The Times Great Lives. Anna Temkin
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Название: The Times Great Lives

Автор: Anna Temkin

Издательство: HarperCollins

Жанр: Биографии и Мемуары

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isbn: 9780008164805

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СКАЧАТЬ which he declined, and such pictures of his as are to be found in French national collections, at the Luxembourg Museum and elsewhere, are gifts or bequests. He himself presented to the French nation a series of 19 ‘Water-Lily’ paintings, and in 1923, at the age of 83, in the company of his old friend, M. Clemenceau, who was a supporter of the Impressionists in the stormy days of the ’seventies, Monet visited the Tuileries Gardens to inspect the building which was being specially constituted to contain them.

      London Views

      His work has been frequently shown in London, at the Goupil Gallery, the Leicester Galleries, the Lefèvre Galleries, the French Gallery, the Independent Gallery, and elsewhere, and some years ago an association of English and foreign artists was formed in London called the ‘Monarro Group’, combining the names of Monet and Pissarro as heads of the movement with which they found themselves in sympathy. In connection with Monet’s visits to England his views of the Thames, including ‘Waterloo Bridge’ and ‘The Houses of Parliament’, must not be forgotten. He is represented in the Modern Foreign Section of the Tate Gallery by two pictures only: ‘Plage de Trouville’, painted in 1870, purchased in 1924 by the Trustees of the Courtauld Fund; and ‘Vetheuil: Sunshine and Snow’, painted in 1881, included in the Lane Bequest of 1917.

      Monet’s artistic progress may be described as the more and more purely æsthetic organization of his technical conquest of light and atmosphere. He did not follow the so-called neo-Impressionists into the formal dotting which was the logical outcome, or scientific application, of his own system of laying strokes or touches of pure colour side by side, eliminating all browns from the palette, but contented himself with a method which produced the effects he desired; and it was the æsthetic value, the poetry, rather than the mere realization of light that inspired him. Nor, though he was a pioneer in the discovery of ‘colour in shadow’, was he a decorative colourist by intention; he painted colour for the sake of light rather than light for the sake of colour. His work has been called lacking in design, but the charge cannot be supported. It stands to reason that if an artist is designing in atmospheric values, in veils of light, the design will not be so emphatic, so easily grasped, as if he were designing in solid forms, but nobody can look with attention at a picture by Monet and regard it as a mere representation of the facts and conditions. In this respect his work might well be compared to the music of his countryman Claude Debussy, in which, under an atmospheric shimmer, the melodies are not so immediately recognizable as they are in the works of Bach or Beethoven, but are nevertheless present to the attentive ear.

      At the same time it must be allowed that the aim and methods of Monet were better adapted to some subjects than others, and with due appreciation of his cathedrals, railway stations, and Venetian scenes, we find his happiest expression in those river subjects in which a leafy garland of poplars reflects the influence of sky and water, such as the beautiful ‘Poplars on the Epte’, in the National Gallery of Scotland, Edinburgh, or in the arabesques of water lilies. A fair description of the emotional effect of a typical work of Monet at his best would be that of a ‘sunny smile’. It was inevitable that after so much trafficking in airy regions painting should come to earth again, and the concern for plastic volumes and a more emphatic design instituted by Cézanne and other leaders of the movement conveniently known as Post-Impressionism was as natural a sequence to the Impressionism of Monet, as is the desire for physical exercise after loitering in a garden. But, so far as it is humanly possible to judge, Monet left a gleam upon the surface of painting which will never entirely disappear. Monet has been the subject of many writings, including an exhaustive study by M. Camille Mauclair.

      Emmeline Pankhurst

      A pioneer of woman suffrage

      14 June 1928

      Mrs Emmeline Pankhurst, whose death is announced on another page, was born in Manchester on July 14, 1858. In her early childhood she was brought into close touch with those who had inherited the spirit of the Manchester reformers. Her father, Mr Robert Goulden, a calico-printer, was keenly interested in the reform question and the dawn of the movement for woman’s suffrage; her grandfather nearly lost his life in the Peterloo franchise riots in 1819. At the age of 13, soon after she had been taken to her first woman suffrage meeting by her mother, she went to school in Paris, where she found a girl-friend of her own way of thinking in the daughter of Henri Rochefort. In 1879 she married Dr R. M. Pankhurst, a man many years older than herself. An intimate friend of John Stuart Mill and an able lawyer, he shared and helped to mould his wife’s political views. She served with him on the committee which promoted the Married Women’s Property Act, and was at the same time a member of the Manchester Women’s Suffrage Committee. In 1889 she helped in forming the Women’s Franchise League, which, however, was discontinued after a few years. She remained a Liberal until 1892, when she joined the Independent Labour Party. After being defeated for the Manchester School Board, she was elected at the head of the poll for the board of guardians and served for five years. When her husband died, in 1898, she was left not well off, and with three girls and a boy to bring up. Accordingly she found work as registrar of births and deaths at Chorlton-on-Medlock, but her propaganda activities were considered inconsistent with her official position and she resigned.

      In 1903 her interest in the cause of woman suffrage was reawakened by the enthusiasm of her daughter Christabel and she formed the Women’s Social and Political Union, the first meeting of which was held in her house in Manchester in October of that year. Two years later the militant movement was started as the immediate result of the treatment received by Miss Christabel Pankhurst and Miss Annie Kenney, two members of the union who endeavoured to question Sir Edward Grey on the prospects of woman suffrage, at a political meeting held in Manchester. In 1906 Mrs Pankhurst and her union began a series of pilgrimages to the House of Commons, which resulted in conflicts with the police and the imprisonment of large numbers of the members. In October, 1906, she was present at the first of these demonstrations, when 11 women were arrested. In January, 1908, she was pelted with eggs and rolled in the mud during the Mid-Devon election at Newton Abbot, and a month later she was arrested when carrying a petition to the Prime Minister at the House of Commons, but was released after undergoing five of the six weeks’ imprisonment to which she was sentenced. Some months later, in October, a warrant was issued for her arrest, together with Miss Pankhurst and Mrs Drummond, for inciting the public to ‘rush’ the House of Commons. During her three months’ imprisonment in Holloway Gaol she led a revolt of her followers against the rules of prison discipline, demanding that they should be treated as political prisoners. In 1909, the year in which the ‘hunger strike’ and ‘forcible feeding’ were first practised in connection with these cases, she was once more arrested at the door of the House of Commons, and after her trial, and pending an appeal founded on the Bill of Rights and a statute of Charles, dealing with petitions to the Crown, she went to America and Canada on a lecturing tour; two days before her return her fine was paid by some unknown person, so that she did not go to prison.

      As soon, however, as she was back in England, she again devoted her energies to the encouragement of the campaign of pin-pricks and violence to which she was committed and by which she hoped to further the cause which she had at heart. In 1912, for her own share in those lawless acts, she was twice imprisoned, but in each case served only five weeks of the periods of two months and nine months – for conspiracy to break windows – to which she was sentenced. A year later she was arrested on the more serious charge of inciting to commit a felony, in connection with the blowing-up of Mr Lloyd George’s country house at Walton. In spite of the ability with which she conducted her own defence the jury found her guilty – though with a strong recommendation to mercy – and she was sentenced by Mr Justice Lush to three years’ penal servitude. On the tenth day of the hunger strike which she at once began (to be followed later on by a thirst strike) she was temporarily released, under the terms of the measure introduced by Mr McKenna commonly known as the Cat and Mouse Act, because of the condition of extreme weakness to which she was reduced. At the end of five months, during which she was several times released and rearrested, she went to Paris, and then to СКАЧАТЬ