The Pleasure Chest. Jule McBride

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      She hit the floor running. You’ve got to get to the front door! The second it opened, an alarm would sound. Neighbors would come. Cops! But footsteps thundered behind her. She threw the platform to slow him down. He’d turned on the lamp at the bar before, so dim hazy light illuminated her steps. She had no time to wonder what he’d been doing downstairs. She was fifteen feet from the door. Then ten. Then five…

      Gratitude filled her as she swept her arm wide, a splayed hand ready to grab the knob. Something pulled her back! A hand grasped her shirt! She lost her footing! Lunged! She couldn’t gain traction. He pulled her backward, and viselike arms circled her waist. Turning, she wrenched hard as he brought her down, then gasped as he rolled with her to the floor.

      He landed on top. The door was less than five feet away. Maybe she could still reach it. Punching wildly, she hit his face while he tried to catch her flailing hands. Her pulse skyrocketed as the masculine scent of him filled her lungs. He writhed against her as she squirmed, his weight crushing her. “Get off me!”

      “I’ve met nicer wildcats in the woods,” he spat.

      She felt dizzy. Faint. And no wonder. The dress for Izzie’s opening had no longer fit, and she’d starved herself for days, so she could wear it. But now, her life depended on staying alert. Her nightshirt had risen, bunching around her waist. There was nothing between their bodies but her exposed panties and the thin fabric of his pants. Not jeans, she thought. Maybe cycling slacks. Heat twined through her limbs, feeling taut, like the corded ropes of his sinews.

      He was so strong. Suddenly heat flooded her. He had an erection! He was twisting his torso, too, settling more comfortably between her legs. Was the maniac sexually assaulting her? Had she gotten this all wrong? Was his intrusion unrelated to the painting? But no…he’d said it was his. She tried to glimpse his face, her mind reeling, but hair was hanging in his face. If she got away, could she identify him for the police? “If you think you can rape me,” she snarled, “you’re—”

      “Rape!” he exploded, rolling away. In a flash, he rose to his feet, towering over her. “If you ask me, America would be a better place with no women in it to rape a’tall! If it’s not Basil Drake accusin’ me, it’s always somebody else! It’s enough to make any man drink himself to death in McMulligan’s and never kiss a wench again, much less show her his divining rod, I swear it is!”

      Divining rod? What was he talking about? Whatever the case, she used the advantage to scramble to her feet. She stilled. Indeed, she could only stare, her eyes bugging. The sexiest green-eyed gaze she’d ever seen flickered down her body feeling as hot as a flame. It settled near the throat of her nightshirt, studying cleavage. She became aware of her bare legs, and that fighting him had left her aroused and panting. But that wasn’t the worst thing. Her eyes were deceiving her, or the light was too faint to be reliable.

      And yet it was him.

      The dark man from the painting. His hair was loose now, no longer tied back. Her hands had tangled with the strip of cloth holding it back, and it had fallen to the floor. Still, she’d know those eyes anywhere. The glittering emeralds followed her wherever she went.

      “It’s like you’re seein’ a ghost, isn’t it?” he ventured.

      Suddenly everything made sense. Relief coursed through her. “Where did James find you?” she demanded.

      “James?”

      She nodded, not about to be fooled. Surely James or Eduardo had found an actor to impersonate the figure in the painting. They were toying with her, since she’d insisted on bringing a masterpiece home. No doubt, they wanted to teach her a lesson and show her how dangerous it was to keep something so valuable in the apartment. Not that she was going to forgive them for the fright they’d given her. Still, she was calming down. At least until she registered the confusion on the man’s face, which looked genuine.

      “James?” he said again.

      Reminding herself that he was probably a professional actor, she vowed she wouldn’t get sucked into this. Pragmatically she said, “Or Eduardo. Maybe he hired you.”

      “Nobody hired me,” the actor assured. “Believe you me, miss. I would have taken any job, since I’ve got but a few dollars in my pocket, leftover from last time I was here, back in the 1960s. I sojourned with a fellow—he went by the name of Julius Royle…. Well, anyway, miss, it’s quite a long story, as you can imagine. The main thing is, that witch Missus Llassa must have put a hex on me, just like Lucinda said.”

      Julius Royle? Why did the name ring a bell? And Lucinda…well, she was reputed to have been Stede O’Flannery’s patroness and lover, according to Eduardo. “Stop it,” Tanya insisted. “The joke’s gone far enough. You scared me to death. I could have had a coronary. And your timing’s terrible.” She hadn’t needed to get this upset before Izzie’s opening, since she wanted to look poised when she saw Brad again. She was going to kill James. Or Eduardo. This joke exceeded the bounds of good taste.

      Sadness welled in the actor’s eyes. “I wish all this ’twere a joke, miss. I figure I keep gettin’ stuck in my own painting because of the hex. The last time I popped out was in the 1960s like I said. That’s when I met Julius Royle, who took me under his wing.”

      “Julius Royle?” she echoed, now realizing why the name was familiar. She’d read about him. He was an old-monied heir who’d lived in the Village, on the fringes of the bohemian art scene, and he was reputed to have gone crazy in the sixties. His family had him committed. “This whole thing’s getting stranger by the minute,” she forced herself to say.

      “I popped out once in the fifties, too,” he added helpfully. “The 1950s, I mean. I was cramped up somethin’ terrible, locked inside a crate when it happened. I’ve got no bloody idea why—”

      Popped out? What was he talking about? Her long-suffering look stopped his chatter. He was a major stud, yes. Probably not dangerous, she decided. And she was absolutely certain James and Eduardo had hired him. Why else would the spitting image of the man in the picture be inside the shop? Ah. That was why the alarm hadn’t sounded, too. James had given the man a key. Once she called his bluff, he’d leave and she could dress for Izzie’s opening.

      “Wait here,” Tanya said simply. Pivoting, she strode to the stairs, taking them two at a time. Instead of heeding her, he followed, so he was right behind her when she reached her bedside table, switched on the lamp and stared at the painting.

      He wasn’t in it.

      “He’s gone,” she whispered, slack-jawed. She stared at the leaves that shined down like sunbursts on the grassy clearing, piercing the surreal mist that looked like fairy dust. The blonde was still racing forward, his musket raised. But his target had vanished.

      She stepped close enough to reach out a finger and trace where the dark figure had been, her knees weakening. She felt a quick pang of hunger, reminding her she hadn’t eaten and her head swam. Everything faded to gray, although her eyes were open. She forced them open wider, but suddenly, she saw nothing at all. “This can’t be happening,” she stated in protest.

      And then everything went black. In the instant before she fainted, she heard him mutter, “Sweet Betsy Ross. Not this again.”

      

      “THIS IS AN EXACT REPEAT of what happened with Lucinda right before the duel,” Stede muttered, feeling forced to scoop the wench into his arms and carry her to bed. Using a free hand, СКАЧАТЬ