Little Exiles. Robert Dinsdale
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Название: Little Exiles

Автор: Robert Dinsdale

Издательство: HarperCollins

Жанр: Историческая литература

Серия:

isbn: 9780007481729

isbn:

СКАЧАТЬ He fumbles after her for one step, and then another – and then he stops. It is not what she wants. It is not what his father would have wanted.

      He turns to the trail, tucking the letter into his coat. He can see, now, that the redbrick pile is not one building but three, two houses hunching on the shoulders of a hall with a spire like a church. He walks, slowly, between two pillars of red brick. Then, down the ledges he goes, head held high so that none of the midnight creatures watching him from the trees might see that he is afraid.

      In front of the tall spire there lies an open yard, where a motor car sits on blocks of stone and a single bicycle is propped against the wall. Washing lines criss-cross above him, beaded with snow. He advances slowly. The building looms, a fairytale castle made out of bricks and mortar.

      Above the door, the legend reads, in cursive script, Chapeltown Boys’ Home of the Children’s Crusade. Beneath that, a shield is mounted on a tall cross, and emblazoned with words Jon has to squint to make out.

       We fight for the paupers and not for the princes. We fight for the orphaned, the lost and the lonely, the forgotten children of famine and war, the desperate ones who deserve a new world.

      Jon barely has time to finish the final words when the doors on the other side of the yard open. Beyond them, he sees children – short and tall, young and younger still, more children than he has seen in his life – and, above them, wrapped in long robes, a man in black.

      The man gestures to him. ‘Jon Heather,’ he intones, his voice old and feathery. ‘We are so very glad that you have found us.’

      II

      ‘That little one’s still in bed,’ a voice, full of mirth, whispers.

      ‘Might be he froze in the night.’

      The first voice pauses, as if weighing the idea up. ‘He’d have a better chance of not freezing if you gave him back his blanket.’

      Once the voices have faded, Jon Heather opens his eyes. In truth, he has been awake since long before the morning bell, just the same as every last one of the mornings he has been here. At night, long after lights out, he forces himself to stay awake for as long as he is able, just so that they might not take his sheets, but even so, he wakes every morning to discover that his sleepiness has betrayed him, that he’s been sucked under, that now he’s shivering on a bare mattress with only the ceiling tiles to shelter him.

      Once he is certain the dormitory is empty, he squirms back into yesterday’s clothes – they are two sizes too big, hand-me-downs he was given once he had worn out the clothes in which his mother sent him – and ventures out of the room. If you are careful, you can walk the length of the landing without your head once peeping above the banister rail. It is a long passage, and overlooks a broad hall below. Along the row, there are other dormitories and, at the end, the cell where the returned soldier who leads them in games sleeps. Jon Heather steals past each doorway, mindful of other stragglers, like him, trying to avoid the stampede.

      At the top of the stair, he stops. Here, the stairs cut a switchback to the entrance hall below. Standing at the top, he gets a strange sense of things out of proportion, of the downstairs world drawing him in. He pauses, fingering the banister for balance. Through a gap between the rails, he can see the big double doors through which he first came, holding up his mother’s letter like a petition. He has stood here every morning, waiting for her face to appear at the glass, or else for his sisters to come, raining their fists at the door and demanding his return. So far: stillness and silence, more terrifying than any of the dreams that have started to taunt him.

      The hall below is stark, with a counter at the front like an old hotel. At the doors stand two of the men in black, conversing in low whispers. The elder is the man who first welcomed Jon to the Home. Wizened like some fairytale grandfather, he wears little hair upon his head. Beside him, another man listens attentively. Somehow, his skin is tanned by the sun, a stark contrast to the pallid men who shuffle around this place.

      Jon wants to wait until they have passed before descending the stairs, but presently the elder man turns, sunken eyes falling on him.

      ‘The bell,’ he says, ‘was more than fifteen minutes ago.’

      Jon, wordless, shrinks back, even though he is a whole staircase away from the man.

      ‘Breakfast. No exceptions.’

      The men in black leave the hall along one of the passages leading deeper into the building. These are hallways along which the boys are forbidden to go, and all the more mysterious for that. At the bottom of the stair, Jon listens to their footfalls fade, and wonders how far the sprawling building goes.

      Now, however, he is alone.

      He can hear the dull chatter of boys in the breakfasting hall, which joins the entrance hall behind the counter, but something pulls him away, draws him towards the big double doors. The glass windows on either side are opaque, barnacled in ice, so that the world beyond is obscured. He stands, tracing the pattern of an icy crystal with his index finger, before his eyes fall upon the door handle. Then, suddenly, his hands are around it. At first, that is enough – just to hold on to the promise of going back out. Yet, when he finds the courage to turn the handle, he finds it jammed, locked, wood and steel and glass all conspiring against him.

      Jon Heather pads into the middle of the entrance hall and turns a pointless pirouette.

      Breakfast is the same every morning: milk and oats. Sometimes there is sugar, but today is not one of those days; there will be no more sugar until the boy who wet his bed and secretly changed his sheets is discovered and punished. By the time Jon Heather arrives, most of the boys are already done eating – and, because they are not allowed to leave the hall until the second bell sounds, they are now contriving games out of bowls and spoons. They sit at long tables, skidding bowls up and down, crying out the names of famous battles of which they have heard. One boy, who has not been quick enough in wolfing down his oats, has found his bowl upended and perched on top of his head like a military cap. The oats look like brain matter seeping down his cheeks.

      ‘Just get it off your head, George, before one of them old bastards sees.’

      ‘It’s hot …’ the fat boy trembles.

      ‘More than mine was,’ says the lanky, red-haired boy beside him, shoving his bowl away. ‘Look,’ he whispers, out of the corner of his mouth, ‘you can eat up what’s left of mine if you like. Just don’t make me have to take that thing off your head for you.’

      ‘I wish you would, Peter. It’s getting in my hair.’

      The lanky redhead groans. His head drops to the table for only an instant, before he sits bolt upright, swivels and helps the younger boy lift off his new helmet. ‘I’m never going to hear the end of this from the other boys …’

      ‘It’s in my ears, isn’t it?’

      The older boy digs a finger in and produces a big clot of porridge. ‘You want me to wipe your arse as well, Georgie boy?’

      Jon Heather must walk the length of the breakfasting hall to get his porridge from the table at the front. When he gets there, all that is left are the congealed hunks at the bottom of the pan – but this is good enough; it’s a tradition for each boy to hawk up phlegm into the pot as he takes his portion, and most likely it didn’t sink this far. Besides, Jon СКАЧАТЬ