Autumn of the Moguls: My Misadventures with the Titans, Poseurs, and Money Guys who Mastered and Messed Up Big Media. Michael Wolff

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СКАЧАТЬ supply. Lippmann’s interest in Bernard Baruch might be, with a little critical interpretation, not all that different from my interest in Barry Diller.

      After all, the media has replaced politics. The media is the root of consensus; it’s the organizational motor of society, now that media demographics define us; it’s the place you go if you have a cause, or a gripe, or desire for reform. It’s a great patronage machine too; loyalists and courtiers and suck-ups are rewarded with immensely valuable publicity. The media, surely, is a more influential force in our lives and in the world’s changing beliefs than politics or government ever was. Certainly, more people participate in the media than ever participated in democratic politics or government. Media is the currency of our time—the less access you have, the poorer and less successful you are. Likewise, the highest order of power and prestige is to be in the media yourself, or to control people’s access to it; people may say they hate the media, but just let their mothers see them on television. Hence, moguls became the political barons of the age. And we, the mogul underlings, became the officials and ward heelers and apparatchiks and bureaucrats of the new communications-technology complex that runs the nation.

      Media has become not just the political system but the biggest industry too (a convergence which, like fascism before it, has been most comically demonstrated in Italy, where the head of state is also the head of the country’s media monopoly).

      It is almost impossible to find a business that does not see itself as in some part a media business. In a transformation of vast and meretricious proportions, everybody plunged into the media game. Recognition, connection, meaning, transcendence, was something sought by even the dullest men.

      Westinghouse became CBS; France’s biggest water company got reborn as a media megalopolis; GM enjoyed a period as the nation’s major television satellite company; Microsoft again and again lost billions trying to develop media savvy. And GE’s flagship business moved from lightbulbs to NBC.

      You even had media companies creating other media companies to promote their core media company. The more media you owned, the more you could promote the media you owned. (Disastrously, Disney and Miramax created Talk magazine, for a time rationalizing their investment as a marketing instrument for the companies’ movies and executives.) Indeed, the modern notion of brand is really about access to media rather than the older notion of brand, which was about habit and dependability.

      Every American knows the secret of success: more media. The more media, the more recognition, the more value, the more power, the more influence—the greater claim on, well, the media.

      I don’t believe any greater power has ever existed.

      So I began to think it could be for me just like it was for Lippmann in Washington during the thirties and forties, observing the transformation of the U.S. into the world’s great consolidated megapower.

      Of course, I was no Lippmann. And I wasn’t the only one in the media business who had a clearly nagging sense of disappointment, of being less than the circumstances ought to have made us.

      As big as the media got, as central as it had become to everyone’s dreams, almost nobody took it very seriously. In fact, the bigger it got, the less seriously it was taken—even though one of the reasons it got big was precisely so that it would be taken seriously.

      Jerry Levin may have thought that the creation of the AOL Time Warner monolith would see him became a great man, a creator of worlds. But, as was apparent to all but the people closest to it, Time Inc., a company which used to be reasonably well thought of, became sillier and sillier as it grew larger and larger in its successive incarnations.

      No matter how big media companies became, they just could not transform themselves into stately, or even manly, enterprises.

      Politics and government, even though they are explicitly about power, have, or at least used to have, a carefully developed rationale for the need for power—they are, in a sense, about that rationale.

      The media isn’t so remote—isn’t so Waspy. In the media business, everybody’s motivations are clear. Every aspect of the enterprise—from the back office side to the talent side to the news side—is about achieving notoriety. The media is, in fact, in the business of being noticed by the media.

      The more insecure and narcissistic you are, the better equipped you are to rise in the hierarchy. And because there is no limit to insecurity and narcissism, the hierarchies are always being remade.

      Let’s say it: The media business at its most exalted level attracts emotionally needy, attention-demanding, nerdy guys. And worse, unlike a former generation of media people, who reveled in their personal excesses, the present generation is uptight about its desperate desires.

      But, in fact, they’re here because they’re dissatisfied with being just business guys. They aren’t, or don’t feel they are, temperamentally suited to just counting stuff. In fact, the media suits who are always derided as just being bean counters, don’t, in fact, count beans so well. They have quixotically higher ambitions for themselves.

      But they’re not good-looking or funny enough or imaginative enough to be the talent either. They’re stuck in the middle ground: They’re not the talent, but they can’t stand to be so far from the talent that there is no chance for the spotlight to ever hit them.

      So they puff up their businessman mission.

      Media business talk is among the most serious business talk there is. It’s all about being a serious person—a visionary businessman.

      No sane person (at least no sane person not on a mogul’s payroll) who has ever sat down with one or another of the halfwit overlords of the feudal media states and listened to the rationalizations for the twenty-year rise of the media cartel system has ever had any idea what these people are talking about. The patter—about content and distribution and scale and outlets and platforms—masks wild personal needs.

      I can’t do justice to the true asynchronous pitch of halfwit-overlord talk. But I think I can say what they are actually trying to say—which, even if they could say it properly, would still be ridiculous. Also, I think I can analyze why they have so much trouble saying it clearly.

      At the root of the blather are some basic case-study-type business principles. Great industries are built on the concept of commoditization. You take something expensive and by making lots of the same thing you make it cheaper, and, through a larger distribution system, you make it more widely available. Cars, for instance—like the Model T.

      Now, part of the premise here is that the thing you’re selling, because of the more efficient standardized process you’re using to create it, becomes more and more like the thing everyone else is selling, a mass-produced, unspecialized product. And therefore, you as the business guy—the person who knows how to do things more efficiently than the next guy—become all the more valuable to the process.

      The media, like all other advanced industries, was going to begin trafficking in commodities. Content was going to become commodified. Therefore, gaining the business advantage was going to be about how the organization could most efficiently create the product and bring it to market. It was going to be about management.

      Plus, it was going to be about value. Or value added. When you commodify something you devalue it, but if you manage to convince people (using, of course, the media) that your cheap-shit commodity is the better cheap-shit commodity, then you’ve won their hearts and minds. In a world where everything is the same because everything has been commodified, the only way to distinguish what you sell from what everyone else sells is to create СКАЧАТЬ