Sunday-School Success. Wells Amos Russel

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СКАЧАТЬ beginner in this fine art of attention-holding is likely to derive the word "attention" thus: from teneo, "I hold," ad, "on to"; attention, "I hold on to" him. He tries to hold attention, therefore, by main strength. He grapples with his audience as a bulldog would. His nerves are tense. His voice is imperative. His eye glares. He is rapid, impetuous, strategic. This is power, he thinks, and this is skill; but his audience astonishes him by going to sleep. Abashed, he tries milder means of holding on to them. He begins to buttonhole his audience. He uses soft and flattering tones. He coaxes. He wheedles. He jokes. He chucks them under the chin. And then his audience gets up and goes out.

      The real meaning of the word "attention" contains an invaluable hint for all who are trying to win others by speaking or teaching. It is teneo, "I hold, I stretch," ad, "toward"; and it is not by any means applied to the speaker, but to the listener. To get your audience, whether of little folk or big folk, to stretch out toward the same goal of truth that you are seeking is the true art of winning attention.

      This understanding of the matter implies that the teacher also is really in pursuit of truth himself. The failure of much teaching is because it cries "Go on" instead of "Come on." The speaker that you follow with most difficulty is the speaker who has the air of "knowing it all," while the speaker who succeeds best in holding your attention gives you the impression of a chase.

      There's the game before you—that elusive truth slipping away through the thicket yonder. The huntsman's eye flashes. He whistles up the dogs. We all leap to the saddles. Off we go, over upland and vale, swamp and rock, fence and ditch, our leader far in the van, pointing here, waving there, and hallooing the huntsman on. And when the game is tracked down, and our leader stands above it, dripping knife in hand, our veins tingle with his, and we shout with delight at our triumph.

      This is the first principle in the art of winning attention. The speaker must give the impression of a truth-seeker, if he would win others to seek truth with him. What Edward Everett Hale once said of a sermon applies to this. Every Sunday-school lesson should start out to prove something. It should have some goal. It should intend something. Intention must precede attention.

      But though there must be this element of pleasing uncertainty and suspense, we all have difficulty in attending to a speaker who does not appear to have himself well in hand or to be quite sure what he is about. Have you not caught yourselves, teachers, talking as if in your sleep? Have you not sometimes waked up at the end of a sentence, a question, or a harangue, and wondered what you had been talking about? Did you suppose that any one else knew? Did you expect to hold on to them when you had no grasp of the subject? Can listeners pay attention to any one who does not pay attention to himself?

      Teachers make the mistake of dividing attention between the class, to watch that they hear; and themselves, to see how they are getting along; and the little attention left goes to the theme. Not unnaturally, the attention of the class is divided in the same way—much to themselves, less to the teacher, and least of all to what is being taught. Of course it is a teacher's business to hold his scholars' attention, but he will never do it by worrying and wondering whether he is succeeding.

      Nay, I even go so far as to say, if one of your pupils pays no attention, then pay no attention to him, provided the mischief is not spreading. A teacher should not fritter away his attention on inattentive pupils. If he cannot win their attention by his own interest in his theme, he cannot win it at all. Not that I would imply for a moment, however, that the teacher is to rest satisfied while a single one of his pupils remains inattentive. If your chicks are average chicks they are gregarious, and one stray-away is enough to carry the whole flock with him into foreign parts. While you have a single inattentive scholar you should conduct your lesson with a view to holding him. You will hold the rest then, as a matter of course. I am only speaking of the best way to win attention. It must be won, or you are beaten to some extent; and the attention of all will be won in the end if you are deeply enough in earnest yourself, if you do not allow your attention to be side-tracked by the inattention of a few. If you wish to win and hold the attention of others, win and hold your own.

      Chapter X

      The Importance of Questioning

      Ever since Socrates, conversation has been the soul of teaching, and ever since Adam and Eve the question has been the life of conversation. A teacher's success depends, in about equal measure, upon inspiration, cogitation, and interrogation. Let the first be the great gravitative forces; let the second provide the truth, the liquid; then the interrogation-point is the curved siphon, which transfers from the full to the empty vessel!

      Many, many a teacher has failed, thinking himself not wise enough, or not energetic enough, while in reality he has simply failed to be wisely and energetically quizzical.

      But what is a question? Is it not a fish-hook for pulling out, rather than a siphon for putting in? Yes, later; but you cannot fish successfully in a dry pond. Any bungler can examine and test. The nice art is to use your interrogation-points as instruments of addition, rather than of subtraction.

      But why is it often better to insinuate instruction through a question, in preference to pouring by direct harangue? Well, does not a question imply community of interest, and hint at equality or similarity of attainment? The question is neighborly; the discourse mounts a platform.

      The helpful lesson commentaries fail, practically, to reach many a class, because its teacher in reading has failed to translate from the declarative into the interrogative. If Doctor Somebody writes tersely, "A sin that is born of your own will is tenfold more dangerous to you than your own sin that is born of your neighbor's will," Johnny will not get the point unless the teacher transforms it somewhat thus: "If you are out in the country all alone, Johnny, jump over a fence, steal a pocketful of apples, is that a sin just as much as if some other boy should be along and persuade you to do it? Yes? Well, now, which sin is the more dangerous to you?"

      So important does this seem to me that I always carry pencil and paper to the perusal of my lesson helps, and write out, as a point pleases me, the form in which I wish to bring it up in the class, ranging these questions under the numbers of the verses to which they apply.

      The teacher who does not write out his questions, or do the equivalent of that work, is as sure to be defeated as the general who fights without a plan of campaign.

      Should those questions be read in the class? Not unless your ideal of teaching is the company drill, instead of the conversation.

      It is well, however, to ask the scholars to write out questions for you on verses assigned, and read these questions before the class. The teacher's work is grandly accomplished when he has induced the scholar to ask his own questions, and work out his own answers.

      I often find that a general call for questions on some apparently exhausted topic brings the richest results of the half-hour.

      Few verses are completely treated without Lyman Beecher's "snapper,"—the appeal to experience. The question, "Is it I?" must be raised, no matter by how direct urgings, in every heart. That question is truth's barb.

      There is a questioning face and attitude, indicative of a real and personal interest in the thing considered, without which a question will always fall dead, and deservedly.

      Nor, on the contrary, will a live manner avail to foist upon the attention of a class a dead question. And a question is "dead" to your scholar which does not touch his own world of interest at some point, no matter how close connection it may have with your life and experience.

      The questions on the lesson leaves make a good aid in study, but do most pitiably convict a teacher of unfaithfulness if he use them in teaching.

      Most genuine of all questions, and most likely to be helpful, are the СКАЧАТЬ