Название: Botanical Painting with Coloured Pencils
Автор: Ann Swan
Издательство: HarperCollins
Жанр: Изобразительное искусство, фотография
isbn: 9780008328252
isbn:
FC102 Cream
FC184 Dark Naples Ochre (Ochre)
FC118 Scarlet Red (Scarlet Lake)
FC142 Madder
FC133 Magenta (Bordeaux Wine Red)
FC193 Burnt Carmine
FC225 Dark Red
FC123 Fuchsia
FC134 Crimson (Magenta)
FC139 Light Violet (limited availability)
FC138 Violet
FC170 May Green (Apple Green)
FC168 Earth Green Yellowish (Moss Green)
FC172 Earth Green (Grey Green)
FC173 Olive Green Yellowish (Olive Green)
FC174 Chrome Green Opaque (Cedar Green)
FC278 Chrome Green Oxide
FC179 Bistre
FC178 Nougat
FC175 Dark Sepia
∆ Here is a useful basic starter range of 22 Faber-Castell Polychromos coloured pencils. (The names in brackets appear on older stock and are no longer used, but the pencil numbers remain unchanged.)
PRISMACOLOR PREMIER COLOURED PENCILS
These artists’ quality pencils are made by Sanford in a range of 132 colours with good quality pigments that provide rich colour saturation. They are wax-based pencils, but I find the range mixes well with the Faber-Castell Polychromos pencils as they are smooth and creamy in texture.
Prismacolor has an excellent range of the colours found in fruits such as autumn berries, blackcurrants, aubergines and cherries – the darker violets, purples and reds – with colours such as Black Grape, Black Cherry, Dark Purple and Black Raspberry, and some more unusual greens such as Pale Sage, Limepeel, Green Ochre and Artichoke.
You can buy these pencils online mainly from suppliers in the USA although a few UK sites are now offering them. It is worth the effort to try and obtain them; even with shipping and import tax, they are still no more expensive than other makes.
The disadvantage of using these pencils as your main range for botanical work is that the point invariably snaps off in use, making fine detailed work quite difficult. Additionally their softness can create rather too grainy a texture if they are used alone. However, because the colours are so rich and blend so well, they make excellent companions to the Faber-Castell range.
ART MARKERS AND BRUSH PENS
Both Faber-Castell and Prismacolor produce a range of matching brush pens and markers that can be useful for underpainting if care is taken to match the pen to the coloured pencil you have used for the main drawing. Faber-Castell produce the Pitt Artist Brush Pen in a range of 48 colours, with plans to extend the choice, and the Pitt Artist Pen Big Brush, a much chunkier version, with a range of 48 similar colours. Prismacolor produce a huge range of 156 double-ended Art Markers.
From left to right (left-hand pot):
PC938 White
PC1084 Ginger Root
PC1032 Pumpkin Orange
PC 922 Poppy Red
PC923 Scarlet Lake
PC924 Crimson Red
PC925 Crimson Lake
PC994 Process Red
From left to right (right-hand pot):
PC1095 Black Raspberry
PC1078 Black Cherry
PC996 Black Grape
PC931 Dark Purple
PC1009 Dahlia Purple
PC1005 Limepeel
PC1089 Pale Sage
∆ Prismacolor offer several colours useful for botanical work that are not available in any other range.
OTHER GOOD RANGES
There are many makes of coloured pencil available now, too numerous to list here, but the following ranges are good quality and worth consideration. Try out each make before you buy to see which you prefer because we all have different styles and draw with differing pressures. Most art shops will let you try pencils, but if not just buy one before you commit yourself to any additional expense.
DERWENT STUDIO
This is a useful range of 72 slim artists’ quality pencils. They share the same colour core as Derwent Artists coloured pencils, but have a slim, hexagonal barrel. The 3.4mm core sharpens to a fine point, producing a narrow colour strip that is useful for detailed work.
CARAN D’ACHE LUMINANCE 6901
Relatively new to the market, this range of 76 pencils comes with full lightfast guarantee on 61 of the colours. They have a lovely soft, creamy laydown similar to Prismacolor but without the tip breaking off. However, there is only one good green and the range is limited. The grey, light brown and beige colour ranges are strong, with some lovely violets and purples, but they are weak in the yellows, oranges, reds and greens. They can be confusing to use as the barrel is wooden with a colour reference just on the tip and the number is written around the barrel, so is difficult to read. I recommend that at first you buy just a few of the more unusual colours.
LYRA REMBRANDT POLYCOLOR
A range of 72 oil-based colours, these pencils are similar to the Faber-Castell Polychromos range with similar colour names and numbers.
PRISMACOLOR VERITHIN
A limited range of 36 colours with narrow, hard colour strips, Prismacolor Verithin are useful for fine details and edges.
∆ CONCENTRATED PLUMS
13 x 11 cm (5 x 4 in)
EXTRA COLOURS
You will come across many other makes, mostly with limited colour ranges, but keep a look out for the occasional colour that is not in any of the other ranges and collect any you think might be useful. Ask if you can try different makes out before you buy to check their consistency and ease of use.
Some distributors are now manufacturing their own brands, such as Dick Blick in the USA, who have produced a range of 72 Blick Studio Artists’ Colored Pencils with what they call ‘fade-resistant’ leads, which they state are formulated utilizing СКАЧАТЬ