The Catalogue of Shipwrecked Books: Young Columbus and the Quest for a Universal Library. Edward Wilson-Lee
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СКАЧАТЬ many, one of the special duties of the pages was distinctly suited to Hernando’s unique predilections: namely, the keeping of the great books of the household, which ordered the myriad possessions of the prince into a series of lists. There were four of these great books, namely:

      The Manual or Diary

      The Book of Everything or The Book of Jewels

      The Great Book

      The Book of the Inventory

      Juan’s personal tastes were every bit as voluptuous as one would expect from one of the great princes of Europe, as suggested by the shopping list Oviedo copied down from 13 March 1496, in which the Chamberlain was asked to acquire

      satin brocade of cloth of gold for a ropa bastarda

      crimson silk for doublets

      purple silk for doublets

      black silk for doublets

      crimson velvet for a canopy

      black Genoese velvet for my private room

      cochineal-dyed cloth for gifts to my grooms [moços despuela]

      green woollen cloth for hunters’ hoods and tabards

      Dutch linen for my private room

      cloths to cover my tables and sideboards

      crimson and tawny velvet to decorate my stable

      If the pages were to compete with the dog Bruto for the Infante’s affection, they would have to be at least as good as the dog in finding these garments once they had been acquired and stored away. The Manual, which was completed by the page who held the keys to the Infante’s chamber, was used to keep track of everything that came in and went out of the household, while the Book of Jewels was a list of the gold and silver vessels, tapestries, jewels, canopies, curtains, furs and chapel plate belonging to the prince’s household. Moreover, it described each of these things using their various weights, dimensions and the stories depicted on the treasures: in a household that would have had scores of tapestries and hundreds of items of treasure, an accurate record could only be kept by using the distinctive qualities of each piece, which made a thorough knowledge of generic scenes used by artisans essential. A page asked to find for the Infante’s bedroom a tapestry of nymphs bathing might think this a welcome task, but if he could not see the bow of Diana or the horns of Actaeon that made the scene a warning against the dangers of lust, then he was no better than a dog.

      The Great Book sought to avoid such confusions by using another inventory method, adopting the tools used by bankers and employing their accounting techniques not only to compile the household accounts but also to reconcile everything that was in the Manual and the Book of Jewels, as well as providing an alphabetical list of entries and a guide to the location of each object described. As with the increasingly complex and manifold financial transactions being undertaken by the great mercantile houses of Europe, there was comfort to be gained in reducing each entry to a docket number or giving it a place on an alphabetic list. The final book, the Book of the Inventory, also used an alphabetical list to register the voluminous incoming and outgoing correspondence of the Infante, and to provide a guide to the ledgers so that old letters could be revisited. From his earliest days, some of the most prized books in Hernando’s world were ones that tamed a wilderness of miscellaneity through the magic of lists, making a curtain and a cup part of the same order by reducing them to name, number, cost and location.

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      Giovanni Battista Palumba, ‘Diana Bathing with Her Attendants’, c.1500; Hernando’s inventory number 2150.

      Life at court not only introduced Hernando to a bewildering variety of people and things but also to a world of complex and often contradicting ideas. He would have attended lectures by the great scholars recruited to train the aristocracy at court, probably from a very early age, like the little boy who, much younger than the rest, kneels at the feet of the great humanist Antonio de Nebrija in a contemporary manuscript illumination of Juan’s court. It may have helped that two opposing camps of ideas were embodied in the two tutors who were in charge of the education of the Infante and (more importantly, given his lack of interest) of the pages of the court. The first of these was the Dominican friar Diego de Deza, a theologian educated at Spain’s greatest seat of learning, the University of Salamanca, who had risen through the church hierarchy as Bishop of Zamora and then of Salamanca itself, even if his duties at court gave him little time for church business. Deza seems to have been among Columbus’ earliest and most reliable supporters, and Hernando would quickly have learned to count him among the faction at the court who spoke well of his father and his projects. Yet Deza’s backing may have been slightly confusing to the young Hernando: the friar was, after all, a staunch Thomist, meaning that he dedicated his scholarly life to championing the work of Thomas Aquinas and his use of Aristotelian logic to understand and explain the mysteries of the Christian faith. An extraordinary addition to Deza’s teachings may have come in the person of Beatriz Galindo, a rare female scholar whose prodigious talents had made her a celebrated Aristotelian at Salamanca, and who was also brought to court to teach, though likely only the princesses and their households. Deza and Galindo taught their charges to read nature firstly as the Book of God, in which the divine was revealed through the order installed at creation. Though as this scholastic kind of learning was focused on the cloister, the university and the library, it would have had less obvious connection to the world of ships and islands inhabited by Hernando’s father.4

      The other tutor, however, represented a wholly different attitude to learning: this was Peter Martyr, the letter-writing man of arms who was to become one of the first and most important historians of the New World. Martyr was very much a humanist in the mould created during the Italian Renaissance of the previous hundred years: someone who valued beautiful speech and writing and had little time for the knotty problems of the Thomists, someone who believed in the worth of the active life rather than the contemplative one, and who moved easily between roles as author, tutor, diplomat, soldier and citizen of the Republic of Letters that connected men of the same grain across Europe. His teaching, as suggested by one eyewitness account, consisted of having his pupils recite the poetry of Horace and Juvenal, absorbing by repetition the rhythms and the values of classical Rome. Martyr counted among his chief correspondents the genius of the Roman intellectual scene, Guilio Pomponio Leto, a pioneering humanist whose devotion to the learning of pre-Christian Rome led him to affect classical dress and set up an academy among the ruins of the Quirinal Hill, from which he led his disciples on tours of the half-buried Roman monuments and even under them to the catacombs that had lain hidden for a thousand years. So great was Leto’s success in fostering this culture that his academy was disbanded in 1468 by Pope Paul II amid accusations that would have made their guiding spirit Socrates proud: republican conspiracy, sexual immorality, anti-clericalism and even pagan irreligion. As one of Leto’s disciples, Martyr provided Juan’s household with a direct link to the most daring currents of Italian humanism, from a Rome that would later play a central part in Hernando’s own life. Indeed, Hernando would have seen this neoclassicism springing up all around him, as at Burgos, where inside the miraculous Gothic cathedral the Roman-trained French artist Felipe Bigarny was carving classical buildings into the transept, and across the street where the printer Fadrique de Basilea was switching from Gothic fonts in his books to Roman ones, freshly imported from Italy where humanists copied their letter-forms from the inscriptions on ancient ruins. Peter Martyr in turn directed many of his most important letters on the New World discoveries to Leto, creating a strange symbiosis between the new learning and how the expanding world СКАЧАТЬ