The Fire. Katherine Neville

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СКАЧАТЬ Similar societies arose in many mountainous countries, and they surrounded themselves with that mysticism of which we have seen so many examples. Their fidelity to each other and to the society was so great that it became in Italy a proverbial expression to say ‘On the faith of a Carbonaro.’…In order to avoid all suspicion of criminal association, they employed themselves in cutting wood and making charcoal… They recognized each other by sign, by touch, and by words.

      – Charles William Heckethorn, The Secret Societies of All Ages & Countries

      Among the secret societies of Italy none was more comprehensive in its political objectives than that of the Carbonari. In the early 1820s they were more than just a power in the land, and boasted branches and sub-societies as far afield as Poland, France and Germany. The history of these “Charcoal-burners”, according to themselves, started in Scotland.

      – Arkon Daraul, A History of Secret Societies

       But I am half a Scot by birth, and bred a whole one.

      – Lord Byron, Don Juan, Canto X

       Viareggio, Italy

       August 15, 1822

      It was the heat of the dog days. here under the blazing Tuscan sun, on this isolated stretch of beach along the Ligurian coast, the pebbled sands formed a griddle so intense that already now, at mid-morning, one could bake pané upon its surface. In the distance across the waters, the isles of Elba, Capraia, and little Gorgona arose like shimmering apparitions from the sea.

      At the center of the crescent of beach, enfolded by its high surrounding mountains, a small group of men had assembled. Their horses could not bear the scalding sands and had been left within a nearby copse of trees.

      George Gordon, Lord Byron, waited apart from the others. He’d seated himself upon a large black rock lapped by the waves – ostensibly so that his famous Romantic profile, immortalized in so many paintings, would be silhouetted to best advantage against the backdrop of the glittering sea. But in fact the hidden deformity of his feet since birth had nearly prevented Byron, this morning, from leaving his carriage at all. His pale white skin, which earned him the nickname ‘Alba,’ was shaded by a broad straw hat.

      From here, unhappily, he had excellent vantage to observe each detail of the dreadful scene unfolding on the beach. Captain Roberts – master of Byron’s ship, the Bolivar, which lay at anchor in the bay – oversaw the preparations of the men. They were building a large bonfire. Byron’s aide-de-camp, Edward John Trelawney – called ‘the pirate’ for his wild, darkly handsome looks and eccentric passions – had now set up the iron cage that served as a furnace.

      The half-dozen Luccan soldiers attending them had exhumed the corpse from its temporary grave – hastily dug where the body had first washed up. The cadaver scarcely resembled a human being: The face had been picked clean by fish, and the putrefied flesh was stained a dark and ghastly indigo color. Identification had been made by the familiar short jacket with the small volume of poetry in the pocket.

      Now they placed the body into the furnace cage, atop the dry balsam boughs and driftwood they’d gathered from the beach. Such cadres of soldiers were a necessary presence at any such exhumation, Byron had been informed, to ensure that the proper immolation procedures were followed against the yellow fever from the Americas that was now rampaging along the coast.

      Byron watched as Trelawney poured the wine and salts and oil on the cadaver. The roaring flame leapt up like a biblical pillar of God into the stark morning sky. A single seagull circled high above the flaming column, and the men tried to chase it away with cries as they flapped their shirts into the air.

      The heat of the sands, inflamed by the fire, made the atmosphere around Byron seem unreal – the salts had turned the flames strange, unearthly colors; even the air was tremulous and wavy. He felt truly ill. But for a reason known only to himself, he could not leave.

      Byron stared into the flames, disgusted as the corpse burst open from the intensity of the heat and its brains, pressed against the red-hot bars of the iron cage, seethed and bubbled and boiled, as if in a cauldron. It could just as well be the carcass of a sheep, he thought. What a nauseating and degrading sight. His beloved friend’s earthly reality was vaporized into white-hot ash before his very eyes.

      So this was death.

      We are all dead now, in one way or another, Byron thought bitterly. But Percy Shelley had drunk enough of death’s dark passions to last a lifetime, hadn’t he?

      These past six years, throughout all their peregrinations, the lives of the two famous poets were inextricably entangled. Beginning with their self-imposed exiles from England – which had been undertaken in the same month and year, if not for the same reasons – and throughout their residence in Switzerland. Then Venice, which Byron had quit over two years ago; and now his grand palazzo here in nearby Pisa, which Shelley had departed only hours before his death. They’d both been stalked by death – hunted and haunted, nearly sucked down themselves into the long, cruel vortex that had begun to spin in the wake of their individual escapes from Albion.

      There was the suicide of Shelley’s first wife, Harriet, six years ago, when Shelley ran off to the Continent with the sixteen-year-old Mary Godwin, now his wife. Then the suicide of Mary’s half sister, Fanny, who’d been left behind in London with their cruel stepmother when the lovers had escaped. This blow was followed by the death of Percy and Mary’s little son, William. And just last February, the death in Rome from consumption of Shelley’s friend and poetic idol, ‘Adonais’ – the young John Keats.

      Byron himself was still reeling from the death, only months ago, of his five-year-old daughter, Allegra – his ‘natural’ child by Mary Shelley’s stepsister, Claire. A few weeks before Shelley’s death by drowning, he’d told Byron that he’d witnessed an apparition: Percy had imagined he’d seen Byron’s little dead daughter beckoning to him from the sea, beckoning him to join her beneath the waves. And now this ghastly end for poor Shelley himself:

      First the death by water; then the death by fire.

      Despite the suffocating heat, Byron felt a terrible chill as he replayed in his mind the scene of his friend’s last hours.

      In the late afternoon of July 8, Shelley had departed Byron’s grand Palazzo Lanfranchi at Pisa and had raced to his small boat, the Ariel, moored just down the coast. Against all advice or common sense, with no warning to anyone, Shelley had cast off at once and had sailed into the darkening belly of a coming storm. Why? thought Byron. Unless he was being pursued. But by whom? And to what end?

      Yet in hindsight, this seemed the only plausible explanation – as Byron had now understood for the first time, only this morning. Byron had suddenly seen, in a flash of comprehension, something he should have seen at once: Percy Shelley’s mysterious death by drowning was no accident. It had to do with something – or was sought by someone – aboard that ship. Byron now had no doubt that when the Ariel was raised from her watery grave, as she soon would be, they’d see that she had been rammed by a felucca or some other large craft, intent upon boarding her. But he also guessed that whatever had been sought had not been found.

      For, as Byron had realized only this morning, Percy Shelley – a man who’d never believed in immortality – might have managed to send one last message from beyond the grave.

      Byron turned toward the sea so that the others, preoccupied by the fire, would not notice when he surreptitiously СКАЧАТЬ