Young and Damned and Fair: The Life and Tragedy of Catherine Howard at the Court of Henry VIII. Gareth Russell

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СКАЧАТЬ The message from the Tudors’ throne was clear, if not always easy to follow. Where Edward IV had turned the Howards into enemies whose only chance of prosperity lay with toppling his lineage, Henry VII had turned them into servitors whose hope lay in doglike obedience.45

      Thomas Howard’s tribe of children were expected to do their part in the rebuilding of the family – either through royal service, advantageous marriages, or both. The most spectacular match was that of the family’s heir, young Thomas, who married Henry VII’s sister-in-law, Anne of York; when she died in 1511, Thomas wed Henry VIII’s cousin, Lady Elizabeth Stafford, the younger sister of the Duke of Buckingham.46 The marriage of two of the Howard sisters, Elizabeth and Muriel, to members of relatively ‘new’ families like the Boleyns and the Knyvets, might seem curious given the numerous subsequent accounts of the era that describe them as families of knights or country gentlemen, apparently far removed from the aristocratic pedigree the Howards had built for themselves. However, the idea of a binary of gentry and aristocracy is a misleading modern conceit. The few centuries before Catherine’s birth had seen enormous changes in the personnel of the elite – of the 136 lords who attended Parliament at the end of the thirteenth century, the direct descendants of only sixteen of them were around to perform similar duties at the start of the sixteenth.47 The aristocratic caste was simply too narrow to socialise or marry solely within itself, particularly if it is defined as those in possession of, or the offspring of someone with, one of the five titles of the nobility – in ascending order in England, baron, viscount, earl, marquess, and duke, or their female equivalents, baroness, viscountess, countess, marchioness, and duchess. In everyday social interactions, the nuances of aristocratic etiquette drew little distinction between the children of respected gentry families and those from certain families in the nobility – for instance, the offspring of a viscount, a baron, or a gentleman were not entitled to style themselves ‘lord’ or ‘lady’, unlike those born to a duke, marquess, or earl.

      To give an idea of how small the high nobility was as a group, compared to the thousands who thronged the court and enjoyed a privileged lifestyle, by 1523 there were only two dukes, one marquess, and thirteen earls in the combined English and Irish peerages.48 Of those sixteen, fewer than half possessed a title that had been in the family for more than three generations. The idea of being ‘gently born’, meaning into a class of landowners who did not have to till their land themselves in order to generate an income from it, bonded the English upper classes together far more than a distinction between who was technically an aristocrat as opposed to a member of the gentry. Families like the Arundells, who owned 16,000 acres in the south-west, were technically ‘only’ gentry, but they were still referred to as a ‘great’ family by their contemporaries, and like most upper-class clans they benefited from their peers’ tendency to count the maternal ancestry as being equally important as the paternal.49 There was certainly a pecking order, and under Henry VIII it worked in the Howards’ favour, but, as ever, people tolerate in their friends what they deplore in their enemies, and it was often only once people quarrelled over other things that truly vicious hauteur reared its head.50

      The Howards’ return to the dukedom they had lost at Bosworth was accomplished after twenty-nine years when, in 1514, Henry VIII restored the title in recognition of Thomas Howard’s leadership of the English forces at the Battle of Flodden. Thomas Howard certainly showed no sense of snobbery towards his sons-in-law, and they seem to have been promoted and patronised alongside his own boys.51 In his old age, those men continued to rise after he effectively retired from public life, spending most of his time, in his family’s words, at the ‘Castle of Framlingham, where he continued and kept an honourable house unto the hour of his death. And there he died like a good Christian prince.’52

      At the burial ceremony itself, the priest chose to deliver his sermon on the text ‘Weep not: behold, the Lion of the tribe of Judah, the Root of David, hath prevailed.’53 Tribes, lions, and tenacity spoke to the Howards’ souls. As the padre reached the crescendo of his terrifying homily, mixing panegyric with eschatology, the individual with the eternal, several of the congregation became so unsettled and afraid that they left the chapel. Once the hardier mourners had departed at a more decorous pace, the workmen arrived to begin construction of the duke’s unique monument. From an incarcerated traitor to the king’s right hand for defence of the realm, and paterfamilias of one of the largest aristocratic networks in northern Europe, was an extraordinary trajectory for any life, yet the duke died apparently torn between pride at his accomplishments and concern that in years to come observers would assume the worst regarding his loyalty in shifting allegiance from Edward V to Richard III to Henry VII. To prevent this, his tomb boasted a lengthy carved account of his life, which constantly stressed his service to the Crown, irrespective of its incumbent. Over a year later, long after Edmund had returned to Lambeth, his wife, and their growing brood of children, work on the tomb was complete and Catherine’s grandfather rested in splendour.54

* To have two children with the same name was not unusual in an era with a relatively limited pool of Christian names and a custom for allowing godparents to pick a name at the christening ceremony. The 2nd Duke of Norfolk had two sons called Thomas and two daughters called Elizabeth. The aristocratic custom of a plethora of cosy nicknames arose from necessity’s proverbial role as the mother of invention.

      Chapter 3

       Lord Edmund’s Daughter

      Anger makes dull men witty, but it keeps them poor.

      – Elizabeth I (1533–1603)

      Edmund Howard cannot have been thrilled at the arrival of another daughter. Girls required dowries and Edmund was already struggling financially. Catherine had the bad luck to be born to a man who peaked long before he became a father. Edmund was a toxic combination of corrupt, unstable, and pathetic, but he had not always been that. Those who knew him in his youth described Catherine’s father as ‘a courage and an hardy young lusty gentleman’.1 One of seven sons, but the third to reach adulthood, he had his father’s and brothers’ athletic capabilities, but lacked their acute social intelligence. He had spent most of his childhood at court as a pageboy in the service of King Henry VII, like his elder brother Edward, and the upward trajectory of his family after Bosworth seemed to promise a life of plenty. During the festivities for Henry VIII’s coronation in 1509, Edmund and his two elder brothers were part of a group of ‘fresh young gallants and noble men gorgeously apparelled’ who were asked to lead a tourney at the Palace of Westminster.2 The roll call of those invited to fight alongside him suggests that only the best jousters were chosen, and with good reason, given how much had been spent.

      Jousting mingled with a pageant was a relatively new kind of entertainment at the English court, with its combination of set pieces atop moving stages, music, dialogue, and mock combat. In Europe, it had long ago been transformed into an art form, with some celebrations recreating the city of Troy or the twelve labours of Hercules, complete with mechanised monsters and giants. Artistic ingenuity rubbed uneasily with a sportsman’s zeal, and it was not always clear how choreographed СКАЧАТЬ