The Last Veteran: Harry Patch and the Legacy of War. Peter Parker

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СКАЧАТЬ but in other parts of the city, and many were injured. Fearful that Scottish troops might side with the strikers, the government sent massed English troops to Glasgow, some of them in tanks. Peace was restored and on 10 February the strike was called off, its aim unrealised. Politicians nevertheless feared that without the war effort to hold the nation together, discontent and dissension would spread throughout society.

      In the immediate aftermath of war, the interests and aims of workers often coincided with those of former servicemen. Indeed, the earliest associations of veterans had a strong political dimension, and the British Legion – associated latterly with garden fêtes and genteel volunteers selling poppies – grew out of surprisingly radical beginnings. The Legion itself did not come into existence until 1921, but a number of other veterans’ associations were founded while the war was still being fought. There had long been charitable organisations set up on behalf of British war veterans, ensuring that old soldiers did not simply fade away in penury. The professional soldiers who fought in the First World War, however, were outnumbered by civilians who, in the language of the times, had answered the nation’s call, either by volunteering or because they had been conscripted. In return, it seemed only right that they should be entitled to benefits provided by the state rather than having to rely upon handouts from charities. Veterans who had left the service began organising themselves into associations that would lobby for pensions and for disability and unemployment allowances.

      The earliest grouping, formed in September 1916, was the National Association of Discharged Sailors and Soldiers, which had strong links to both the Labour and Trades Union movements. The similarly named National Federation of Discharged and Demobilised Sailors and Soldiers, formed in April 1917, was sponsored by a Liberal MP and held its inaugural meeting at the National Liberal Club. It was open only to those who had served in, or risen from, the ranks, presumably because the Federation felt, as the government did, that former commissioned officers could look after themselves. The Comrades of the Great War was proposed in August 1917 by Lieutenant Colonel Sir John Norton-Griffiths, a Conservative MP (supported by Lord Derby, the then Secretary of State for War), with the express intention of providing an organisation without what he considered the radical, even revolutionary, affiliations of the other associations. The most radical of them all was the short-lived National Union of Ex-Servicemen (NUX). This was founded in 1918 by John Beckett, a former soldier and a member of the International Labour Party who believed that ex-servicemen’s associations could flourish only if they maintained links with other workers’ organisations whose aims were deemed more or less identical. Workers’ organisations often agreed, as may be judged by the pronouncements of Wal Hannington, a trade union official and founder member of the Communist Party of Great Britain. He regarded the unemployed former servicemen ‘who had come from the bloody battlefields only to be cast on to the industrial scrap-heap of capitalism’ as key components in the political struggles of the post-war period. There was a great deal of unseemly infighting among the disparate ex-servicemen’s groups, but by the end of the war they had become a force to be reckoned with.

      By the summer of 1919, the Federation was rumoured to have two million members and was described in the House of Commons as ‘a huge shapeless, and menacing mass, on the verge of collapse into anarchy’. Evidence of this had been seen a few days earlier when the Federation organised a demonstration in Hyde Park to protest about the lack of employment opportunities for discharged and disabled servicemen. Having listened to speeches in the Park, and passed a resolution that ‘unemployed ex-servicemen shall immediately be found work at trade union rate of wages’ or, failing that, an increased unemployment benefit of £1 8s (rising to £2 for those with children), the 10,000 or so protesters declared their intention of marching on Buckingham Palace and the Houses of Parliament. Prevented by a police cordon at the top of Constitution Hill from approaching the Palace by the most direct route, the demonstrators took another, where their way was once again barred. In Victoria Street the road was being dug up, and this provided the protesters with wood blocks and chunks of concrete, which they hurled at the police, and scaffolding poles, which they used to trip up the horses of the mounted division. Having abandoned their attempt to storm the Palace, they headed for the House of Commons, where they ‘swept away a line of mounted policemen’ in Parliament Square and ‘surged forward alongside St Margaret’s Church, throwing missiles at the flying line of police’. Mounted police reinforcements that had been held in reserve then charged the crowd, ‘drew their truncheons and used them freely’. Numerous people on both sides ended up in hospital. It took almost an hour to disperse the rioters, who departed only after they were addressed by James Hogge, the Liberal whip who had formerly been the Federation’s president and was still lobbying on their behalf in Parliament.

      It was against this background of military and civil unrest that plans were made to celebrate the peace, and Virginia Woolf was not merely voicing the cynicism of pacifist Bloomsbury when she wrote that there was ‘something calculated & politic & insincere’ about the first of these great public events, the Peace Day celebrations in July 1919. In observing that they were ‘some thing got up to pacify & placate “the people”’, she had a point. Although the Armistice had been declared on 11 November 1918, the Treaty of Versailles, which marked the official end of the war, was not signed until 28 June 1919. Peace Day in Britain, which was to be celebrated somewhat paradoxically by a military parade, was originally set for early August to coincide with the anniversary of the outbreak of war. At the suggestion of the King, who wanted this Victory Parade of all the Allies to take place as soon as possible after the signing of the treaty – and possibly did not want to be seen to be lagging too far behind the French, who would celebrate their own victory on Bastille Day, 14 July – the government subsequently moved the date forward to 19 July. Recognising that jubilation would need to be tempered by some acknowledgement of the massive losses Britain suffered in gaining that victory and securing the peace, Lloyd George proposed at a very late stage that a monumental catafalque should be placed on the parade route so that the passing columns of soldiers could salute their dead comrades. Something similar had been planned by the French for their celebrations. Lord Curzon, who headed the Peace Celebrations Committee, declared that a catafalque – technically a raised platform on which a body rests temporarily before a funeral – might do for papist Continentals but would be regarded by the British population as wholly alien. A huge cross at Admiralty Arch was suggested as an unimaginative and somewhat crass alternative, but fortunately someone had the sense to consult Sir Edwin Lutyens, who had been advising on the layout of military cemeteries in France and Belgium.

      It was lucky that Lutyens was a quick worker. He produced a design almost immediately – supposedly within ten minutes of the idea being put to him on behalf of Sir Alfred Mond, who, as the First Commissioner of Works, was the government minister responsible for overseeing public buildings and statues. Lutyens’ design was of a symbolically empty sarcophagus on top of a pylon, a rectangular truncated pyramidal tower of the sort often used to flank temples in Egypt. Lutyens thereby transformed a catafalque (on top of which an effigy would logically rest) into a cenotaph, which, he explained, was ‘a monument to a deceased person whose body is buried elsewhere’ and was thus wholly appropriate to the circumstances. He understood that as a focus of national mourning for the whole Empire, with its many races and creeds, the Cenotaph had to be non-denominational. It therefore lacked any Christian symbolism or inscription, much to the displeasure of many in the Church. Its decorations were restricted to religiously neutral wreaths, ribbons and flags and the all-embracing words ‘The Glorious Dead’. Resembling solid stone but in fact constructed from wood and plaster, the Cenotaph was reasonably easy to erect in Whitehall during the fortnight left before the Victory Parade took place. No sooner had it been erected than people began to lay wreaths against it. These piled up to such a degree that they had to be cleared away in order to make room for the troops to march past on Peace Day.

      It was originally proposed that the march should pass through the East End, but the Peace Celebrations Committee decided that the residents of Vauxhall, Kennington and Lambeth should be favoured instead on the grounds that they ‘were much more British on the whole than the East End which was largely composed of foreigners’ – in other words Jewish and other immigrants who had settled there and were clearly regarded as insufficiently assimilated, СКАЧАТЬ