John Lennon: The Life. Philip Norman

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СКАЧАТЬ helped by a female neighbour. Alf pitched in to help them, telling Julia with the ostentatious self-pity of a country-and-western ballad to leave him only ‘a broken chair’ to sit on.

      The sea, his old comforter, beckoned as alluringly as ever, and in April 1946 he found a berth as night steward aboard the Cunard company’s flagship, the Queen Mary, plying between Southampton and New York. The ship was within an hour of sailing when he received a telephone call from his sister-in-law, Mimi Smith, urging him to return to Liverpool immediately.

      It was not an easy call for Mimi to make, and it doubtless caused even the unvengeful Alf a measure of quiet satisfaction. For the Stanley family’s hostility towards Julia’s new man friend Bobby Dykins was more virulent than anything he himself had ever suffered at their hands. According to Mimi, Julia and John had moved back into 9 Newcastle Road, and Dykins was also now in residence there, confronting John with the daily spectacle of his mother—in the accepted phrase—‘living in sin’. Of most immediate concern was that John seemed not to like his ‘new daddy’ and had turned up on Mimi’s doorstep in Woolton, having walked the 2 miles from Newcastle Road on his own. Despite all her hostility to Alf, she had been forced to concede that he missed and needed his real father. Alf then spoke to John, who asked him excitedly when he was coming home. He replied that he couldn’t ‘break Articles’ by deserting his ship, but promised to come as soon as the Queen Mary returned to Southampton, two weeks later.

      He duly made his way back up north, arriving at Mimi’s late one night after John was in bed and asleep. The homecoming mariner was not offered a meal, only a cup of tea, which Mimi served to him accompanied by a further angry recital of Julia’s misconduct with Bobby Dykins. She also presented Alf with a bill for various necessities which she said she’d had to buy for John since his arrival. Fortunately, thanks to profitable black-market dealings in nylon stockings and other contraband, Alf had plenty of cash with him. He gave Mimi £20, and in that moment—so he would afterwards claim— decided he had no alternative but to abduct his son the following day. As he would later write, ‘I finally made up my mind that I would take [John] to Blackpool with me, making some excuse that I was taking him shopping or to see his granny.’

      Alf stayed overnight at Mimi’s and the next morning was awoken by an exuberant John bouncing up and down on his chest. His suggestion that the two of them should go out together for the day was greeted with wild excitement. Mimi offered no opposition, believing the purpose of the outing was to buy some new clothes for John. Father and son then caught a tram into Liverpool, where Alf took his older brother Sydney into his confidence, swearing him to secrecy. Sydney reiterated his own willingness to adopt John, though Alf later claimed never to have seriously considered this option.

      Blackpool was Alf’s chosen destination not only as a northwestern seaside resort of fabled child appeal but also as the hometown of his shipmate and fellow black-marketeer Billy Hall. For something like three weeks, he hid out there with John, staying with Billy’s parents and spending his abundant spare cash on every carnival ride and sticky treat the little boy could desire. The kindly Halls also found themselves added to the waiting list of John’s would-be guardians. Alf’s initial idea was that, when his money ran out and he returned to sea, John should stay on with the Halls in Blackpool. When it transpired that they were about to sell their home and emigrate to New Zealand, a more complex scheme took shape. Mr and Mrs Hall would take John with them, posing as his grandparents; a little later, Alf, Billy Hall, and Billy’s brother would obtain their own passage to New Zealand free of charge by signing on to some Australasianbound liner, then jumping ship when it reached Wellington.

      The plan had no chance to mature any further. Julia had by now picked up Alf’s trail and, one sunny June day, turned up at the Halls’ house, accompanied by Bobby Dykins, to take John back. Initially her demand was not backed up by any real force. When Alf outlined the New Zealand scheme, she agreed it could be the start of a wonderful new life for John and indicated her willingness to let him go, merely asking to see him one last time. When John was brought into the room, his first reaction, after their days of fun and intimacy, was to climb into Alf’s lap. But when Julia admitted defeat and turned to leave, he jumped down and ran after her, burying his face in her skirt, sobbing and begging her not to go. To break the impasse, Alf pleaded with her to give their marriage another chance, but Julia would have none of it.

      Alf then told John he must choose between going with Mummy or staying with Daddy. If you want to tear a small child in two, there is no better way. John went to Alf and took his hand; then, as Julia turned away again, he panicked and ran after her, shouting to her to wait and to his father to come, too. But, paralysed once more by fatalistic self-pity, Alf remained rooted in his chair. Julia and John left the house and disappeared into the holiday crowds.

      That evening, good-hearted Mr and Mrs Hall sought to cheer Alf up by taking him to a pub called the Cherry Tree and persuading him to do his Al Jolson routine for its assembled customers. His all-too-appropriate song choice was Jolson’s ‘Little Pal’, a eulogy to some angelic Sonny Boy tucked in a soft, safe nursery as his faithful dad watches adoringly over him. Instead of ‘Little Pal’ in each verse, Alf sang ‘Little John’. It made tears stream down his cheeks, although—ever the pro—he sang the song to its end, amid a storm of clapping and whistling. Unlike the little pal he had given up, Alf Lennon would never find crowds oppressive nor applause wearisome.

       2 THE NORTHERN CONFEDERACY

      Shall I call you Pater, too?

      Britain emerged from the Second World War looking far more like a defeated nation than a victorious one. Crippled financially as well as bombed to ruins, the country remained in a state of crisis and privation long after the lights had begun to go on again all over the rest of Europe—even in Germany. Meat, butter and sugar continued to be doled out in miserly amounts dictated by coupons from dun-coloured ration books. Clothes were drab, shapeless and as devoid of individuality as the uniforms they had replaced. Every day seemed to bring some fresh shortage or restriction or appeal by the grim-faced new socialist government for self-sacrifice or thrift. In the pervading climate of shabbiness, inconvenience, chilblains and snot-green smog, the young and the old were almost indistinguishable. Youth had been permanently cancelled, it seemed, along with any kind of frivolity, spontaneity or joy.

      Yet despite the icebound grip of this so-called Austerity era, life went on in much the same way it always had. The class system still operated as feudally as ever, the Royal Family was still sacred, the aristocracy still revered. Authority received unquestioning trust and respect, whether manifested in politicians, doctors, lawyers, the clergy, the armed forces or the police. Newspapers voluntarily suppressed anything that might upset the status quo. While rapidly dismantling their colonial Empire, Britons continued to regard themselves as masters of the world, despising all foreigners, treating as natural inferiors all races with skins darker than theirs, and using terms like nigger and wog (not to mention Jewboy and yid) without a qualm. Endemic class snobbery came from beneath as much as from above. Most people on even the lowest social rungs aspired to speak a little ‘better’ than they really could, taking as their model the clipped enunciation of royalty, prime ministers, Shakespearian actors and announcers on the BBC.

      Like all great cities of the north, Liverpool lay in ruins for so long that grass grew over the bomb sites and wildflowers sprang up around the disused shelters and the giant letters SWS (for Static Water Supply). An Ealing Studios film called The Magnet, shot on location there and released in 1950, shows how, five years after Victory in Europe, whole districts around the docks still consisted of nothing but craters and rubble heaps, the latter now used by children as unofficial playgrounds.

      Seaports by their very nature tend to be individualistic places where life is lived in tougher, freer, more eccentric ways than in the non-mercantile hinterland. СКАЧАТЬ