The springtime takes its moods
From something in her made of smiles and tears,
And flowery earth is flowerier than before,
And happier, it appears,
Adding new multitudes
To flowers, like thoughts, that haunt us evermore.
Summer and spring are wed
In her—her nature; and the glamour of
Their loveliness, their bounty, as it were,
Of life and joy and love,
Her being seems to shed,—
The magic aura of the heart of her.
THE IDYLL OF THE STANDING STONE
The teasel and the horsemint spread
The hillside as with sunset, sown
With blossoms, o'er the Standing-Stone
That ripples in its rocky bed:
There are no treasuries that hold
Gold richer than the marigold
That crowns its sparkling head.
'Tis harvest time: a mower stands
Among the morning wheat and whets
His scythe, and for a space forgets
The labor of the ripening lands;
Then bends, and through the dewy grain
His long scythe hisses, and again
He swings it in his hands.
And she beholds him where he mows
On acres whence the water sends
Faint music of reflecting bends
And falls that interblend with flows:
She stands among the old bee-gums,—
Where all the apiary hums,—
A simple bramble-rose.
She hears him whistling as he leans,
And, reaping, sweeps the ripe wheat by;
She sighs and smiles, and knows not why,
Nor what her heart's disturbance means:
He whets his scythe, and, resting, sees
Her rose-like 'mid the hives of bees,
Beneath the flowering beans.
The peacock-purple lizard creeps
Along the rail; and deep the drone
Of insects makes the country lone
With summer where the water sleeps:
She hears him singing as he swings
His scythe—who thinks of other things
Than toil, and, singing, reaps.
NOËRA
Noëra, when sad Fall
Has grayed the fallow;
Leaf-cramped the wood-brook's brawl
In pool and shallow;
When, by the woodside, tall
Stands sere the mallow.
Noëra, when gray gold
And golden gray
The crackling hollows fold
By every way,
Shall I thy face behold,
Dear bit of May?
When webs are cribs for dew,
And gossamers
Streak by you, silver-blue;
When silence stirs
One leaf, of rusty hue,
Among the burrs:
Noëra, through the wood,
Or through the grain,
Come, with the hoiden mood
Of wind and rain
Fresh in thy sunny blood,
Sweetheart, again.
Noëra, when the corn,
Reaped on the fields,
The asters' stars adorn;
And purple shields
Of ironweeds lie torn
Among the wealds:
Noëra, haply then,
Thou being with me,
Each ruined greenwood glen
Will bud and be
Spring's with the spring again,
The spring in thee.
Thou of the breezy tread;
Feet of the breeze:
Thou of the sunbeam head;
Heart like a bee's:
Face like a woodland-bred
Anemone's.
Thou to October bring
An April part!
Come! make the wild birds sing,
The blossoms start!
Noëra, with the spring
Wild in thy heart!
Come with our golden year:
Come as its gold:
With the same laughing, clear,
Loved voice of old:
In thy cool hair one dear
Wild marigold.
THE OLD SPRING
Under rocks whereon the rose
Like a streak of morning glows;
Where the azure-throated newt
Drowses on the twisted root;
And the brown bees, humming homeward,
Stop to suck the honeydew;
Fern- and leaf-hid, gleaming gloamward,
Drips the wildwood spring I knew,
Drips the spring my boyhood knew.
Myrrh and music everywhere
Haunt its cascades—like the hair
That a Naiad tosses cool,
Swimming strangely beautiful,
With white fragrance for her bosom,
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