The Book of Princes and Princesses. Mrs. Lang

Чтение книги онлайн.

СКАЧАТЬ it out of his reach. 'Give me my egg, or I will kill you,' said Louis, picking up a knife. 'Would you really kill your uncle?' asked Napoleon.

      'Give me my egg, or I will kill you,' repeated Louis, louder than before; and Napoleon laughed and gave it back to him, and patted his head, saying, 'Ah, some day you will be a fine fellow!'

      But now that he had a son of his own, who would by-and-by inherit the Empire he had created and tread in his footsteps, Napoleon could not make enough of him. He, too, came to breakfast, and, much to Madame de Montesquiou's disgust, the Emperor would dip his fingers in the red wine he was drinking, and give it to the baby to suck. The King of Rome would shrink away in terror from the bunch of nodding plumes on his mother's bonnet, but he smiled and crowed when his father lifted him in the air. Sometimes, however, the play got too rough, and the child would screw up the corners of his mouth and begin to cry. Then the Emperor would stop and look at him gravely, and say to him:

      'What, Sire! are you crying? A king, and yet you cry! Oh, that is very bad! Kings don't cry!' and he would begin to make faces, which the baby loved, and it would break into smiles directly. The boy grew quickly, and at eight months old he was already trying to walk, but, on the other hand, he was very backward in talking. As he got older, he would often manage to escape from the nursery, and, running along the passage, knock with his fists on the door of the Emperor's study.

      'Open! I want papa,' he would say to the sentry, who always answered:

      'Sire, I must not let in your Majesty.'

      'Why not? I am the little king.'

      'But your Majesty is alone!' replied the sentry, who had been ordered not to admit the boy unless Madame de Montesquiou was with him. The child's eyes filled with tears, but hearing 'Maman Quiou's' voice behind him, he took hold of her hand and looked at the man, saying:

      'Now open it. The little king desires it.'

      'His Majesty the King of Rome,' announced the usher, and the little fellow ran straight up to his father, sure of his welcome. No matter how occupied the Emperor might be, the child was never sent away. His father would hold him on his knee while he signed State papers, or walk up and down the room with the boy on his back as he dictated despatches to his secretaries, or, greatest joy of all, he would allow his son to play with the little wooden soldiers that he kept on the table when planning his campaigns. In face the little king grew daily more like an Austrian, though his father tried in vain to see some resemblance to himself. But in many ways he showed his Corsican blood, and chiefly in the sudden bursts of temper to which he was liable. These were always stopped at once by his governess, who never spoilt him herself or suffered anyone else to do so. One day, when something had displeased him, he stormed and raged till Madame de Montesquiou feared he would fall into convulsions, as his cousin, Achille Murat, had done only the week before. Finding that the child would listen to nothing, she ordered an attendant to close all the shutters. The boy, astonished at the sudden darkness, ceased crying at once, and asked why the sun was shut out.

      'So that nobody might hear you, Sire. The people would never want you for their king if they knew how naughty you could be!'

      'Did I scream very loud?' he inquired in rather a small voice.

      'Very,' replied the governess.

      'Do you think they heard?'

      'I am afraid so.'

      At this answer his tears began to fall again, but quite silently. He made a violent effort to check them, and when he could speak, he stretched up his arms to his governess, and whispered, 'I'll never do it again, Maman Quiou. I am very sorry.'

      By the time he was two years old the little king had a whole roomful of toys of every sort: there was a drum, mounted in silver, that Napoleon had given him on his first birthday, before the ill-fated army started for Russia; there was a top in an ivory frame, and a Polish lancer who could move his legs; there was a wonderful pearl and enamel box, with a locket inside, and out of the locket a bird jumped and sang. The King of Rome cherished them all; but best he loved a woolly sheep with a velvet collar and golden bells. He would play with this sheep for hours together, pretending it was the lamb that the wicked wolf was trying to catch, as told in his favourite story. When he went out, he had two real white sheep to draw him, in a beautiful little carriage given him on his birthday by his aunt, Caroline Murat, and in this he drove along the riverside terrace of the Tuileries, dressed in white muslin and lace, with the red ribbon of the Legion of Honour peeping out of the folds. And the Parisians were always delighted to see him, and at the bidding of his governess he smiled and waved his hand, for the Emperor was most particular about his manners. He was also anxious that the child should grow up as strong and hardy as he himself had done, so every day, whatever the weather, the little prince drove out in his carriage, with a merino pelisse over his muslin frock, and a pink or blue loose coat on top. The Empress thought it a pity, and feared her son might catch cold, but in this matter Napoleon had his way.

      Long before this the château at Meudon had been prepared as a sort of school for the Imperial children; if indeed the King of Rome should have any brothers or sisters. It was a rest for Napoleon to turn from the thoughts of war, and to plan every detail of the education that was to be given to his son. He collected a library of 6,000 volumes, which it would be years before the boy could read or understand. After the fashion of the day he ordered a dinner-service to be made at the manufactory at Sèvres, and each of the seventy plates contained a lesson. Eleven of them were painted with scenes from Roman history, thirty-two with famous victories of the French; while the rest were covered with pictures of sun, moon, and stars, or birds, beasts, and fishes. His rooms were hung with blue velvet, and the backs of the chairs and sofas, as well as the walls, were covered with drawings of the most celebrated Roman buildings. It was in the same spirit that Madame de Genlis desired to teach Roman history to her two pupils, Louis Philippe and his sister, only she wished to have the events woven into tapestries, which would have taken even longer to make than the dinner-set and have been still more costly.

      So the little prince was sent, with his governesses and his nurses and his own staff of servants, to Meudon, and Madame de Montesquiou wrote constant reports of him to his parents at the Tuileries. At fourteen months he had for dinner soup, beef, chicken, and pudding; at least these things appeared on his table, though most likely he was not allowed to eat them all. Directly the dinner was ready, the dishes were placed in a large box, which was carefully locked by the head cook, who gave it to a footman, and by him it was carried to the prince's apartments, where the box was unlocked by Madame de Montesquiou with a second key. These precautions dated back from many centuries, when poison, or rather the fear of it, played so large a part in the life of Courts. Certainly nobody wanted to poison the poor little King of Rome, and if they had, they would hardly have liked to face the consequences! Instead, he was adored by all his attendants, as a good-tempered, healthy baby generally is. They loved to stand and peep through the door, when 'Maman Quiou' was not looking, and watch him staggering and tumbling about on the mattresses, three feet thick, that were spread in his rooms, so that he might learn to walk without hurting himself; and they would wait behind the curtains to see him start for his drive, with his two white sheep beautifully combed and curled, the golden bells of their collars tinkling as they went.

      For some months the baby and his household remained at Meudon with his governess, while the Emperor had begun the fatal war with Russia, and the Empress was enjoying herself at Dresden with her father, Francis II. Madame de Montesquiou writes her reports to the Emperor as usual, and no matter how busy he is, he never fails to answer. Sometimes these letters are accompanied by a bust or a miniature, and by-and-by Marie Louise herself sends a full-length portrait of him by Gérard, which arrives on September 6, 1812, the day of the battle of the Moskowa. For an instant Russia ceases to exist for Napoleon: the world holds nothing but a little boy in a white frock. 'Summon my generals,' he says, and they come crowding into his tent, where the portrait of the King of Rome stands upon a rough table. СКАЧАТЬ