Super-Cannes. Ali Smith

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СКАЧАТЬ their electronic screens, but Jane ignored them, readying a two-finger salute that I managed to conceal.

      ‘Jane, they’re on our side.’

      ‘Sorry, Paul. I know, we want them to like me. Open your window.’ She grimaced at herself in the rear-view mirror. ‘That cheap perfume. I smell like a tart …’

      ‘The most gorgeous tart on the Côte d’Azur. They’re lucky to have you.’ I tried to settle her hands as she fretted over her lipstick, obsessively fine-tuning herself. I could feel the perspiration on her wrists, brought out by more than the August sun. ‘Jane, we don’t have to be here. Even now, you can change your mind. We can drive away, cross the border into Italy, spend a week in San Remo …’

      ‘Paul? I’m not your daughter.’ Jane frowned at me, as if I were an intruder into her world, then touched my cheek forgivingly. ‘I signed a six-month contract. Since David died they’ve had recruitment problems. They need me …’

      I watched Jane make a conscious effort to relax, treating herself like an overwrought patient in casualty. She lay against the worn leather seating, breathing the bright air into her lungs and slowly exhaling. She patted the dark bang that hid her bold forehead and always sprang forward like a coxcomb at the first hint of stress. I remembered the calm and sensible way in which she had helped the trainee nurses who fumbled with my knee-brace. At heart she was the subversive schoolgirl, the awkward-squad recruiter with a primed grenade in her locker, who saw through the stuffy conventions of boarding school and teaching hospital but was always kind enough to rescue a flustered housekeeper or ward orderly.

      Now, at Eden-Olympia, it was her turn to be intimidated by the ultra-cerebral French physicians who would soon be her colleagues. She sat forward, chin raised, fingers drumming a threatening tattoo on the steering wheel. Satisfied that she could hold her own, she noticed me massaging my knee.

      ‘Paul, that awful brace … we’ll get it off in a few days. You’ve been in agony and never complained.’

      ‘I’m sorry I couldn’t help with the driving. Cannes is a long way from Maida Vale.’

      ‘Everywhere is a long way from Maida Vale. I’m glad we came.’ She gazed at the office buildings that climbed the valley slopes, and at the satellite dishes distilling their streams of information from the sky. ‘It all looks very civilized, in a Euro kind of way. Not a drifting leaf in sight. It’s hard to believe anyone would be allowed to go mad here. Poor David …’

      David Greenwood’s death dominated our time at Eden-Olympia, hovering above the artificial lakes and forests like the ghosts of Princip over Sarajevo and Lee Harvey Oswald over Dallas. Why this dedicated children’s doctor should have left his villa on a morning in late May and set out on a murder rampage had never been explained. He had killed seven senior executives at Eden-Olympia, executed his three hostages and then turned his rifle on himself. He had written no suicide note, no defiant last message, and as the police marksmen closed in he had calmly abandoned himself to death.

      A week before our wedding, Jane and I had met him at a London reception for Médecins Sans Frontières. Likeable but a little naive, Greenwood reminded me of an enthusiastic Baptist missionary, telling Jane about the superb facilities at the Eden-Olympia clinic, and the refuge for orphaned children he had set up at La Bocca, the industrial suburb to the west of Cannes. With his uncombed hair and raised eyebrows, he looked as if he had just received an unexpected shock, a revelation of all the injustices in the world, which he had decided to put right. Yet he was no prude, and talked about his six months in Bangladesh, comparing the caste rivalries among the village prostitutes with the status battles of the women executives at Eden-Olympia.

      Jane had known him during their internships at Guy’s, and often met him after she enrolled with the overseas supply agency that recruited Greenwood to Eden-Olympia. When she first applied for the paediatric vacancy, I had been against her going, remembering her shock on hearing the news of Greenwood’s violent death. Although she was off-duty for the day, she had taken a white coat from the wardrobe in our bedroom and buttoned it over her nightdress as she laid the newspapers across my knees.

      The entire London press made the tragedy its main story. ‘Nightmare in Eden’ was the repeated headline above photographs of Riviera beaches and bullet-starred doors in the offices of the murdered executives. Jane hardly spoke about Greenwood, but insisted on watching the television coverage of French police holding back the sightseers who invaded Eden-Olympia. Blood-drenched secretaries, too speechless to explain to the cameras how their bosses had been executed, stumbled towards the waiting ambulances, while helicopters ferried the wounded to hospitals in Grasse and Cannes.

      The investigating magistrate, Judge Michel Terneau, led the inquiry, reconstructing the murders and taking evidence from a host of witnesses, but came up with no convincing explanation. Greenwood’s colleagues at the clinic testified to his earnest and intense disposition. An editorial in Le Monde speculated that the contrast between the worldly power of Eden-Olympia and the deprived lives of the Arab immigrants in Cannes La Bocca had driven Greenwood into a frenzy of frustration, a blind rage at inequalities between the first and third worlds. The murders were part political manifesto, so the newspaper believed, and part existential scream.

      When the case at last left the headlines Jane never referred to Greenwood again. But when the vacancy was advertised she immediately called the manager of the supply agency. She was the only applicant, and quickly convinced me that a long break in the Mediterranean would do wonders for my knee, injured in a flying accident nine months earlier and still refusing to mend. My cousin Charles agreed to take over the publishing house while I was away, and would e-mail me copy and proof pages of the two aviation magazines that I edited.

      Eager to help Jane’s career, I was happy to go. At the same time, like any husband from a different generation, I was curious about my young wife’s romantic past. Had she and Greenwood once been lovers? The question was not entirely prurient. A mass-murderer had perhaps held her in his arms, and as Jane embraced me the spirit of his death embraced me too. The widows of assassins were forever their armourers.

      On our last night in Maida Vale, lying in bed with our packed suitcases in the hall, I asked Jane how closely she had known Greenwood. She was sitting astride me, with the expression of a serious-minded adolescent on her face that she always wore when making love. She drew herself upright, a hand raised to hit me, then solemnly told me that she and Greenwood had never been more than friends. I almost believed her. But some unstated loyalty to Greenwood’s memory followed us from Boulogne to the gates of Eden-Olympia.

      Baring her teeth, Jane started the engine. ‘Right … let’s take them on. Find the clinic on the map. Someone called Penrose will meet us there. Why they’ve picked a psychiatrist, I don’t know. I told them you hate the entire profession. Apparently, he was hurt in David’s shoot-out, so be gentle with him …’

      She steered the Jaguar towards the gatehouse, where the guards had already lost interest in their screens, intrigued by this confident young woman at the controls of her antique car.

      While they checked our documents and rang the clinic I stared at the nearby office buildings and tried to imagine Greenwood’s last desperate hours. He had shot dead one of his colleagues at the clinic. A second physician, a senior surgeon, had suffered a fatal heart attack the next day. A third colleague had been wounded in the arm: Dr Wilder Penrose, the psychiatrist who was about to introduce us to our new Eden.

       2 Dr Wilder Penrose

      A ROBUST, BULL-BROWED man in a creased linen suit strode СКАЧАТЬ