The World Is the Home of Love and Death. Harold Brodkey

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СКАЧАТЬ over severance pay has been difficult verging on nightmare. Martin, the horror Pimp, has no fear of lying; he lies to any extent. He farts and talks stupidly and calls me at four in the morning to say he has a discarded memo of mine speaking of my resignation. He speaks in a false voice. He uses being disgusting—and silly—to drive someone like me out of a fight. I lose my will to fight Mr. Protozoan Slime. It is not like tussling with Achilles; there is no honor anywhere in the moments of such a struggle. And he is proud of himself.

      He has asked me to give in because we are both Presbyterian. He’s said, “We stick together, don’t we, we white men?” The issue is whether I’ll take less money and vamoose and let him win. Or try to work with him in the time I have left. Or I can sell these woods and hire a severance negotiator. But I don’t want to sell these woods, these moments of light. Ah, Christ.

      I actually feel a little rested, refreshed, prepared physically for the day, for anything that happens, for everything that is existent, including death. I feel I understand the violence of the world. Egos are involved … what a dread phrase … in the procedures of unreason. I’ve lived a long time in relation to the weird unreason of others. But this moment is colored by the softness of the morning air, wilderness air, and mountain light, and the odor of trees and rock. I have the energy to be serious or unserious … savagely indignant or mordant…. The energy, the clearheadedness … In the office, as in any sport, I have to be like them, the opponents, in order to do battle or to deal with them, in order to come up with useful tactics and the requisite language noises.

      God, office politics. They have eaten up my life. My chief strength in the world (such as it has been until now) is to be snotty and airy toward ugliness, is to skate right by it. It is treacherous toward democracy for me to be snotty and airy about it in relation to my colleagues, although it is patriotic to find America beautiful after all, or before all. Treacherous to my colleagues, whom I despise. I don’t give a fuck about anything they give a fuck about. Except perhaps money.

      I am between marriages. I suppose I should think about my two children. I come to the woods in order not to think about them. I don’t know how much of my death I want to share with my children. I don’t like to hide things from them. But I do cold-bloodedly think of and warm-bloodedly feel the massive, tantrum-y selfishness my ex-wife has encouraged in them. Actually, she told me she would do that if I did not return to her. What do I care about them? You know how selfish I am, Hank, she said. Do you suppose she would want me now, on the skids and tumorous? I don’t want to die with her. I can teach charitably or I can charitably empty bedpans for the short rest of my life, if I get enough money from the firm. The life I have left will be better if I accept the need to be sly steadily, with daily regularity: Dearest, tell me, do I look blankly friendly? Can you tell me if I give off a hint of menacing slyness? Do I appear to be a good citizen? My life would go better, but I would sicken and die even faster than I am sickening and dying now, and doesn’t dying free you from the need to accept the world any longer?

      I went to a country wedding once—a Methodist minister’s son married a pretty girl in an agonizingly pretentious stone chapel upstate. Built on the shore of a lake in a grove of birches, the chapel was pretty in a horrendously striving, American way—self-consciously Christian, trying for tradition. It had some architectural quality but not a quality of spiritual exercise and no aura from generations of belief. It was not pure with the hope of God, like the wooden churches visible across the lake from it. The morning had been rainy. The rain stopped just as we settled ourselves in church; the sun came out; the turn-of-the-century stained-glass windows began to glow effulgently in a kind of harsh American glory of light.

      The first bridesmaid down the aisle had a two-year-old child who would not leave her or let her march without him, and so the woman marched carrying a bouquet in one hand with a child balanced on her hip and held by her other hand—a different bouquet. She marched with a curiously mild, unassertive, consciously lovely, almost sated-but-frantic air down the aisle in the overwhelming light.

      Is it a fate to have been happy?

      Here is another definition of a life I have not lived. At a night club upstate that wedding weekend, an oldish and overweight, gray-haired woman with an obvious paunch and a white violin and a back-up band sang and fiddled a song that she had written. She sang and chanted that she could get everyone to dance: “I’ll make you wild.…” She sang and chanted it. She had set her amplifiers at some high register and everything she did was loudly amplified, a bit thunderous and a bit shrill with electronic treble, electronic tremble. She was loud, hypnotic, gifted, and her insistence was inspired in its way, that she could make us wild.… Dionysiac. And people did begin to dance. The woman became more and more suggestive, dirty, and commanding, in a somehow Scotch-Irish way that was gypsylike and irresistible. It was also part of the American backwoods, the camp meetings, the harvest festivals.

      Everyone in the audience, in the crowd, who was not crippled or arthritic—the drunken midlifers and the eighty-year-olds and the stoned younger ones, countryside working class—danced stiffly wildly. We were whitely and self-consciously orgiastic. In a somewhat consciously traditional way and as rebels as well. The sexual self-revelations, such as they were, suited the room and the lake. And explained the privacy of clubs and summer places. Explained my parents’ summertime snobbery, explained night clubs and lakeside resorts in a new and somewhat comic way, a touching way, with a sense of kinship. All the things I have not lived were present. I never was Dionysian.

      Bad news, broken heart, absurd tension. Still, the light among the trees and the fragments of sky, pale, glowing blue like the nylon over my head with the light in it, say it will be a pretty day. Je m’en foutisme—I-don’t-give-a-damn-ism: is that the note I whistle? From the time I was old enough and strong enough to have my own way at least partly, even as a boy, I have insisted on living part of each day, a moment or two, without suffering. And without cold willfulness. A civilized moment or two of freedom and of emotion.

      I bought this land last year, five acres; four are wooded and steep and set among gray, lichenous rocks and closed in by a forty-foot rock face and a lower, sloping meadow—small, less than an acre, and ringed with hemlocks—and in the woods between the meadow and these rocks a small, green, wooden, three-room house with three porches and a steep, wood-shingled roof and summer-camp shutters.

      I would like to do a tree census—find out how many trees I own, how many branches, how many twigs and leaves. And bugs. A quarter of a million leaves. A million leaves … I am a millionaire of rustling leaves … of grass blades. Of molecules of air … I own the air I breathe at this minute. Cubic yards of air, invisible stones of a luminous temple.

      What are the statistics? Seventy-five maples, eighty beeches, seventeen oaks, seven junior oaks, seven hemlocks including one, uh, picturesque giant. And so on. But I am inventing that. Sitting now on a log, drinking coffee, having a death-time cigarette, sitting on my red-and-blue air mattress, I look around at the uneven ground and nearby cliff, the trees that grew against the rock and that are fastened to the rock, leafy pilasters. The scattered and decaying leaves on the ground. The trees I own are not quite singular for me; they are trees, a generalized mass: my trees. Do you suppose God is this way about souls? I haven’t named any of my trees. In the morning light, I look around—the leaner, the life-is-a-beech, the straight-up maple near the boundary line to the east, the birch society, a crooked copse.… Those aren’t names of long-term affection. The feelings I have toward them are half-baked, inchoate, are unlike any feeling I have had toward animals or people or things … the patient, fluttering trees … A wind is springing up, stirs my semi-named, half-nameless trees.… A blur of vegetation, branches thickened to the eye by their motion, the cinder roses of shadow move on the ground.… The terms come from a Spanish poem: the smear of vegetation … cinder roses.… Thought stops. The great invisible chain links of mountain wind lash at my woods. I listen with abrupt, incredible simplicity to the sound of that wind, the forceful and shifting exercise of the СКАЧАТЬ