. The old friends were generally archaeologists, and the new people were mainly historians or specialists in fields of study that a prehistorian such as myself is unlikely to encounter. Britain ad, and the making of the three television films that have accompanied it, has been a wonderful journey of discovery. Having said that, I must sound a note of warning.

      Journeys of discovery lead one into uncharted territory, but in the present instance that territory is not the true terra incognita one encounters during academic research. Instead this quest has taken me into realms of the past that have been thoroughly studied by many archaeologists, historians and, more recently, scientists. These scholars might reasonably enquire what business a prehistorian of the Neolithic, Bronze and Iron Ages has with post-Roman Britain. In my defence I can only say that sometimes a fresh view, one rooted in a lifetime’s experience in a different, but closely related, field, can sometimes provide unexpected insights.

      I do not think it hurts to view the three or so centuries of the misnamed ‘Dark Ages’ (i.e. from the official end of the Roman Empire in Britain to, say, the mid-seventh century: AD 410—650) as what they were: an insular development out of Later Iron Age culture, following some 350 years of Roman influence.⁴ In archaeology it is always a good idea to examine origins and consequences: too often we fix our gaze on one period on its own. Chronological isolationism is just as bad as its geographical equivalent; indeed, when it comes to the study of post-Roman Britain it is essential to take a broad view of both time and space.

      In this book I have tried to view the events of the post-Roman epoch in greater time-depth than previously. To my mind what happened in Dark Age Britain is not particularly surprising when placed against the backdrop of prehistory. What is strange, however, is the variety of ways in which the post-Roman period has been interpreted by subsequent generations, including our own. I suspect this has something to do with identity: the identity of various élites, including royalty. It also has to do with emerging and beleaguered national identities. Again, I touch on these themes further in the first two chapters.

      For myths to arise they often require mystery, and the post-Roman period has always been seen in the popular imagination as particularly mysterious. I was brought up to believe that chaos and anarchy followed the collapse of Roman civilisation in Britain. Out of this primordial cultural soup arose a new form of life which in southern Britain was to be called England. The magic ingredient, the yeast of the brew, was hordes of Continental immigrants who by the early seventh century had transformed post-Roman anarchy into the rugged, no-nonsense world of the Anglo-Saxons. As national origin myths go, that of England is pretty good. It explains why the English are—or think they are—so different from the other nations of Britain. It’s also an excellent story. But whether it’s true or not is another question altogether.

      Today most people with even a passing interest in the past are broadly familiar with what one might call the cultural aspects of medieval times. We enjoy their great buildings, their paintings, sculpture and increasingly their music. As a result, we believe we can identify with them. The post-Roman period lurks on the misty, romantic fringes of that world. It’s a period that we wish we could identify with, but sadly we cannot. This is frustrating, because for better or worse the Dark Ages lie at the threshold of the period that gave rise to our own times. As a consequence of this, over the centuries we have recast the Age of Arthur in our own image. This is because historians, story-tellers and others are very good at reshaping the past in ways which reflect contemporary concerns. Today, for example, some of us look to Arthur to supply the mysticism which seems to have vanished from modern life, for whatever reason: perhaps the rationality of science, growing secularism, or even the dogmatic certainties of evangelical religion. These surely are some of the reasons why the Arthur industry is thriving. I have no wish to debunk the hundreds of books, films and videos that appear every year on Arthur and his court. Rather my intention is to think about the contexts of that time and to consider what might actually have happened, given what we know about previous and subsequent epochs from both archaeology and history.

      I have already mentioned that the Romans introduced writing to Britain. Of course most people were not aware of it at the time, but this process had already given rise to the discipline of history, which one might define as the study of the past from written sources. These sources can be as diverse as wills, letters, accounts, inscriptions, military commands or ecclesiastical texts, but they are all grist to the historian’s mill. The historian’s tradition is to paint with a broad brush and to seek causes for historical events. Historians also have a tradition of superb writing: open Edward Gibbon’s magisterial The Decline and Fall of the Roman Empire (written between 1776 and 1788) at random, and some resounding passage will tumble forth. This is what Gibbon says about King Arthur. I quote it at length both because it makes excellent sense and because it reads so beautifully:

But every British name is effaced by the illustrious name of ARTHUR,* the hereditary prince of the Silures, in south Wales, and the elective king or general of the nation. According to the most rational account† he defeated, in twelve successive battles, the Angles of the North and the Saxons of the West; but the declining age of the hero was embittered by popular ingratitude and domestic misfortunes. The events of his life are less interesting than the singular revolutions of his fame. During a period of five hundred years the tradition of his exploits was preserved, and rudely embellished, by the obscure bards of Wales and Armorica [Brittany], who were odious to the Saxons, and unknown to the rest of mankind. The pride and curiosity of the Norman conquerors prompted them to inquire into the ancient history of Britain; they listened with fond credulity to the tale of Arthur, and eagerly applauded the merit of a prince who had triumphed over the Saxons, their common enemies. His romance, transcribed in the Latin of Jeffrey of Monmouth, and afterwards translated into the fashionable idiom of the times, was enriched with the various, though incoherent, ornaments which were familiar to the experience, the learning, or the fancy of the twelfth century…At length the light of science and reason was rekindled; the talisman was broken; the visionary fabric melted into air; and by a natural, though unjust, reverse of the public opinion, the severity of the present age is inclined to question the existence of Arthur.⁵

      That was going too far, even for Gibbon, who clearly believed in Arthur as a real historical figure.

      At first archaeologists followed this grand tradition, but it soon became apparent that the writing of sweeping narrative did not work for archaeology. It’s not that our data do not allow us to draw general conclusions; it’s just that we should not attempt to mimic what historians do so well. As archaeologists we can indeed paint with a broad brush, but we have learnt that it is best to confine our efforts to the painting of archaeological pictures. Today archaeology tends to be more concerned with the long-term processes of social change. We prefer to work with landscapes rather than lineages, and we tend to be СКАЧАТЬ