The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 547, May 19, 1832. Various

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СКАЧАТЬ your readers who, like myself, are fond of a solitary ramble along the sea shore by moonlight, I would say, go to Southampton or the Isle of Wight; take an evening walk from Itchen through the fields to Netley, thence to the Abbey and Fort ruins, under woods that for a considerable distance skirt the coast; or on the opposite side, through the Forest of Oaks, from Eling to Dibden, and onwards over the meadows to Hythe: there they may, in either, find ample food for reflection, connected with the Curfew Bell.

      Seated on a fragment of the towers of Netley Abbey, whose pinnacles were so often hailed by seamen as well known landmarks, but whose Curfew has for centuries been quiet, the spectator may see before him the crumbling remains of a fort, erected hundreds of years ago. On the left is an expanse of water as far as the eye can reach, and in his front the celebrated New Forest,—

      Majestic woods of ever vigorous green,

      Stage above stage, high waving o'er the bills;

      Or to the far horizon wide diffus'd,

      A boundless deep immensity of shade—

      the scene of William's tyranny and atrocity, the spot where his children met their untimely end, and where may be seen the tumuli erected over the remains of the Britons who fell in defence of their country.

      In the deep recesses of a wood in the south-east prospect, the eye may faintly distinguish the mouldering remains of the Abbey of Beaulieu, famed in days of yore for its Sanctuary, the name of which is now only recorded in history. Even the site of the tower is unknown, whose Curfew has long ceased to warn the seamen, or draw the deep curse from the forester.

      There they may

      "On a plat of rising ground,

      Hear the far off Curfew sound,

      Over the wide watered shore,

      Swinging slow with sullen roar."

      The Curfew is rung at Southampton, Downton, Ringwood, and many other towns in the west, every night at eight.

      P.Q.

      THE SELECTOR; AND LITERARY NOTICES OF NEW WORKS

      SPANISH SCENERY

      The following is from the delightful pencil of Washington Irving: it will be seen to bear all the polish of his best style:—

      "Many are apt to picture Spain to their imaginations as a soft southern region, decked out with all the luxuriant charms of voluptuous Italy. On the contrary, though there are exceptions in some of the maritime provinces, yet, for the greater part, it is a stern, melancholy country, with rugged mountains, and long sweeping plains, destitute of trees, and indescribably silent and lonesome, partaking of the savage and solitary character of Africa. What adds to this silence and loneliness, is the absence of singing-birds, a natural consequence of the want of groves and hedges. The vulture and the eagle are seen wheeling about the mountain-cliffs, and soaring over the plains, and groups of shy bustards stalk about the heaths; but the myriads of smaller birds, which animate the whole face of other countries are met with in but few provinces in Spain, and in those chiefly among the orchards and gardens which surround the habitations of man.

      "In the interior provinces the traveller occasionally traverses great tracts cultivated with grain as far as the eye can reach, waving at times with verdure, at other times naked and sunburnt, but he looks round in vain for the hand that has tilled the soil. At length, he perceives some village on a steep hill, or rugged crag, with mouldering battlements and ruined watch tower; a stronghold, in old times, against civil war, or Moorish inroad; for the custom among the peasantry of congregating together for mutual protection, is still kept up in most parts of Spain, in consequence of the maraudings of roving freebooters.

      "But though a great part of Spain is deficient in the garniture of groves and forests, and the softer charms of ornamental cultivation, yet its scenery has something of a high and lofty character to compensate the want. It partakes something of the attributes of its people; and I think that I better understand the proud, hardy, frugal, and abstemious Spaniard, his manly defiance of hardships, and contempt of effeminate indulgences, since I have seen the country he inhabits.

      "There is something, too, in the sternly simple features of the Spanish landscape, that impresses on the soul a feeling of sublimity. The immense plains of the Castiles and of La Mancha, extending as far as the eye can reach, derive an interest from their very nakedness and immensity, and have something of the solemn grandeur of the ocean. In ranging over these boundless wastes, the eye catches sight here and there of a straggling herd of cattle attended by a lonely herdsman, motionless as a statue, with his long, slender pike tapering up like a lance into the air; or, beholds a long train of mules slowly moving along the waste like a train of camels in the desert; or, a single herdsman, armed with blunderbuss and stiletto, and prowling over the plain. Thus the country, the habits, the very looks of the people, have something of the Arabian character. The general insecurity of the country is evinced in the universal use of weapons. The herdsman in the field, the shepherd in the plain, has his musket and his knife. The wealthy villager rarely ventures to the market-town without his trabuco, and, perhaps, a servant on foot with a blunderbuss on his shoulder; and the most petty journey is undertaken with the preparation of a warlike enterprise.

      "The dangers of the road produce also a mode of travelling, resembling, on a diminutive scale, the caravans of the east. The arrieros, or carriers, congregate in convoys, and set off in large and well-armed trains on appointed days; while additional travellers swell their number, and contribute to their strength. In this primitive way is the commerce of the country carried on. The muleteer is the general medium of traffic, and the legitimate traverser of the land, crossing the peninsula from the Pyrenees and the Asturias to the Alpuxarras, the Serrania de Ronda, and even to the gates of Gibraltar. He lives frugally and hardily: his alforjas of coarse cloth hold his scanty stock of provisions; a leathern bottle, hanging at his saddle-bow, contains wine or water, for a supply across barren mountains and thirsty plains. A mule-cloth spread upon the ground, is his bed at night, and his pack-saddle is his pillow. His low, but clean-limbed and sinewy form betokens strength; his complexion is dark and sunburnt; his eye resolute, but quiet in its expression, except when kindled by sudden emotion; his demeanour is frank, manly, and courteous, and he never passes you without a grave salutation: 'Dios guarde à usted!' 'Va usted con Dios, Caballero!' 'God guard you! God be with you, Cavalier!'

      "As these men have often their whole fortune at stake upon the burthen of their mule, they have their weapons at hand, slung to their saddles, and ready to be snatched out for desperate defence. But their united numbers render them secure against petty bands of marauders, and the solitary bandolero, armed to the teeth, and mounted on his Andalusian steed, hovers about them, like a pirate about a merchant convoy, without daring to make an assault.

      "The Spanish muleteer has an inexhaustible stock of songs and ballads, with which to beguile his incessant wayfaring. The airs are rude and simple, consisting of but few inflexions. These he chants forth with a loud voice, and long, drawling cadence, seated sideways on his mule, who seems to listen with infinite gravity, and to keep time, with his paces, to the tune. The couplets thus chanted, are often old traditional romances about the Moors, or some legend of a saint, or some love-ditty; or what is still more frequent, some ballad about a bold contrabandista, or hardy bandolero, for the smuggler and the robber are poetical heroes among the common people of Spain. Often the song of the muleteer is composed at the instant, and relates to some local scenes or some incident of the journey. This talent of singing and improvising is frequent in Spain, and is said to have been inherited from the Moors. There is something wildly pleasing in listening to these ditties among the rude and lonely scenes that they illustrate; accompanied, as they are, by the occasional jingle of the mule-bell.

      "It has a most picturesque effect also to meet a train of muleteers in some mountain-pass. First you hear the bells of the leading mules, breaking with their СКАЧАТЬ