Название: How to Write Clearly: Rules and Exercises on English Composition
Автор: Abbott Edwin Abbott
Издательство: Public Domain
Жанр: Зарубежная старинная литература
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*(d) If.*—"The man that does not care for music is to be pitied" can be written (though not so forcibly), "If a man does not care for music, he is to be pitied." It is in long sentences that this equivalent will be found most useful.
*(e) And this.*—"He did his best, which was all that could be expected," can be written, "and this was all that, &c."
*(f) What.*—"Let me repeat that which9 you ought to know, that that which is worth doing is worth doing well." "Let me repeat, what you ought to know, that what is worth doing is worth doing well."
*(g) Omission of Relative.*—It is sometimes thought ungrammatical to omit the relative, as in "The man (that) you speak of." On the contrary, that when an object (not when a subject) may be omitted, wherever the antecedent and the subject of the relative sentence are brought into juxtaposition by the omission.
*10 a'. Repeat the Antecedent in some new form, where there is any ambiguity.* This is particularly useful after a negative: "He said that he would not even hear me, which I confess I had expected." Here the meaning may be, "I had expected that he would," or "that he would not, hear me." Write, "a refusal, or, a favour, that I confess I had expected." See (38).
*11. Use particular for general terms.*—This is a most important rule. Instead of "I have neither the necessaries of life nor the means of procuring them," write (if you can with truth), "I have not a crust of bread, nor a penny to buy one."
CAUTION.—There is a danger in this use. The meaning is vividly expressed but sometimes may be exaggerated or imperfect. Crust of bread may be an exaggeration; on the other hand, if the speaker is destitute not only of bread, but also of shelter and clothing, then crust of bread is an imperfect expression of the meaning.
In philosophy and science, where the language ought very often to be inclusive and brief, general and not particular terms must be used.
*11 a. Avoid Verbal Nouns where Verbs can be used instead.* The disadvantage of the use of Verbal Nouns is this, that, unless they are immediately preceded by prepositions, they are sometimes liable to be confounded with participles. The following is an instance of an excessive use of Verbal Nouns:
"The pretended confession of the secretary was only collusion to lay the jealousies of the king's favouring popery, which still hung upon him, notwithstanding his writing on the Revelation, and affecting to enter on all occasions into controversy, asserting in particular that the Pope was Antichrist."
Write "notwithstanding that he wrote and affected &c."
*12. Use a particular Person instead of a class.*
"What is the splendour of the greatest monarch compared with the beauty of a flower?" "What is the splendour of Solomon compared with the beauty of a daisy?"
Under this head may come the forcible use of Noun for Adjective: "This fortress is weakness itself."
An excess of this use is lengthy and pedantically bombastic, e.g., the following paraphrase for "in every British colony:"—"under Indian palm-groves, amid Australian gum-trees, in the shadow of African mimosas, and beneath Canadian pines."
*13. Use Metaphor instead of literal statement.*
"The ship ploughs the sea" is clearer than "the ship cleaves the sea," and shorter than "the ship cleaves the sea as a plough cleaves the land."
Of course there are some subjects for which Metaphor should not be used. See (14 a) and (14 b).
*14. Do not confuse Metaphor.*
"In a moment the thunderbolt was upon them, deluging their country with invaders."
The following is attributed to Sir Boyle Roche: "Mr. Speaker, I smell a rat, I see him brewing in the air; but, mark me, I shall yet nip him in the bud."
Some words, once metaphorical, have ceased to be so regarded. Hence many good writers say "under these circumstances" instead of "in these circumstances."
An excessive regard for disused metaphor savours of pedantry: disregard is inelegant. Write, not, "unparalleled complications," but "unprecedented complications;" and "he threw light on obscurities," instead of "he unravelled obscurities."
*14 a. Do not introduce literal statement immediately after Metaphor.*
"He was the father of Chemistry, and brother to the Earl of Cork."
"He was a very thunderbolt of war,
And was lieutenant to the Earl of Mar."
*14 b. Do not use poetic metaphor to illustrate a prosaic subject.* Thus, we may say "a poet soars," or even, though rarely, "a nation soars to greatness," but you could not say "Consols soared to 94-1/2." Even commonplace subjects may be illustrated by metaphor: for it is a metaphor, and quite unobjectionable, to say "Consols mounted, or jumped to 94-1/2." But commonplace subjects must be illustrated by metaphor that is commonplace.
ORDER OF WORDS IN A SENTENCE
*15. Emphatic words must stand in emphatic positions; i.e. for the most part, at the beginning or at the end of the sentence.* This rule occasionally supersedes the common rules about position. Thus, the place for an adverb, as a rule, should be between the subject and verb: "He quickly left the room;" but if quickly is to be emphatic, it must come at the beginning or end, as in "I told him to leave the room slowly, but he left quickly."
Adjectives, in clauses beginning with "if" and "though," often come at the beginning for emphasis: "Insolent though he was, he was silenced at last."
*15 a. Unemphatic words must, as a rule, be kept from the end of the sentence.* It is a common fault to break this rule by placing a short and unemphatic predicate at the end of a long sentence.
"To know some Latin, even if it be nothing but a few Latin roots, is useful." Write, "It is useful, &c."
So "the evidence proves how kind to his inferiors he is."
Often, where an adjective or auxiliary verb comes at the end, the addition of an emphatic adverb justifies the position, e.g. above, "is very useful," "he has invariably been."
A short "chippy" ending, even though emphatic, is to be avoided. It is abrupt and unrhythmical, e.g. "The soldier, transfixed with the spear, writhed." We want a longer ending, "fell writhing to the ground," or, "writhed in the agonies of death." A "chippy" ending is common in bad construing from Virgil.
*Exceptions.*—Prepositions and pronouns attached to emphatic words need not be moved from the end; e.g. "He does no harm that I hear of." "Bear witness how I loved him."
*N.B. In all styles, especially in letter-writing, a final emphasis must not be so frequent as to become obtrusive and monotonous.*
*15 b. An interrogation sometimes gives emphasis.* "No one can doubt that the prisoner, had he been really guilty, would have shown some signs of remorse," is not so emphatic as "Who can doubt, Is it possible to doubt, &c.?"
Contrast СКАЧАТЬ
9
"That which," where