The Ancient Ship. Zhang Wei

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СКАЧАТЬ in the sky and set up a rush tent. They placed a vermillion table and chairs inside and set the table with tea servings. It was late in the afternoon when all was ready, and Zhang-Wang brought in five or six strangers with musical instruments; they sat wordlessly at the table. Then, at a silent signal, they picked up their instruments and began to play. And that was the cue for Zhang-Wang to enter the tent, where she sat on a rush mat that was spread out on the ground. The music was indescribably moving; there were people in town who had never heard ancient music like that before, and others who had a vague recollection of hearing it in the past. People streamed over, crowding the tent until latecomers were forced to stand outside. The noodle factory was virtually empty; when Duoduo came over to find his workers, even he was captivated by the music.

      The musicians, whose sallow faces were unfamiliar to the townspeople, had exhausted their emotions over a lifetime of playing and now performed their mournful songs with expressions that revealed no emotion. One of them, who seemed not terribly bright, was barely holding on to his instrument and playing nearly inaudible sounds, calm and unhurried. People sat on the ground, their eyes closed as they listened intently, feeling as if they had been transported, trancelike, to a mystical land of wonder. When the musicians stopped to rest and drink a cup of tea, the listeners, near and far, exhaled loudly. At that moment it dawned on someone to ask who had invited this musical group, and they were told that Zhang-Wang had made the arrangements. That surprised no one. A moment later the music started up again and the people once more held their breath and narrowed their eyes. But then a shrill noise cut through the music. All eyes popped open to search out the source. The music stopped.

      Someone spotted Gimpy, who had slipped in among the others and was sitting tearfully on the doorsill. He had taken out his flute. Angered by his presence, they told him to leave, but he began to play his flute, undeterred even when someone in the crowd kicked him. Erhuai, the pier guard, walked up with his rifle and threatened to snap the flute in two. But Gimpy held on to it for dear life, rolling on the ground to protect his treasured instrument; finally, he managed to run off.

      The musicians played till late into the night, when everyone’s hair was wet with dew; moisture on the stringed instruments altered their sound until they seemed to be sobbing. Then the shrill sound of a flute came on the wind from the floodplain, each note like a knife to the heart. There is nothing quite like the sound of a flute at night, and the full extent of its mystical power was felt by the townspeople that night. The sound was mistaken by some for a woman singing or a man sobbing, boundless joy pierced through with limitless sadness. The tune was as cold as autumn ice, constantly rising and falling like a barrage of arrows in flight. When and why had Gimpy decided to play the flute like that? No one knew. But the music quickly immersed the people in thoughts of their own suffering and their own pleasures. They were reminded of how Dahu had gone down to the river as a boy, naked, to spear fish, and how he had walked around tooting on a green flute he’d fashioned from a green castor bean plant. Once he’d climbed an apricot tree and tasted some of the sap, mistakenly assuming it would be much like one of Zhang-Wang’s sweets. As shrill notes from the flute continued to drift over, the people conjured up an image of Dahu lying on the ground in his tattered uniform, his forehead ashen white, blood seeping from the corner of his mouth. The musicians in the tent began to sigh; one by one, they laid down their instruments and, like everyone else, listened intently to the flute. And so it went until the music stopped as abruptly as it had begun. The sense of disappointment was palpable as people looked around helplessly. Stars hung low in the clear, bright night sky as the dew settled. Erhuai, still carrying his rifle, came running over, stepping on people as he went to clear a passage. Everyone turned to look.

      “Fourth Master!” they shouted in unison.

      A man in his fifties or sixties walked slowly up a path that had been opened for him, casting glances all around from his glimmering dark eyes. Then he lowered his eyelids and looked only at the ground. His shaved head and beardless face glinted in the starlight. His neck was fleshy, the skin moist and ruddy. Thick around the middle, he stood straight when he walked; his reddish-brown jacket was ringed at the waist by a stiff leather belt. He wore a somber look that day; his eyebrows twitched. And yet his face emanated kindness and gentleness, even with his mouth tightly shut, which both consoled people and filled them with resolve. The clothes he wore were handmade, with close stitching and neatly placed buttons, the sleeves cut to show off his powerful shoulders and upper arms. He had large hips that moved easily as he approached the tent. Not until that moment had anyone noticed that the street director, Luan Chunji, and Party Secretary Li Yuming were behind Fourth Master, who stood at the opening to the tent and coughed softly. The musicians, who sat impassively when they were working, now stood up and bowed, forcing smiles onto their faces. Without a word, Fourth Master signaled for them to sit down. Then he bent slightly at the waist and poured each of the musicians a cup of cold tea before turning and walking over to the hut.

      All sounds came to a halt. The old woman grabbed her young son’s hand and rushed up to Fourth Master, taking tiny, rapid steps. She was choked with tears. Fourth Master took her hands in his and held them for several minutes, and as her shoulders slumped and heaved and quaked, she seemed to be getting smaller. She was too grief-stricken to speak for a moment. “Fourth Master,” she managed to say, “what happened to Dahu has upset you! What do I do? How do…I do it? I am fated to suffer, the whole Sui clan is fated to suffer. Fourth Master, this has upset you.” He let go of her hands and walked up to look at Dahu’s photograph, where he picked up a bundle of incense sticks and lit them, then bowed deeply as Zhang-Wang stepped out of the shadows and stood beside him. Her lips were pressed together more tightly than ever; her face looked very old as she glanced at the wrinkles on Fourth Master’s neck. Noticing a leaf on his clothes, she removed it.

      Next to enter the hut were Luan Chunji and Li Yuming, who tried to console Dahu’s mother, telling her what a good son he was, the pride of Wali, and urged her not to be too sad; they wanted her to shun superstitions as much as possible. A little of that can’t hurt, they said, but her heroic son deserved something better. Overhearing what they said, Zhang-Wang narrowed her eyes and glared at them, exposing her black teeth. They quickly turned away.

      No one else spoke, inside or outside of the hut, for a long while, for the most solemn moment had arrived. People outside could not see what Fourth Master was doing, but they assumed that he was involved in some sort of mourning ritual. The Sino-Vietnam war had seemed alien and distant to them, but now it was linked directly to the town of Wali, right there where they could touch it, as if the fighting had broken out at the foot of the city wall. Cannon fire rocked the town; the iron-colored wall of ancient Donglaizi was spattered with blood. Wali had sent not just one of its sons to fight, but the whole town…Fourth Master emerged from the shack, walking slowly, as always. This time he did not stop at the tent but continued on.

      His back rocked slightly as it disappeared into the darkness.

      The flute started up again. Regaining their sense of responsibility, the musicians signaled each other with their eyes, and the music recommenced.

      Baopu sat in the midst of the crowd, feeling like a man carrying a heavy boulder on his shoulders. He wanted to cry but had no tears to shed. The chilled air cut into him. Finally, wanting to hear no more of the flute or the musicians, he got up and left. When he walked past a haystack, some twenty or thirty feet from the hut, sparks flew out. “Who’s in there?” No response. He bent down to get a better look and saw his uncle, Sui Buzhao, curled up amid the loose straw. And he was not alone: Li Zhichang, Technician Li of the mine prospecting team, and a laborer were in there with him. Baopu edged in and sat down. His uncle, who was leaning to one side, was muttering between drinks he took from a bottle. The younger men were talking, with an occasional interruption from Sui Buzhao. The air grew increasingly cold as Baopu listened to the conversation about the front lines and about Dahu, which was to be expected. But what he heard loudest of all were the sounds of the flute and a constant rumbling. Did it come from the mill or was it the sound of heavy guns? He wasn’t sure. But the distant image of a smiling Dahu took shape in the hazy night air. With the sound of heavy guns to the СКАЧАТЬ