Название: Lectures on Art, Delivered Before the University of Oxford in Hilary Term, 1870
Автор: Ruskin John
Издательство: Public Domain
Жанр: Зарубежная старинная литература
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35. It would be well if you were to look over, with respect to this matter, the end of the second, and what interests you of the third, book of Plato's Republic; noting therein these two principal things, of which I have to speak in this and my next lecture: first, the power which Plato so frankly, and quite justly, attributes to art, of falsifying our conceptions of Deity: which power he by fatal error partly implies may be used wisely for good, and that the feigning is only wrong when it is of evil, "ἐάν τις μὴ καλῶς ψεύδηται;" and you may trace through all that follows the beginning of the change of Greek ideal art into a beautiful expediency, instead of what it was in the days of Pindar, the statement of what "could not be otherwise than so." But, in the second place, you will find in those books of the Polity, stated with far greater accuracy of expression than our English language admits, the essential relations of art to morality; the sum of these being given in one lovely sentence, which, considering that we have to-day grace done us by fair companionship,3 you will pardon me for translating. "Must it be then only with our poets that we insist they shall either create for us the image of a noble morality, or among us create none? or shall we not also keep guard over all other workers for the people, and forbid them to make what is ill-customed, and unrestrained, and ungentle, and without order or shape, either in likeness of living things, or in buildings, or in any other thing whatsoever that is made for the people? and shall we not rather seek for workers who can track the inner nature of all that may be sweetly schemed; so that the young men, as living in a wholesome place, may be profited by everything that, in work fairly wrought, may touch them through hearing or sight—as if it were a breeze bringing health to them from places strong for life?"
36. And now—but one word, before we enter on our task, as to the way you must understand what I may endeavour to tell you.
Let me beg you—now and always—not to think that I mean more than I say. In all probability, I mean just what I say, and only that. At all events I do fully mean that; and if there is anything reserved in my mind, it will be probably different from what you would guess. You are perfectly welcome to know all that I think, as soon as I have put before you all my grounds for thinking it; but by the time I have done so, you will be able to form an opinion of your own; and mine will then be of no consequence to you.
37. I use then to-day, as I shall in future use, the word "Religion" as signifying the feelings of love, reverence, or dread with which the human mind is affected by its conceptions of spiritual being; and you know well how necessary it is, both to the rightness of our own life, and to the understanding the lives of others, that we should always keep clearly distinguished our ideas of Religion, as thus defined, and of Morality, as the law of rightness in human conduct. For there are many religions, but there is only one morality. There are moral and immoral religions, which differ as much in precept as in emotion; but there is only one morality, which has been, is, and must be for ever, an instinct in the hearts of all civilised men, as certain and unalterable as their outward bodily form, and which receives from religion neither law, nor place; but only hope, and felicity.
38. The pure forms or states of religion hitherto known, are those in which a healthy humanity, finding in itself many foibles and sins, has imagined, or been made conscious of, the existence of higher spiritual personality, liable to no such fault or stain; and has been assisted in effort, and consoled in pain, by reference to the will or sympathy of such purer spirits, whether imagined or real. I am compelled to use these painful latitudes of expression, because no analysis has hitherto sufficed to distinguish accurately, in historical narrative, the difference between impressions resulting from the imagination of the worshipper, and those made, if any, by the actually local and temporary presence of another spirit. For instance, take the vision, which of all others has been since made most frequently the subject of physical representation—the appearance to Ezekiel and St. John of the four living creatures, which throughout Christendom have been used to symbolise the Evangelists.4 Supposing such interpretation just, one of those figures was either the mere symbol to St. John of himself, or it was the power which inspired him, manifesting itself in an independent form. Which of these it was, or whether neither of these, but a vision of other powers, or a dream, of which neither the prophet himself knew, nor can any other person yet know, the interpretation,—I suppose no modestly-minded and accurate thinker would now take upon himself to decide. Nor is it therefore anywise necessary for you to decide on that, or any other such question; but it is necessary that you should be bold enough to look every opposing question steadily in its face; and modest enough, having done so, to know when it is too hard for you. But above all things, see that you be modest in your thoughts, for of this one thing we may be absolutely sure, that all our thoughts are but degrees of darkness. And in these days you have to guard against the fatallest darkness of the two opposite Prides;—the Pride of Faith, which imagines that the nature of the Deity can be defined by its convictions; and the Pride of Science, which imagines that the energy of Deity can be explained by its analysis.
39. Of these, the first, the Pride of Faith, is now, as it has been always, the most deadly, because the most complacent and subtle;—because it invests every evil passion of our nature with the aspect of an angel of light, and enables the self-love, which might otherwise have been put to wholesome shame, and the cruel carelessness of the ruin of our fellow-men, which might otherwise have been warmed into human love, or at least checked by human intelligence, to congeal themselves into the mortal intellectual disease of imagining that myriads of the inhabitants of the world for four thousand years have been left to wander and perish, many of them everlastingly, in order that, in fulness of time, divine truth might be preached sufficiently to ourselves: with this farther ineffable mischief for direct result, that multitudes of kindly-disposed, gentle, and submissive persons, who might else by their true patience have alloyed the hardness of the common crowd, and by their activity for good balanced its misdoing, are withdrawn from all such true services of man, that they may pass the best part of their lives in what they are told is the service of God; namely, desiring what they cannot obtain, lamenting what they cannot avoid, and reflecting on what they cannot understand.5
40. This, I repeat, is the deadliest, but for you, under existing circumstances, it is becoming daily, almost hourly, the least probable form of Pride. That which you have chiefly to guard against consists in the overvaluing of minute though correct discovery; the groundless denial of all that seems to you to have been groundlessly affirmed; and the interesting yourselves too curiously in the progress of some scientific minds, which in their judgment of the universe can be compared to nothing so accurately as to the woodworms in the panel of a picture by some great painter, if we may conceive them as tasting with discrimination of the wood, and with repugnance of the colour, and declaring that even this unlooked-for and undesirable combination is a normal result of the action of molecular Forces.
41. Now, I must very earnestly warn you, in the beginning of my work with you here, against allowing either of these forms of egotism to interfere with your judgment or practice of art. On the one hand, you must not allow the expression of your own favourite religious feelings by any particular form of art to modify your judgment of its absolute merit; nor allow the art itself to become an illegitimate means of deepening and confirming your convictions, by realising to your eyes what you dimly conceive with the brain; as if the greater clearness of the image were a stronger proof of its truth. On the other hand, you must not allow your scientific habit of trusting nothing but what you have ascertained, to prevent you from appreciating, or at least endeavouring to qualify yourselves to appreciate, the work of the highest faculty of the human mind,—its imagination,—when it is toiling in the presence of things that cannot be dealt with by any other power.
42. These are both vital conditions of your СКАЧАТЬ
3
There were, in fact, a great many more girls than University men at the lectures.
4
Only the Gospels, "IV Evangelia," according to St. Jerome.
5
This concentrated definition of monastic life is of course to be understood only of its more enthusiastic forms.