The Street Philosopher. Matthew Plampin
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Название: The Street Philosopher
Автор: Matthew Plampin
Издательство: HarperCollins
Жанр: Историческая литература
isbn: 9780007310043
isbn:
‘Really, Madame?’ Kitson looked at the illustrator. Styles was blushing fiercely, intensely pleased by Mrs Boyce’s praise. It was clear enough what had transpired between them. Madeleine Boyce conquered fellows like this Styles without even properly realising that she was doing it. Kitson almost cursed aloud: here was yet another complication to consider. So much, he thought, for my optimism about the arrival of Mr Styles. ‘Is that where you first met one another, may I ask? On the Arthur?’
Styles nodded. ‘The vessel made a stop at Varna, sir, and Mrs Boyce came aboard. We were introduced soon after.’
‘Indeed, Mr Styles. What serendipity.’ Kitson turned back to the officer’s wife. She had removed one of her gloves and was idly studying the exposed hand. ‘Well, I must say that it is good to see you again so soon, Madame. We poor Courier scribes were resigned to meeting you next upon English soil.’ He cleared his throat pointedly. ‘Mr Cracknell will be especially gratified, I’m sure.’
Suddenly self-conscious, Mrs Boyce pulled her glove back on. ‘And how fares your good senior? He is well, I hope?’
Styles was listening very closely, his brow furrowed. Our young illustrator is no fool, thought Kitson. He saw the change that came over her when I mentioned Cracknell’s name. ‘He perseveres, Mrs Boyce, in his usual manner. His, ah, inexhaustible passion for our task continues to inspire all in his orbit. Myself in particular.’
She smiled at this reply–not the confident smile that charmed and dazzled so many, but a genuine, involuntary expression of deep delight. Kitson looked away.
A small mule-cart was weaving slowly through some Commissariat tents pitched at the rear of the landing zone, heading in their direction. It was driven by a stout infantry sergeant, with a private sat at his side. The brass regimental number on the front of their shako helmets was just visible: these soldiers were from the 99th Foot.
‘I see that your escort approaches, Madame,’ Kitson observed, unable to keep a note of relief from his voice. ‘The Lieutenant-Colonel will be most pleased to learn that you have arrived without mishap.’
The dreamy smile vanished. Mrs Boyce inclined her head stiffly in reluctant acknowledgement of her husband’s existence.
‘And we must leave you now, I’m afraid,’ Kitson added apologetically. ‘There are duties we must perform, and certain facts of our present situation with which Mr Styles here must be familiarised. I feel sure, however, that we will encounter one another again in the near future.’
Farewells were exchanged–rather hastily, as Kitson wished to avoid being caught conversing with Mrs Boyce by one of her husband’s non-commissioned officers. It would be reported, various assumptions would be made, and trouble would surely follow. He was starting to feel that trouble was something with which the nascent Courier team was already too familiar.
Madeleine watched the newspapermen walk away across the stones, taking care to give the cart a wide berth. A minute later, the modest vehicle pulled up close to where she stood. The squat brown mules were shaking their heads and braying, unsettled by the sounds of the teeming landing zone.
‘Mrs Boyce?’ said the sergeant. ‘We’re ’ere t’collect you, ma’am.’ She nodded absently. The two soldiers climbed down from the cart and started towards the chest.
Turning away, Madeleine gazed inland, past the beach to the farmlands beyond. ‘Je suis ici, Richard,’ she whispered, ‘je suis ici.’
More cholera cases were being carried down towards the sea from the camps, bound for the Arthur. Kitson and Styles pressed themselves against a row of ammunition crates to let them pass. The men already seemed beyond all help, flies clustering around their mouths and eyes in black knots. The illustrator felt a clammy nausea close around him. He was not yet used to such sights.
The new colleagues walked on through a copse of short, small-leafed trees and out into a broad expanse of farmland. An undulating quilt of lavender and wheat stretched away to the horizon, dotted with farmhouses, fruit orchards and wide-bladed windmills. A few rays of sunlight broke through the clouds, dappling the landscape beneath. Soon the diseased soldiers were left behind, and Styles began to recover himself. The Crimean countryside was a welcome change indeed from the open sea, and seemed remarkably peaceful. Even the mass of white military tents pitched off to the east looked like the site of an enormous fair. Red-coated infantry drilled in long lines, the shouts of their sergeants mingling with the jaunty tunes of regimental bands, and the clanking of countless pans and kettles.
Styles asked whether they might stop for a moment, so that he could take in this sight properly–perhaps even make a quick sketch. Kitson continued to stride on ahead at some speed, however, with no sign of having heard him. Hands in his pockets, he was staring down at the ground, entirely absorbed in private thoughts. The illustrator didn’t repeat his request. He was determined not to prove an annoyance. Kitson’s heavy beard and dusty, discoloured clothes seemed to rebuke him for his late arrival on the campaign, for the months of hardship he had missed–and to demand that he demonstrate his suitability for the task that lay ahead.
Thomas Kitson, also, was someone with whom he felt he had a deep kinship. During the course of his briefings at the London Courier, Styles had heard a good deal about the junior correspondent. More than two months after Kitson’s departure, the magazine’s offices on the Strand still hummed with talk about the unaccountable fellow who had abandoned a promising career in art criticism to follow Lord Raglan’s Army. He was exceedingly knowledgeable, these gossips said, and had been expected to rise to the summit of his profession before long–yet he had decided to risk everything, his very life included, to chase after battles with the notoriously unpredictable Richard Cracknell. The verdicts of his former colleagues were harsh–they theorised that Kitson, in the last years of his youth, had developed a craving for glory, for a reputation that anonymous reviews of picture-shows could never bring him. Either that or he had received some sort of hard, disorientating blow to the head.
But one powerful voice had been raised in Kitson’s defence, sending his detractors scuttling for cover: that of old Mr O’Farrell, the Courier’s editor-in-chief. ‘The man of whom you speak so dismissively can summon forth images with his pen that none of you wretched inkhorns could ever hope to match,’ he had snapped. ‘He desired a challenge, a subject of import, of weight, well away from the vapid commonplaces of Metropolitan conversation–and I was not prepared to deny him it!’
This outburst had heartened Styles enormously. This was his wish as well–to witness something great, something that would make him more of a man and more of an artist. He, too, had met with his share of opposition, from fearful relatives and uncomprehending friends, all looking at him in utter mystification when he told them of his contract with the Courier. Hearing O’Farrell speak of Kitson in this manner had made him believe that his decision was justified, that he was off to perform a noble task with like-minded souls. Yet here he was, out on the campaign at last, in Mr Kitson’s company no less, and they had barely exchanged a word beyond their initial greeting. This was not how he had envisioned his first hour as a member of the Courier team.
The two men started along a narrow mud track, and the silence stretched until Styles could bear it no longer. ‘May I ask where we are heading, СКАЧАТЬ