In Babylon. Marcel Moring

Чтение книги онлайн.

СКАЧАТЬ in stories. I was a believer of stories. The question of whether or not God existed didn’t interest me. God was the least of my worries.

      A family of travellers, yet I never told anyone where I went each night with Uncle Chaim and Magnus. Life was confusing enough as it was. Manny worked day and night on something we knew nothing about and when he came home he fell asleep at the table. Sophie sat during the day with the other wives at Mr Feynman’s calculators, and my sisters, Zoe and Zelda, had reached the age when they were turning from girls into women and were practically unapproachable. And so I kept silent. I kept silent and I listened and as I listened I lost the distinction between then and now, here and there, reality and fantasy. That wasn’t so bad. Later, much later, I would make it my profession to be of another time, and as a child, in an environment where no one paid any attention to me, it wasn’t so bad to be considered a dreamer.

      And so I became a fairy tale writer, all because of Great-Great-Grand-Uncle Chaim and Cousin Magnus. Hand-in-hand, we travelled through the forest of stories. ‘The only way to understand the world,’ Magnus once said, ‘is by telling a story. Science,’ said Magnus, ‘only teaches you the way things work. Stories help you understand.’

      The only person in the family who ever opposed my choice of career was Uncle Herman. I can vividly remember the moment when he first heard what I wanted to do with my life. That was in Holland.

      I was about fifteen and Herman, who had come to visit, asked my mother, his sister-in-law, whether she had found a school for me yet.

      ‘He’s been at school since he was six,’ Sophie had answered.

      ‘University,’ said Uncle Herman. ‘Have you given any thought to what the boy should study?’

      Sophie had looked at him in amazement. ‘Herman,’ she said, ‘young people decide for themselves what they should study. Who they marry, too.’

      At that last remark, Uncle Herman had gone slightly red in the face. He turned to me and asked what I had in mind. I said that I had nothing in mind.

      ‘You’re not the only one,’ he said. ‘But the question is: what do you want to be when you grow up?’

      ‘A fairy tale writer.’

      We were sitting in the sun lounge. It was the middle of summer. The doors were open and from the garden came the sound of late birds who were letting other late birds know where they were.

      ‘Fairy tale writer,’ said Uncle Herman.

      ‘Fairy tale writer,’ I said.

      ‘Lord of the Universe,’ said Uncle Herman.

      ‘I’m good at writing fairy tales,’ I said.

      ‘Just how do you intend to do this?’

      ‘What?’

      ‘Become a fairy tale writer! What are we talking about here?’ The subject made him rather hot under the collar. He slammed his hand down on the armrest of the wicker chair in which he was sitting, his lips pressed firmly together.

      I looked at my mother.

      ‘N,’ said Sophie, glancing worriedly at Uncle Herman, ‘I think what you’re supposed to do now is tell him what you’d like to study.’

      ‘Oh,’ I said.

      Uncle Herman closed his eyes and leaned his head against the back of the chair. He took a deep, slow breath. After a long while he straightened up again and after another long while he opened his eyes and looked at me wearily. ‘All right,’ he said hoarsely. ‘What do you plan to study, Nathan? Are you going to university?’

      ‘To become a fairy tale writer? I don’t think that exists,’ I said.

      ‘No, of course it doesn’t exist!’ he shouted.

      ‘Herman,’ said Sophie. Her mouth had settled into a disapproving frown. ‘If you can’t behave yourself, go back to your big house so you can play lord of the manor.’

      Uncle Herman bowed his head and nodded. There was a brief silence, and when he looked at me again it was as if he were seeing me for the first time. I turned around on Sophie’s painting stool and tried to look interested in a charcoal sketch on the easel. ‘Nathan,’ he said finally, ‘you’ve got to do what you’ve got to do, but if you do something, then do it well. What I mean is that you shouldn’t just piddle around and see if it works. Think up your own course of study, your own training, so that you can choose from different skills and won’t be restricted by some accidental talent.’

      ‘Hold on,’ said Sophie, ‘talent is no small thing, I mean …’

      ‘Talent, Soph, is the curse of anyone who really wants to do something. Talent is the greatest handicap you can have. Why do you think you’re giving painting lessons to frustrated housewives instead of exhibiting at the Stedelijk? All you’ve got is talent.’

      Sophie looked at him with an expression that gave new meaning to the word freeze-dry.

      I didn’t understand what Uncle Herman was talking about. I wanted to be a fairy tale writer, because I had discovered that I could do it. What more did he want? That I should first be unable to do it so that I would want it all over again?

      As I thought this, I slowly began to realize the significance of Uncle Herman’s words.

      That was probably the most important day of my life. Not only did I learn that you had to mistrust talent if you truly wanted to discover anything, I also realized that I had stumbled upon an outlook on life which may or may not have been Uncle Herman’s, but which certainly seemed worth a try.

      And so I wrote my fairy tales and the longer I wrote, the deeper Uncle Herman’s strange paradox sank in and the harder it got. By the time I was eighteen I couldn’t do a thing. If I had to make a shopping list – the household chores had been divided up and I was the cook – I spent an hour at the kitchen table mulling over the correct sequence of butter, cheese, and eggs. It was the year when we ate almost nothing but omelettes and pasta with red sauce. I had long since stopped writing fairy tales by then. I cooked, stared at the pans on my stove, the sauce bubbling, the eggs setting, the garlic browning and the blue steam rising from the slow-warming olive oil, while inside me, the words formed mile-long caravans that trekked through the desert of my authorship.

      The fact that it turned out all right in the end, I owed to Uncle Chaim. One night I was sitting in my room, reading, when he stepped out of the bookcase and posted himself next to my chair.

      ‘Kabbala …’ he said after a while, breathless.

      ‘The Zohar,’ I said.

      ‘Forbidden,’ said Uncle Chaim. ‘Not until a man is forty.’

      I rubbed my sandy eyes and bowed my head. ‘Nuncle,’ I said. ‘Didn’t you once tell me I was the eldest?’

      He tore himself away from the book in my lap and looked at me. ‘A good memory,’ he said, ‘can be a blessing. And a curse.’

      I closed my book and let my head sink down onto the back of my chair. ‘I know, Nuncle, I know. But it’s there and there’s nothing I can do about it.’

      ‘The СКАЧАТЬ