Godless in Eden. Fay Weldon

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СКАЧАТЬ up to forty-five men increasingly outnumber women: after that age the genders level-step until sixty or so, and with advancing age and man’s shorter lifespan, women once again begin to predominate. Today’s young woman does the sexual picking and choosing: she has the power to reject and uses it no better than the young man ever did. Women discover the gender triumphalism that once was the male’s preserve. See it in the ads. One for Peugeot at the moment: a brisk, beautiful, powerful young woman, followed by her droopy husband. She’s saying to the salesman, ‘It moves faster and it drinks less! Can they do the same for husbands?’ Try role-reversing that one! Does it matter? I suspect it does. It deprives men of their dignity: we all grow into what we are expected to be: this is the process of socialisation. Once women were indeed the little squeaky helpless domestic creatures the culture expected them to be. If we expect men to be laddish and appalling, that is how they will turn out. Where once it was the female fear that she might be left on the shelf, now, as young women get so picky, it is the man’s. We see the arrival of the men’s magazine: in which are discussed the arts of laddishness, flirtation, temptation, seduction: higher up the scale of sophistication, man as father, man as victim, man as sexual partner, man as cook. The way to a career woman’s heart is through her need for someone to do the childcare and the housework. Men are from Mars and women are from Venus but the space ships still need to flit between. Of course we are confused: courtship rituals are reversed. We have no traditions to fall back upon because tradition no longer applies. Poor us.

      

      The third great change came with the seventies wave of feminism, when the personal became the political. In the course of writing a novel ‘Big’ Women (as opposed to ‘Little’ Women), in which I charted in fictional form the course of the feminist revolution, its causes, its progress, and its results. I came to realise the extent of the change we have lived through: to understand how difficult it is to see the wood for the trees.

      The novel opens with two young women putting up a poster. A woman needs a man like a fish needs a bicycle. Outrageous and baffling at the time, it turned out to be true. That is to say, she didn’t need one at all. The world has changed, the laws have changed; our young woman is out into the world. She may be lonely at night sometimes but she has her freedom and her financial independence. She can earn, she can spend, she can party. She can choose her sexual partners, but is not likely to stick with them: somehow she outranks them. And she knows well enough that if she has a baby all this will end. And so, increasingly, she chooses not to. The fertility rate, 3:5 in 1901, is now down to 1:8 and falling, below replacement level. Which may be okay for the future of the universe, but isn’t good news for the nation. We lose our brightest and best.

      And the fourth thing that happened was that in the last fifty years we stopped being an industrial nation and turned into a service economy, and male muscle became irrelevant. I remember the days when they said women would never work on camera crews because of the weight of the equipment. Now there’s the digital Sony camcorder. Put it in the palm of your hand, your tiny hand, no longer frozen. Anyone can use it.

      

      Adam and Eve and Tony Blair, we all have a lot to cope with. And Pinch Me’s always hiding just around the corner, of course, waiting to spring: changing his form all the time, like the Greek god Proteus, to avoid having to tell us the future.

      On being asked by the Features Editor of The Daily Telegraph to write a piece, in the wake of the Countryside March, in the early spring of 1998, to defend the city against the country.

Behind the Rural Myth

      The countryside is pretty.

      It’s pretty because there are so few people in it. There are so few people in it because there are so few jobs in it. And that’s the nub of the matter.

      

      Yes, you can have a mobile office. Anyone can work from home in these the days of the computer, e-mail, fax, phone and scanner. Who needs the soap-opera of office life? Who wouldn’t want green trees not concrete the other side of the window. So move out. Except it’s insanity, isn’t it? For aloneness, read loneliness. And the blinds stay down to keep the sun off the computer screen. And when the crunch comes you’re the first to go. If the boss has never seen your face why should he bother about the look on it? And try getting the dole in the country: it’s so personal. They don’t just dosh it out like they do in the city: no, they read every word you’ve written on the form you’ve just filled in, and compare last week’s answers, and look everything up in the book – they’ve got time – and say no. And you don’t belong.

      The countryside is relaxing.

      Yes. You can tell from the clothes of the people who come up on the Countryside March. They don’t have many full-length mirrors in the country; countryfolk being either too haughty and grand to need them or else the ceilings are too low to fit them in. That must be it. The countryside’s not for the vain – heels sink into the mud, like the heels of little Gerda’s pretty red shoes in the Hans Christian Anderson story. Down and down they pulled her, ‘til she stood in the Hall of the Mud King. The countryside’s all practical woolly mufflers and crooked hems and garments it would be a wicked waste to throw out. The country’s full of good worthy people. A good girl in the city is a bad girl in the country. In the country the hairstylists like to turn you out looking like their mother. Well, they do that anywhere in the world, but you get the feeling in the country that they don’t like their mothers very much. Not that it matters; go out for the evening and the place is hardly jumping with film crews and flashbulbs. Who’s to see you?

      The countryside is healthy.

      No. It isn’t. But it’s unkind to go into that one. Let’s just say, organophosphates have made fools of us all. What goes onto the crops and what goes into the soil? We moved to the country once – kept a tranquil flock of rare-breed sheep which roamed our fields, in the most natural of natural ways. We fed them sheep nuts by hand. What was in the sheep nuts? Ground-up protein from more than one animal of origin. ‘Dip them!’ said the government. We built a trough and pushed the startled, innocent animals in, one by one, dripping and shaking and spluttering, nerve poison all over the place. Oh, thanks!

      

      Pollution drifts over the countryside from the cities, lingers over the valleys. And the pollen count! Good Lord. Just listen to the countryside sneezing and wheezing. The cottage hospital closes. The trauma ward’s an hour away. People live longer in the cities.

      

       And yet, and yet! I know. The warm glow of the setting sun on the old barn walls. The brilliant acid green of early spring. The blackness of night, the great vault of the firmament. The sense of a benign and fecund nature, of being part of the wheeling universe.

      But what’s weakness, irrationality. Let’s get back to the brisk facts of the matter.

      The countryside is our heritage.

      Fact is, it’s shrinking and shrinking fast: suburbia creeps out from the towns. Forty-one percent of British marriages end in divorce, and rising. Twenty-eight percent of us live in single-person households, and rising. We have to build houses and build we do. No choice. And where are the bus services to get us to work, from our new ‘countryside estates’? Not down our road, that’s for sure. And work still stays in the city, so travel we must, and travel we do, and use the car, and know every radio presenter by heart. СКАЧАТЬ