The Way Inn. Will Wiles
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Название: The Way Inn

Автор: Will Wiles

Издательство: HarperCollins

Жанр: Современная зарубежная литература

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isbn: 9780007545568

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СКАЧАТЬ Double, associate, Convex,’ Maurice recited in a deliberately grand voice. ‘Ta. What is it you do again?’

      ‘Business information,’ I said. I am quite good at injecting a bored note into the answer, to suggest that nothing but a world of tedium lay beyond that description.

      Maurice blinked like an owl. ‘What does that entail?’ he asked. ‘I’m sure you’ve told me all this before, sorry to be so dense, but I don’t think I’ve ever really got a firm handle on it. Strange, isn’t it, how you can know someone for years and never be clear what their line of work is?’

      I smiled. There was no risk. ‘Aggregating business data sector-by-sector for the purposes of bespoke analysis.’

      ‘Right, right …’ Maurice said, his vague expression indicating I had successfully coated his curiosity with a layer of dust. ‘Great … Well, we had better get moving, I suppose. Aggregating to be done, eh?’

      We started our trek towards the lecture hall. People streamed along the MetaCentre’s broad concourses and up and down the banks of escalators, redistributing themselves between venues. Homing in on the right room, narrowing the range of possible destinations, finding the right level, the right sector, the right group of facilities, I felt a rush of that peculiar, delightful sensation that comes in airports sometimes: of being an exotic particle allowed to pass through layers of filters, becoming more refined. Except that Maurice, a lump of baser stuff, was tagging along after me. And all the way, he kept up a monologue – inane business gossip, his opinions of the MetaCentre, what else he had seen that day and what he thought about it.

      The lecture hall was larger than the previous one, with ranks of black-upholstered seats fanning out from a modest stage, where chairs and a lectern were set up. Almost half the seats were taken when we arrived, well ahead of the starting time, and most of the remainder filled as we waited for the session to begin. There was an expectant babble of conversation, although I wondered if that might be more due to the fact that everyone had just eaten – or drunk – their lunch, rather than due to any treat in store. I took the schedule from the information pack in my bag and examined it again, to see if there was anything particularly alluring about the talk. The title, ‘Emerging Threats’, was so ill-defined that it might have lent the event broad appeal. Next to the listing was the logo of Maurice’s magazine, Summit – it was a sponsor. He hadn’t mentioned that. I glanced at Maurice, who had seated himself next to me. He was staring into space, mouth slightly open, notebook and digital recorder on his lap. Like me, apart from the open mouth. He was uncharacteristically quiet, even focused.

      Electronic rustling and bumping rose from the audio system: the three speakers had arrived on the stage and were being fitted with radio microphones. I closed my eyes and wondered how much of the discussion I could pick up through a drowse if I let myself slip into one. A grey-haired man was introducing the speakers – the usual panel-fodder from think tanks and trade bodies; middle-aged, male and stuffy. One of whom was very familiar. It took me some moments to establish that I really was looking at the person I thought it was, and while I stared at him, he found my eyes in the audience and smiled at me. It was Tom Graham, hands interlaced in his lap, legs crossed, sleek with satisfaction.

      ‘Last of all,’ the master of ceremonies said, reaching Tom, ‘a man who really needs no introduction – a fairs man through and through: Tom Laing, event director of Meetex.’

      Applause.

      ‘Always the same old faces at these things.’

      ‘We must stop meeting like this.’

      ‘Small world.’

      ‘Groundhog day.’

      ‘Another day, another dollar.’

      ‘Are you here for the conference?’

      ‘Why else?’

      ‘All well?’

      ‘Fuck, stop, just stop, I can’t stand it.’

      Adam and I felt the same way about male small talk: we hated it. He introduced me to the term ‘phatic utterance’, words said purely as social ritual, not to convey any real meaning: when you’re asked ‘how’s it going’ and not expected to reply. Noise, he said, useless noise; a waste of human bandwidth. Trim out all the phatic utterances and interaction could be made a lot more efficient. That was the way he thought, and I loved it. Away with all that hopeless banter and rib-jabbing. But we had turned this shared belief into our own form of banter – a private game, where, on running into each other, we would try to keep up the dismal phatic chitchat for as long as possible, repeating the same old clichés and phrases and saying as little as possible that was new or interesting until one of us cracked and stopped and we could talk about things that actually mattered.

      ‘That was quick.’

      ‘I can’t take any more small talk. I’ve just come from a funeral. My father died.’

      ‘Oh. I’m so sorry.’

      ‘Bzzzt. Phatic.’

      ‘Damn! Checkmate, really. What else is there to say?’

      ‘It’s OK. I didn’t know him very well, my parents divorced and he travelled a lot.’

      ‘And you thought: that’s the life for me?’

      I laughed. ‘Yeah, kind of.’

      When I met Adam, before he founded Convex, I worked for a firm of cost consultants in the construction industry. They specialised in ‘value engineering’: professional corner-cutting, driving down the expense of projects by simplifying designs and substituting cheaper materials. When a building is completed and only barely resembles the promotional images revealed by the architects years before – more plain, more clunky, more drab; graceful curves turned into awkward corners; shining titanium and crystalline glass replaced with dull panels of indeterminate plasticky material – then my old firm, or one like it, has been wielding its shabby art.

      Ugly work, literally. I preferred not to reflect on it, and I focused hard on my particular minor role, which was to scour trade fairs for those cheaper materials. What could stand in for stone, what would do in place of copper, what was the bargain-basement equivalent of hardwood? All my life I have been interested in what the world was truly made from; if not all my life, then at least from the very early age when – looking at the chipped edge of a table at home, a wood-grain veneer over a crumbling, splintery inner substance – I discovered that surfaces were often lies.

      ‘Fake walnut interior,’ my father once said to someone over the phone, winking merrily to me as he did so, letting me in on a joke I did not understand. ‘Better than the real thing.’ It was years before I connected this remark to cars, years spent wondering why someone would fake the interior of a walnut, and how the results could possibly improve on an actual walnut. Years of imagining tiny fabulous jewelled sculptures in walnut shells, not inexpensive automobiles. Then years of suspicion in cars. Real or fake? Suspicion everywhere, which eventually gave way to fascination.

      I trawled the fairs, learning the trade names of all the different kinds of composite panels, all of which looked alike and inscrutable – cheap façade materials having gone from fiction to encryption, no longer pretending to be something else and instead trying to be unidentifiable. At one of the fairs I met Adam. He worked for a trend-forecasting company, in the normal course of things a world away from builders’ merchants and anodised zinc cladding. This СКАЧАТЬ