The Buried Circle. Jenni Mills

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СКАЧАТЬ Planet Fran: still cloudy, with patches of freezing fog.

      ‘Where are my cigarettes?’ She pats her cardigan pockets. ‘You got one on you, Meg?’

      ‘I’m India, and you know I don’t. I’ll bring you a packet with the drinks.’ Which would be better: whisky or hot coffee? I order both, scribble my mobile number on a scrap of paper for the TV people, and ask Carrie to look after Frannie while I fetch the car.

      The shortest way home is through the field, but after several days’ rain, the Winterbourne’s nearly as high as the bridge. Moonlight glimmers on water round the foot of Silbury Hill, and without a doubt the meadow will be one big sucky bog. The path’s never been tarmacked: locals claim that’s another of the ways Keiller and the National Trust exiled ordinary folk from Avebury Better to take the longer, dryer way: along the lane, past the outlying cottages with their thatch and Range Rovers.

      At night I don’t much like either route, my townie instincts not yet comfortable in the darkness of the countryside. Something’s made me more than usually twitchy this evening. The tiniest whisper of wind in dead beech leaves. I could swear that was a footstep behind.

      Nobody. I know there’s nobody there.

      All the same, I cast an uneasy glance over my shoulder as I take the fork for Trusloe. In the far distance there’s a light, moving slowly in the darkness across the slopes of Windmill Hill. Telling myself it can only be a late dogwalker, I sprint along the last stretch of lane towards the streetlight.

      Frannie becomes suspiciously quiet once I persuade her into the passenger seat of the Peugeot.

      ‘You’re sure you’ll be OK?’ asks Carrie, as I close the car door. ‘I don’t mind coming along if you need a hand. She seems fine, now, but…’ Neither of us can define what but is.

      ‘Did she say anything to you about what she was doing there?’

      ‘Not a word.’

      ‘Come over for supper next week,’ says Carrie. ‘Both of you. You’re not getting out enough, India. What do you do in the evenings? We’ve hardly seen you since Christmas.’

      What do I do? I watch television with my grandmother. I know every twist of the plotline of EastEnders and Holby City. After she’s gone to bed, I open a bottle of wine–bugger the new-year resolution–and play Free Cell on the computer. Can only manage the card games, these days; too much blood and destruction in anything else.

      ‘Oh, I don’t mind a quiet life,’ I say. ‘After London–you know…’ Too late I realize that the wave accompanying this, meant to convey I’m weary of the shallow pleasures of the metropolis, makes it look as if I’m rudely batting away Carrie’s invitation. ‘I’d love to come to supper some time,’ I add. ‘If Frannie’s…up to it.’

      All through the conversation, my grandmother sits in the front seat with a puzzled, shut-up-don’t-interrupt-me expression on her face, like she’s working out a difficult sum in her head.

      On a cold February night, Trusloe seems bleaker than ever, looming out of the windy darkness under rags of cloud backlit by the glow of Swindon to the north. There are not enough streetlamps, and most windows are unlit. On our road everyone, apart from the couple next door who make amateur porn films in their living room, apparently heads for bed straight after supper. Either that or they still use blackout material for curtains.

      ‘You OK?’ I haul on the handbrake outside Bella Vista.

      Frannie stares straight ahead, brows knitted.

      ‘I said, are you OK?’

      ‘What have you brought me here for?’

      ‘So you can go to bed.’

      ‘I don’t want to go to bed.’ There’s a petulant droop to her mouth. ‘Too buggerin’ early.’

      ‘Come on, let’s get you out of the car.’

      ‘India, I’m not a bloomin’ parcel. I’m perfectly capable of getting myself out.’ She’s adopted that posh tone she puts on when she wants to be bloody-minded.

      ‘Please yourself.’

      ‘I will.’ Frannie waggles the catch on the car door. ‘Won’t open.’

      ‘That’s not the way. Stop messing about. Use the handle.’

      ‘Locked.’

      ‘It’s not locked.’

      Now she’s wrestling with the seatbelt. ‘I’m trapped!

      Just for a second, a feeling of utter panic seizes me. I’m close to tears: frustration, grief, despair, the sheer bloody unfairness of having to watch the person you love most in the world start to lose it, all vying for the honour of making me bawl.

      But I won’t give way.

      Pressing my nails hard into my palm to stop myself screaming, I reach across and press the button to release her.

      While I’m boiling the kettle for her hot-water bottle, Frannie comes into the kitchen wearing her nightie inside out, one strap slipping off a bony, stooped shoulder.

      ‘You’ll catch your death. Get into bed, or put your dressing-gown on. And your other slippers.’ Her feet are purple. Have I noticed before how scrawny her arms have become, flesh hanging in loose, empty pouches?

      She reaches out a swollen-knuckled paw and touches my face. ‘Sorry. Don’t mean to be a trouble.’

      ‘You’re not a trouble.’ I catch her hand before she withdraws it. It feels like a piece of raw chicken out of the fridge. I squeeze it helplessly, not knowing what else to do. ‘You’re no trouble at all, you old bat.’

      She smiles up at me, her eyes showing a ghost of their familiar twinkle. Then she turns and shuffles out of the kitchen. The glow of the lamp in her bedroom backlights her, turning her into a bent shadowy thing crossing the hallway.

      Suddenly I recognize what’s been bothering me. Frannie, silhouetted against the sky, stumping along the top of the bank. Going widdershins round the circle, anti-clockwise. She never goes widdershins. Always sunwise, girl. You follows the light. Bad luck else.

      Steve’s open eyes…

      I will not think about that.

      Keiller’s papers are kept in the curator’s old room, tucked under the eaves above the stableyard museum, in a series of box files. Eventually all the Keiller material will be moved to the main offices, but the curator, a world expert on obscure bits of Neolithic pottery that look like digestive biscuit to me, is too busy cataloguing finds from a dig at Stonehenge.

      ‘There you are,’ says Michael, wheeling a library stool into place. ‘I wasn’t expecting you to be this keen.’

      ‘Sorry,’ I say. ‘Thought I should start soonest.’ It’s the morning after the film show, ten minutes short of nine, and my first opportunity to tackle the job of ordering the archive since I’m not on shift in the caf today. The sun is already bright outside the window СКАЧАТЬ