The Story of Edgar Sawtelle. David Wroblewski

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      Trudy was mesmerized, repeating the signs and following Mrs. Wilkes’s corrections studiously. Gar tried as well, though he lacked Trudy’s coordination and grace. It was near midnight before the woman left—far past the time when they usually went to sleep. Edgar had roused several times during the evening, and when they took him up, Mrs. Wilkes demonstrated how to say “food” and move Edgar’s hands. This was harder, since it required performing the sign backward. But it was possible. And Trudy understood the enormous leverage that practice gives the determined trainer.

      Edgar

      THIS WILL BE HIS EARLIEST MEMORY.

      Red light, morning light. High ceiling canted overhead. Lazy click of toenails on wood. Between the honey-colored slats of the crib a whiskery muzzle slides forward until its cheeks pull back and a row of dainty front teeth bare themselves in a ridiculous grin.

      The nose quivers. The velvet snout dimples.

      All the house is quiet. Be still. Stay still.

      Fine, dark muzzle fur. Black nose, leather of lacework creases, comma of nostrils flexing with each breath. A breeze shushes up the field and pillows the curtains inward. The apple tree near the kitchen window caresses the house with a tick-tickety-tick-tick. As slowly as he can, he exhales, feigning sleep, but despite himself his breath hitches. At once, the muzzle knows he is awake. It snorts. Angles right and left. Withdraws. Outside the crib, Almondine’s forequarters appear. Her head is reared back, her ears cocked forward.

      A cherry-brindled eye peers back at him.

      Whoosh of her tail.

      Be still. Stay still.

      The muzzle comes hunting again, tunnels beneath his blanket, below the farmers and pigs and chicks and cows dyed into that cotton world. His hand rises on fingers and spider-walks across the surprised farmyard residents to challenge the intruder. It becomes a bird, hovering before their eyes. Thumb and index finger squeeze the crinkled black nose. The pink of her tongue darts out but the bird flies away before Almondine can lick it. Her tail is switching harder now. Her body sways, her breath envelops him. He tugs the blackest whisker on her chin and this time her tongue catches the palm of his hand ever so slightly. He pitches to his side, rubs his hand across the blanket, blows a breath in her face. Her ears flick back. She stomps a foot. He blows again and she withdraws and bows and woofs, low in her chest, quiet and deep, the boom of an uncontainable heartbeat. Hearing it, he forgets and presses his face against the rails to see her, all of her, take her inside him with his eyes, and before he can move, she smears her tongue across his nose and forehead! He claps a hand to his face but it’s too late—she’s away, spinning, biting her tail, dancing in the moted sunlight that spills through the window glass.

      BOUNCING ON HIS MOTHER’S HIP as she walks down the aisle of the kennel. Dogs rush through the canvas flaps in the barn wall, look at him, take his scent. Her voice singsong as she calls to them.

      HIS FATHER, SITTING AT THE KITCHEN table, papers strewn before them. Pictures of dogs. His father’s voice quiet in his ear, talking through a line cross. The corner of a pedigree pinched between his fingers.

      RUNNING THROUGH THE YARD, past the milk house, throwing the fence gate closed before Almondine can catch him. He crouches in the tall weeds and watches. She loves to jump. Her stride draws up and she sails over the fence. In a moment, she’s next to him, panting. He clenches his fist and mock-scowls. When she looks away, he bolts again. The weeds rush together behind him and then he’s in the orchard, monkey-crawling along a branch, the one place she cannot follow, dangling a hand to taunt her. All at once, the world spins. When he hits the ground, a thump sounds in his chest. He begins to cry, but the only sound is Almondine’s barking—and, after a moment, the kennel dogs.

      ON THE FARTHEST APPLE TREE hangs a tire, its rope hairy and moth brown. He’s been told to stay away but forgotten why. He worms his shoulders through both circles of the rubber rim, twists, pumps his legs. The apple trees tilt crazily around him. It takes a minute for the bees to condense from shadow and sunlight, then he is trapped in the careening tire, and they sting him once on his neck, once on his arm. Hot points of light. Almondine snaps at the air, yelps, brushes a paw across her face. Then they are running to the house. The porch door slams behind. They wait to see if the bees will keep coming, grow thick against the screen. For a moment, Edgar almost believes the bees never existed. Then the stings begin to throb.

      WANDERING THROUGH THE KENNEL, holding a book: Winnie-the-

      Pooh. He opens a whelping pen, sits. The puppies surge through the underbrush of loose straw, kicking up fine white dust as they come along. He captures them between his legs and reads to them, hands in motion before their upturned muzzles. The mother comes over and they peep like chicks when they see her. One by one she carries them back to the whelping box; they hang black and bean-shaped from her mouth. When she has finished, she stands over them, looking at Edgar in reproach.

      They wanted to hear, he signs at her, but the mother won’t settle with her pups until he leaves.

      Winnie-the-Pooh is a good story for puppies.

      If only she would let him tell it.

      HIS FATHER, READING TO HIM at bedtime, voice quiet, lamplight yellow on the lenses of his glasses. The story is The Jungle Book. Edgar wants to fall asleep with Mowgli and Bagheera still in his mind, for the story to cross from the lamplight into his dreams. His father’s voice stops. He sits up.

      More, he signs, fingertips together.

      His father starts the next page. He lies back and moves his hands through the air to the sound of his father’s voice. Thinking about words. The shapes of words.

      HE IS SITTING ON THE GRAY leatherette cushion of the doctor’s bench and holding his mouth wide open. The doctor’s face is close, looking into him.

      Then the doctor puts alphabet tiles on a table. The doctor asks him to spell “apple,” but there is only one p and he can’t do it right. The doctor turns to a notepad and writes something down while he tries to turn the b upside down so it will be right.

      “I’d like him to stay for a few days,” the doctor says. His mother shakes her head and frowns.

      The doctor presses a buzzing, flashlight-shaped thing against his throat. “Breathe out,” he says. “Pull your lips back. Touch your tongue to the roof of your mouth. Make a circle with your lips.”

      Edgar follows his instructions and a word floats out of his mouth: “Ellooooo.” But the sound is hideous, flies against a pane of glass.

      Don’t do that.

      The doctor doesn’t understand at first. Edgar uses the letterboard and goes slow for him. On the way home, they drink black cows at the Dog’N’Suds. On his mother’s face, an expression: Sorrow? Anger?

      SITTING IN THE WHELPING PEN, watching a new litter of puppies squirm. At five days old, they are too young to name, but this has become his job.

      One of the pups is trying to climb over the others, pushing them aside to nurse. He is a bully. His name will be Hector, Edgar decides. Choosing names is hard. At night he discusses it with his mother and father. He is very young, and has only now begun using his dictionary to find names and note them in the margins.

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