Songs of the Dying Earth. Gardner Dozois

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СКАЧАТЬ under attack. You will shortly lose consciousness, I suspect, which will spare you from whatever agonies you may at the moment be experiencing. But do you wonder that I took so harsh a step? You thought I was a helpless idle fool, and quite likely that scornful assessment was correct up until this hour, but by entering my sanctum and attempting to part me from the things I hold precious, you awakened me from my detachment and restored me to the love of life that had long ago fled from me. No longer did the impending doom of the world enfold me in paralysis. Indeed, I chose to take action against your depredations, and so—”

      But he realized that there was no reason for further statements. His visitors had been reduced to puddles of yellow slime, leaving just their caps and boots and other garments, which he would add to his collection of memorabilia. The rest required only the services of his corps of revenants to remove, and then he was able to proceed with a clear mind to the remaining enterprises of a normal afternoon.

      “But will you not now at last permit yourself to enjoy the True Vintage?” Gimbiter Soleptan asked him two nights later, when he and several other of Puillayne’s closest friends had gathered in a tent of sky-blue silk in the garden of the poet’s manse for a celebratory dinner. The intoxicating scent of the calavindra blossoms was in the air, and the pungent odor of sweet nargiise. “They might so easily have deprived you of it, and who knows but some subsequent miscreant might have more success? Best to drink it now, say I, and have the enjoyment of it before that is made impossible for you. Yes, drink it now!”

      “Not quite yet,” said Puillayne in a steadfast tone. “I understand the burden of your thought: seize the moment, guarantee the consumption while I can. By that reasoning, I should have guzzled it the instant those scoundrels had fallen. But you must remember that I have reserved a higher use for that wine. And the time for that use has not yet arrived.”

      “Yes,” said Immiter of Glosz, a white-haired sage who was of all the members of Puillayne’s circle the closest student of his work. “The great epic that you propose to indite in the hour of the sun’s end—”

      “Yes. And I must have the unbroached True Vintage to spur my hand, when that hour comes. Meanwhile, though, there are many wines here of not quite so notable a puissance that are worthy of our attention, and I propose that we ingest more than a few flasks this evening.” Puillayne gestured broadly at the array of wines he had previously set out, and beckoned to his friends to help themselves. “And as you drink,” he said, drawing from his brocaded sleeve a scrap of parchment, “I offer you the verses of this afternoon.”

       The night is coming, but what of that?

       Do I not glow with pleasure still, and glow, and glow?

       There is no darkness, there is no misery

       So long as my flask is near!

       The flower-picking maidens sing their lovely song by the jade pavilion.

       The winged red khotemnas flutter brightly in the trees.

       I laugh and lift my glass and drain it to the dregs.

       O golden wine! O glorious day!

       Surely we are still only in the springtime of our winter

       And I know that death is merely a dream

       When I have my flask!

      AFTERWORD:

      I BOUGHT the first edition of The Dying Earth late in 1950, and finding it was no easy matter, either, because the short-lived paperback house that brought it out published it in virtual secrecy. I read it and loved it, and I’ve been re-reading it with increasing pleasure in the succeeding decades and now and then writing essays about its many excellences, but it never occurred to me in all that time that I would have the privilege of writing a story of my own using the setting and tone of the Vance originals. But now I have; and it was with great reluctance that I got to its final page and had to usher myself out of that rare and wondrous world. Gladly would I have remained for another three or four sequences, but for the troublesome little fact that the world of The Dying Earth belongs to someone else. What a delight it was to share it, if only for a little while.

      —Robert Silverberg

       MATTHEW HUGHES Grolion of Almery

      ALLOWING A stranger to take refuge from the dangers of a dark and demon-haunted night in your house always involves a certain amount of risk for both stranger and householder. Particularly on the Dying Earth, where nothing is as it seems—including the householder and the stranger!

      Matthew Hughes was born in Liverpool, England, but spent most of his adult life in Canada before moving back to England last year. He’s worked as a journalist, as a staff speechwriter for the Canadian Ministers of Justice and Environment, and as a freelance corporate and political speechwriter in British Columbia before settling down to write fiction full-time. Clearly strongly influenced by Vance, as an author Hughes has made his reputation detailing the adventures of rogues like Henghis Hapthorn, Guth Bandar, and Luff Imbry who live in the era just before that of The Dying Earth, in a series of popular stories and novels that include Fools Errant, Fool Me Twice, Black Brillion, and Majestrum, with his stories being collected in The Gist Hunter and Other Stories. His most recent books are the novels Hespira, The Spiral Labyrinth, Template, and The Commons.

       Grolion of Almery MATTHEW HUGHES

      When next I found a place to insert myself, I discovered the resident in the manse’s foyer, in conversation with a traveler. Keeping myself out of his sightlines, I flew to a spot high in a corner where a roof beam passed through the stone of the outer wall, and settled myself to watch and listen. The resident received almost no visitors—only the invigilant, he of the prodigious belly and eight varieties of scowl, and the steagle knife.

      I rarely bothered to attend when the invigilant visited, conserving my energies for whenever my opportunity should come. But this stranger was unusual. He moved animatedly about the room in a peculiar bent-kneed, splay-footed lope, frequently twitching aside the curtain of the window beside the door to peer into the darkness, then checking that the beam that barred the portal was well seated.

      “The creature cannot enter,” the resident said. “Doorstep and lintel, indeed the entire house and walled garden, are charged with Phandaal’s Discriminating Boundary. Do you know the spell?”

      The stranger’s tone was offhand. “I am familiar with the variant used in Almery. It may be different here.”

      “It keeps out what must be kept out; your pursuer’s first footfall across the threshold would draw an agonizing penalty.”

      “Does the lurker know this?” said the visitor, peering again out the window.

      The resident joined him. “Look,” he said, “see how its nostrils flare, dark against the paleness of its countenance. It scents the magic and hangs back.”

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