Winter. Christopher Nicholson

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СКАЧАТЬ strongly believe) that there is nothing more important than education. ‘Sometimes,’ I said, ‘I think I might still be teaching now, but for my wretched health. Good health is such a blessing.’

      He was very sympathetic. He said that good health was as important as good education, and that people who have a naturally strong constitution often find it so hard to understand what life is like for those who do not. In my experience that is true, very true.

      Mr. Sherren then asked whether my husband was writing any more novels, and I said that he had given novels up completely and wrote nothing but poetry. I went on to mention that I too was a writer, and that I had written several books for children. He was interested and wanted to know more, and of course I had to admit that they had been published a long while ago and that I had written scarcely anything in the past few years except for one or two magazine articles. My days (I said) are so taken up with domestic duties that I have very little time for writing on my own account, and even when I do have time, no energy. I have not written on my own account for a long time, except in my head. Nonetheless, once I have recovered my health, once I have truly recovered, I shall be able to write again. That is what I constantly tell myself, and what I told Mr. Sherren, who said he would be very interested indeed to read anything I wrote. He was certain that I would be able to write again. ‘If there is one thing that I have learnt about life,’ he said, ‘it is that it is never too late.’ There was something about the confidence with which he uttered those words that I found quite inspiring.

      I did not tell Mr. Sherren that my husband does not like me to write, although that also is true. When we first met he encouraged me, but soon after we were married this came to an end, or so it seems to me. Indeed I have come to suspect that he despises my writing. He has never said as much, not in so many words, but I have not forgotten what happened over my ‘Book of Baby Beasts’. It was a book for young children, describing the characteristics and behaviour of a large number of infant creatures found in the English countryside, and at the start of each chapter there was a little poem, for all children love the sound of a poem as I know so well from my days as a school-mistress. I always did my best to encourage a love of poetry in my pupils, and every morning after saying prayers and taking the roll I used to read them a few verses. Even now I remember the hush in the class-room and their eager faces, listening intently, drinking in the words.

      Many of the poems in the book were written by my husband, but there were five that I had written myself, among them one poem in particular I was very proud of, of which I was very proud (grammar is so important). It was about a hedgehog, Master Prickleback.

      My name is Master Prickleback,

      And when alarmed I have a knack

      Of rolling in a ball

      Quite snug and tight, my spines without,

      And so if I am pushed about

      I suffer not at all.

      As I say I was very proud of this poem, which I thought and still think is as good as any of his poems in the book, and I remember that he said that it was very good. However, a year or more after we were married there was a very strange incident when I awoke in the night and heard what I believed to be a baby crying in the garden beneath the window. When the cry came again, I instantly jumped to the conclusion that some servant girl must have left a baby that I should be able to take in and bring up as my own. I had never had this idea before, but now it grew upon me with tremendous force, and I ran through to Thomas, who was asleep, and he rose promptly and together we went to the window. The night was still and warm, with half a moon, but the ground around the trees was all in dark shadow. ‘It is a pleasant night,’ he said, after a time. – ‘I heard it clearly,’ I said, for I thought that he did not believe me; ‘I promise you; I know I heard it. We must search the garden. I am going down. Thomas, I beg you, let us search the garden. I am not imagining it, I assure you. I am sure that there is a baby.’ He hesitated for a moment, and then perceiving my state of anxiety he turned and put on his dressing gown and slippers. Together we went down the stairs. The bolts on the back door sounded very loud as he pulled them back, and Wessie began to bark. I was afraid that he would wake the maids who would think that the house was being burgled and I rushed to let him out. We proceeded into the garden. I was barefoot. The dew was very heavy and silvery blue in the moonlight, and Wessie who was very excited to be out at such an hour raced to and fro. Dogs can smell so well in the dark. I heard the cry again near the vegetable garden; it now had a piteous, mewing quality. ‘There!’ I said. We walked towards it, and found two hedgehogs in the act of congress. Their journey towards each other could be traced by the paths in the dew. Wessie sniffed at them, whereupon they recoiled and curled into their defensive postures. I felt very foolish to have mistaken the cry of a hedgehog for that of a baby, and apologised very much, but he very kindly said that it was an easy enough mistake to make, that the sounds were not that dissimilar and that he might well have made the same mistake himself. Even so, I was so very distressed that it took me hours to get to sleep.

      In the morning when we were getting dressed I could see the funnier side of it, and I reminded him of my Master Prickleback poem. ‘We saw Master and Mistress Prickleback,’ I said. To my surprise he claimed not to remember the poem, so I recited it to him. ‘O, yes,’ he said, ‘very good,’ but in a tone that could not have been less complimentary.

      ‘Thomas,’ I said, ‘it is only a poem for children, you know. It is not pretending to be great literature. Do you think it so very bad? It was meant for children, you know. Children love it.’

      He was bending over, tying the laces of one of his shoes. In those days he was still capable of tying his shoe-laces. He said nothing at all, not a word.

      ‘Please,’ I said, ‘tell me the truth! Do you think it is a bad poem? Is that what you think?’

      ‘I said that it was very good, if I remember correctly. Did I not?’

      ‘You did, but your tone seemed to me to indicate the opposite.’

      He began to tie the laces of the other shoe. ‘You misinterpret my tone. My opinion is that it serves its purpose admirably.’

      He added, as though to soften the blow, that he was sure that children appreciated it, although that was not what I had said, I had said that children love it. There is such a difference between loving something and appreciating it. All the difference in the world! It was clear that he despised the poem, and also that he despised me for writing it. When I say that my entire being felt crushed I am not exaggerating, not at all.

      Thus I lost heart. Lacking encouragement, I wrote no more on my own account, and instead I act as his secretary, answering letters, making copies, filing. In addition, I labour (‘labour’ is the word; it is one of the labours of Hercules as I once said to Cockerell) on his biography, using his old notes to piece together the story of his life. I am glad to do so, I do not complain, it is a very sensible arrangement. Who else could do it? All the same, when, as usually happens, he takes my sentences – the sentences over which I have taken so much care – and writes them over in his own creaking style, it is a little galling. It galls me. It is as if he cannot bear to hear the sound of my true voice. After all, I am supposed to be the author of this biography! Is it so surprising that I am a little galled at the way he rewrites my sentences?

      I do not complain. Nor do I point out his deficiencies of style. If I dared to do so, I know what would happen: he would not argue or seek to defend himself, but would withdraw into his own fortress. Yet I am not alone: others have commented on his antique vocabulary and his convoluted, Teutonic sentence constructions. Sometimes I think it is as if my husband was a great tree and I stunted from living in his shadow.

      Of this much I am sure: that it is not possible for me to write well on my own account СКАЧАТЬ