The Tragic Muse. Генри Джеймс

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      "Edmund's very nasty about him. There are lots of gentlemen on the stage—he's not the first."

      "It's such a comfort to hear that," said Mrs. Rooth.

      "I'm much obliged to you. Has he got a theatre?" Miriam asked.

      "My dear young lady, he hasn't even got an engagement," replied the young man's terrible brother-in-law.

      "He hasn't been at it very long, but I'm sure he'll get on. He's immensely in earnest and very good-looking. I just said that if he should come over to see us you might rather like to meet him. He might give you some tips, as my husband says."

      "I don't care for his looks, but I should like his tips," Miriam liberally smiled.

      "And is he coming over to see you?" asked Sherringham, to whom, while this exchange of remarks, which he had not lost, was going on, Mrs. Rooth had in lowered accents addressed herself.

      "Not if I can help it I think!" But Mr. Lovick was so gaily rude that it wasn't embarrassing.

      "Oh sir, I'm sure you're fond of him," Mrs. Rooth remonstrated as the party passed together into the antechamber.

      "No, really, I like some of the others—four or five of them; but I don't like Arty."

      "We'll make it up to him, then; we'll like him," Miriam answered with spirit; and her voice rang in the staircase—Sherringham attended them a little way—with a charm which her host had rather missed in her loudness of the day before.

      IX

      Nick Dormer found his friend Nash that evening at the place of their tryst—smoking a cigar, in the warm bright night, on the terrace of the café forming one of the angles of the Place de l'Opéra. He sat down with him, but at the end of five minutes uttered a protest against the crush and confusion, the publicity and vulgarity of the place, the shuffling procession of the crowd, the jostle of fellow-customers, the perpetual brush of waiters. "Come away; I want to talk to you and I can't talk here. I don't care where we go. It will be pleasant to walk; well stroll away to the quartiers sérieux. Each time I come to Paris I at the end of three days take the Boulevard, with its conventional grimace, into greater aversion. I hate even to cross it—I go half a mile round to avoid it."

      The young men took their course together down the Rue de la Paix to the Rue de Rivoli, which they crossed, passing beside the gilded rails of the Tuileries. The beauty of the night—the only defect of which was that the immense illumination of Paris kept it from being quite night enough, made it a sort of bedizened, rejuvenated day—gave a charm to the quieter streets, drew our friends away to the right, to the river and the bridges, the older, duskier city. The pale ghost of the palace that had perished by fire hung over them a while, and, by the passage now open at all times across the garden of the Tuileries, they came out upon the Seine. They kept on and on, moving slowly, smoking, talking, pausing, stopping to look, to emphasise, to compare. They fell into discussion, into confidence, into inquiry, sympathetic or satiric, and into explanations which needed in turn to be explained. The balmy night, the time for talk, the amusement of Paris, the memory of younger passages, gave a lift to the occasion. Nick had already forgotten his little brush with Julia on his leaving Peter's tea-party at her side, and that he had been almost disconcerted by the asperity with which she denounced the odious man he had taken it into his head to force upon her. Impertinent and fatuous she had called him; and when Nick began to plead that he was really neither of these things, though he could imagine his manner might sometimes suggest them, she had declared that she didn't wish to argue about him or ever to hear of him again. Nick hadn't counted on her liking Gabriel Nash, but had thought her not liking him wouldn't perceptibly matter. He had given himself the diversion, not cruel surely to any one concerned, of seeing what she would make of a type she had never before met. She had made even less than he expected, and her intimation that he had played her a trick had been irritating enough to prevent his reflecting that the offence might have been in some degree with Nash. But he had recovered from his resentment sufficiently to ask this personage, with every possible circumstance of implied consideration for the lady, what had been the impression made by his charming cousin.

      "Upon my word, my dear fellow, I don't regard that as a fair question," Gabriel said. "Besides, if you think Mrs. Dallow charming what on earth need it matter to you what I think? The superiority of one man's opinion over another's is never so great as when the opinion's about a woman."

      "It was to help me to find out what I think of yourself," Nick returned.

      "Oh, that you'll never do. I shall bewilder you to the end. The lady with whom you were so good as to make me acquainted is a beautiful specimen of the English garden-flower, the product of high cultivation and much tending; a tall, delicate stem with the head set upon it in a manner which, as a thing seen and remembered, should doubtless count for us as a gift of the gods. She's the perfect type of the object raised or bred, and everything about her hangs together and conduces to the effect, from the angle of her elbow to the way she drops that vague, conventional, dry little 'Oh!' which dispenses with all further performance. That degree of completeness is always satisfying. But I didn't satisfy her, and she didn't understand me. I don't think they usually understand."

      "She's no worse than I then."

      "Ah she didn't try."

      "No, she doesn't try. But she probably thought you a monster of conceit, and she would think so still more if she were to hear you talk about her trying."

      "Very likely—very likely," said Gabriel Nash. "I've an idea a good many people think that. It strikes me as comic. I suppose it's a result of my little system."

      "What little system?"

      "Oh nothing more wonderful than the idea of being just the same to every one. People have so bemuddled themselves that the last thing they can conceive is that one should be simple."

      "Lord, do you call yourself simple?" Nick ejaculated.

      "Absolutely; in the sense of having no interest of my own to push, no nostrum to advertise, no power to conciliate, no axe to grind. I'm not a savage—ah far from it!—but I really think I'm perfectly independent."

      "Well, that's always provoking!" Nick knowingly returned.

      "So it would appear, to the great majority of one's fellow-mortals; and I well remember the pang with which I originally made that discovery. It darkened my spirit at a time when I had no thought of evil. What we like, when we're unregenerate, is that a new-comer should give us a password, come over to our side, join our little camp or religion, get into our little boat, in short, whatever it is, and help us to row it. It's natural enough; we're mostly in different tubs and cockles, paddling for life. Our opinions, our convictions and doctrines and standards, are simply the particular thing that will make the boat go—our boat, naturally, for they may very often be just the thing that will sink another. If you won't get in people generally hate you."

      "Your metaphor's very lame," said Nick. "It's the overcrowded boat that goes to the bottom."

      "Oh I'll give it another leg or two! Boats can be big, in the infinite of space, and a doctrine's a raft that floats the better the more passengers it carries. A passenger jumps over from time to time, not so much from fear of sinking as from a want of interest in the course or the company. He swims, he plunges, he dives, he dips down and visits the fishes and the mermaids and the submarine caves; he goes from craft to craft and splashes about, on his own account, in the blue, cool water. The regenerate, as I call them, are the passengers who jump over in search of better fun. I jumped over long ago."

      "And now of course you're СКАЧАТЬ