The Street Philosopher. Matthew Plampin
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Название: The Street Philosopher

Автор: Matthew Plampin

Издательство: HarperCollins

Жанр: Историческая литература

Серия:

isbn: 9780007310043

isbn:

СКАЧАТЬ sight of Lieutenant-Colonel Boyce, out in front atop his black horse, surveying his dodging men with distaste, yelling at his sergeants to enforce the regimental line.

      Then came the sound–metal striking flesh, tearing through it in an instant, like a butcher cleaving a rack of ribs. All laughter among the soldiers stopped abruptly, as if a door had been suddenly slammed on a room full of merriment, and an astonished scream took its place.

      Boyce’s voice rose above the cannon-fire, somewhere up ahead. ‘Leave the wounded for the bandsmen! Leave them where they fall, I don’t care what rank they are! Keep steady! Press the advance!’

      Another shot hit the 99th. Styles saw a red spray arc briefly above the soldiers’ shakos, and a wet ball slide into the grass behind them. The band stopped playing and left the advance. Their sergeant, a flute in his hands, stared dumbfounded at the smattering of broken bodies that lay in the wake of the line. Some of the injured writhed and wailed, others lay motionless and silent. Several were clearly dead, their skulls caved in or organs horribly exposed. Close to the Courier men was a corporal, his left leg sheared off just above the knee, a creamy substance oozing from the white shard of bone, mixing with his blood. He was trying to sit up, puffing frantically.

      It was happening too quickly, far too quickly. Thinking to take stock for a moment, Styles came to a halt; and found himself staring dumbly at this corporal’s wound, drawn in by the savage colours, the cruelly attenuated form, the hideous, pulsing rawness of it. His stomach cramped painfully, and sweat sprung out across his brow, but he could not look away.

      A hand closed on his shoulder. It was Kitson. He was facing the sergeant, who still stood resplendent and useless in his richly embroidered bandsman’s uniform. ‘Aren’t you going to do something?’ he demanded angrily.

      The sergeant started, as if shaken out of a trance. He rubbed his brow with his sleeve, and hung the flute on his belt. ‘Orders are to carry ’em back. Fer–fer transport out.’

      ‘Back where? Out where?’

      The sergeant just shook his head. Hesitantly, the band members approached the wounded and began to drag them back towards the Allied camp. The corporal, gripped under each arm and trailing fluids, started to sob piteously, but after a few yards fell into unconsciousness.

      ‘Come, Styles,’ muttered Kitson. ‘We must stay focused on our task. Mr Cracknell won’t wait for us.’

      Styles nodded, trying to right his stumbling spirits. Such sights were part of battle. Cracknell was up in front, just behind the army, a dirty black blemish on a row of glowing red, jotting something in his pocketbook. They were a good distance closer to the Russian cannon now, the balls cleaving the air above them with wallowing roars. As they arrived at the senior correspondent’s side, a private further down the line was struck full in the chest and flung back violently through his fellows. Immediately, an officer began shouting for his men to fill the hole and keep to their places. The voice, high and lisping, sounded familiar; Styles stole a quick glance above the multitude of shining black shakos to see Captain Wray, waving his sword at his soldiers as if threatening them with it, cursing them vehemently for their cowardice.

      A shell cracked overhead, a painfully sharp, ringing noise; and several soldiers below were dashed bloodily to the ground. Styles could see several mounted officers conferring ahead of the advance, displaying themselves to the enemy guns with studied nonchalance. An order was given, bugles calling along the line, and the massive force came to a halt. The redcoats lay down under the Russian fire, trying their best to bury themselves in the coarse Crimean grass. Styles realised that someone was tugging at his sleeve. Kitson was pulling him towards a small copse of silver-barked trees just behind the rows of stationary soldiers, in which Cracknell was already stowing himself. Another shell burst, closer and lower this time, throwing up clods of earth. The illustrator was dimly aware of blood-soaked grass, slippery under his feet; then he was lying on his belly in the heart of the copse. The soil beneath him felt cool through his shirt. He could hear the trills of birdsong in the branches above, even over the barrage. The birds must be trapped, he thought, too frightened to take the risk of flight across the battlefield.

      Styles peered out through the undergrowth. Officers continued to ride the line, their heads high as if inviting death; shows of courage that even managed, in places, to coax embattled cheers from their men. Gulping down some smoky air, he took out a sheet of paper and a pencil. But he could not draw. His body, his thoughts and his emotions all seemed to be completely beyond his control. He could feel his limbs beginning to tremble. You can endure battle, he tried to tell himself. You are no coward. What are a few shells, some blood, and a spot of cannon-fire? You have to show Mrs Boyce that you are a better man than Richard Cracknell. You have to show her. These thoughts ran through his head over and over again, like an incantation intended to firm up the mind and steady the nerves. Yet still he could not draw. At that moment, his many years of artistic training, of study and tireless application, were utterly lost to him.

      Kitson had positioned himself upright, behind the thickest trunk. All signs of his earlier anxiety were gone. He now seemed, to the quailing Styles, an enviable exemplar of composure. Notebook out, he was asking Cracknell the reason for the halt.

      The senior correspondent checked something inside his jacket; then he climbed warily to his feet and pointed towards the far side of the valley, in the direction of the sea. ‘Over there, look! The French are attacking. I should think that Raglan is waiting for them to take the coastal heights before continuing the British assault. All strictly by the book, my friends!’

      Styles peered over at these heights. Above them, shell-fire was creating a constellation of drifting, star-shaped clouds. Tiny blue figures swarmed over the river and up into the foothills, breaking formation as they dashed forwards. Russians had descended to meet them, and Styles could see a vicious tangle of bodies where the two sides clashed. The dead dropped on to the steep hillside and rolled away from the fighting, their limbs flailing as they tumbled towards the river.

      A series of shells exploded above the copse, deafeningly loud, shredding the soldiers closest to it and smashing several of the trees to splinters. Kitson and Cracknell were knocked to the earth, winded, landing alongside Styles. All three were splattered with sap and viscera. Looking up at the sky in terror, the illustrator saw dark shapes shooting away in every direction, so fast the eye could barely discern them. He thought at first that this must be the scattering of shrapnel; but then realised that it was the birds, finally forced to take flight into the iron-filled air.

      On the low hill two miles back from the river, Madeleine watched as a group of Cossack horsemen rode into the empty village by the Alma. Each one wore a fur hat and a long green kaftan, and was carrying a burning torch. A few moments later, thick smoke began to belch from the quaint thatched cottages, soon engulfing large parts of the British line.

      This was a dire development. Even with the help of Captain Lichfield’s telescope, her hopes of locating Richard, of assuring herself that he was safe, had now dwindled away to nothing. She realised suddenly that the time had come. She had to act.

      Lichfield himself was over at his horse, a large bay tethered thirty yards or so from the summit of the hill. He was stowing some papers in a saddle-bag. Madeleine waved to him, and he hurried over obediently.

      ‘Captain, I must get closer,’ she said, wrinkling her brow in pretty vexation. ‘We are too far away here. It is all too far away.’

      This was met immediately by a chorus of disapproving noises from the wives behind them. ‘I’m afraid that’s impossible, Mrs Boyce,’ said Lichfield, mildly surprised. ‘Quite out of the question. Surely you can still see well enough from here?’ He nodded at his telescope, which lay in her lap.

      Madeleine СКАЧАТЬ