The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 07 of 12). Frazer James George
Чтение книги онлайн.

Читать онлайн книгу The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 07 of 12) - Frazer James George страница 28

СКАЧАТЬ sqq.; P. Foucart, Le Culte de Dionysos en Attique (Paris, 1904), pp. 107 sqq.; Miss J. E. Harrison, Prolegomena to the Study of Greek Religion2 (Cambridge, 1908), pp. 32 sqq.; L. R. Farnell, The Cults of the Greek States, v. (Oxford, 1909) pp. 214 sqq. As to the marriage of Dionysus to the Queen of Athens, see The Magic Art and the Evolution of Kings, i. 136 sq.

121

By Professor U. von Wilamowitz-Moellendorff, Aristoteles und Athen (Berlin, 1893), ii. 42; and afterwards by Miss J. E. Harrison, Prolegomena to the Study of Greek Religion,2 p. 536.

122

The Dying God, p. 71.

123

Plutarch, Conjugalia Praecepta, 42.

124

Miss J. E. Harrison, Mythology and Monuments of Ancient Athens (London, 1890), pp. 166 sq.

125

Aristotle, Constitution of Athens, 3. As to the situation of the Prytaneum see my note on Pausanias, i. 18. 3 (vol. ii. p. 172).

126

August Mommsen, Heortologie, pp. 371 sqq.; id., Feste der Stadt Athen im Altertum, pp. 398 sqq.; P. Foucart, Le Culte de Dionysos en Attique, pp. 138 sqq.

127

Demosthenes, Contra Neaer. 73, pp. 1369 sq.; Julius Pollux, viii. 108; Etymologicum Magnum, p. 227, s. v. γεραῖραι; Hesychius, s. v. γεραραί.

128

Chr. A. Lobeck, Aglaophamus, p. 505.

129

Plutarch, Isis et Osiris, 18, 42.

130

The resurrection of Osiris is not described by Plutarch in his treatise Isis et Osiris, which is still our principal source for the myth of the god; but it is fortunately recorded in native Egyptian writings. See Adonis, Attis, Osiris, Second Edition, p. 274. P. Foucart supposes that the resurrection of Dionysus was enacted at the Anthesteria; August Mommsen prefers to suppose that it was enacted in the following month at the Lesser Mysteries.

131

Aelian, De Natura Animalium, xii. 34. Compare W. Robertson Smith, Religion of the Semites2 (London, 1894), pp. 300 sqq.

132

Aulus Gellius, v. 12. 12.

133

See The Dying God, p. 166 note 1, and below, p. 249.

134

R. Foerster, Der Raub und die Rückkehr der Persephone (Stuttgart, 1874), pp. 37-39; The Homeric Hymns, edited by T. W. Allen and E. E. Sikes (London, 1904), pp. 10 sq. A later date – the age of the Pisistratids – is assigned to the hymn by A. Baumeister (Hymni Homerici, Leipsic, 1860, p. 280).

135

Hymn to Demeter, 1 sqq., 302 sqq., 330 sqq., 349 sqq., 414 sqq., 450 sqq.

136

Hymn to Demeter, 310 sqq. With the myth as set forth in the Homeric hymn may be compared the accounts of Apollodorus (Bibliotheca, i. 5) and Ovid (Fasti, iv. 425-618; Metamorphoses, v. 385 sqq.).

137

Hymn to Demeter, 47-50, 191-211, 292-295, with the notes of Messrs. Allen and Sikes in their edition of the Homeric Hymns (London, 1904). As to representations of the candidates for initiation seated on stools draped with sheepskins, see L. R. Farnell, The Cults of the Greek States, iii. (Oxford, 1907) pp. 237 sqq., with plate xv a. On a well-known marble vase there figured the stool is covered with a lion's skin and one of the candidate's feet rests on a ram's skull or horns; but in two other examples of the same scene the ram's fleece is placed on the seat (Farnell, op. cit. p. 240 note a), just as it is said to have been placed on Demeter's stool in the Homeric hymn. As to the form of communion in the Eleusinian mysteries, see Clement of Alexandria, Protrept. 21, p. 18 ed. Potter; Arnobius, Adversus nationes, v. 26; L. R. Farnell, op. cit. iii. 185 sq., 195 sq. For discussions of the ancient evidence bearing on the Eleusinian mysteries it may suffice to refer to Chr. A. Lobeck, Aglaophamus (Königsberg, 1829), pp. 3 sqq.; G. F. Schoemann, Griechische Alterthümer,4 ii. 387 sqq.; Aug. Mommsen, Heortologie (Leipsic, 1864), pp. 222 sqq.; id., Feste der Stadt Athen im Altertum (Leipsic, 1898), pp. 204 sqq.; P. Foucart, Recherches sur l'Origine et la Nature des Mystères d'Eleusis (Paris, 1895) (Mémoires de l'Académie des Inscriptions, xxxv.); id., Les grands Mystères d'Eleusis (Paris, 1900) (Mémoires de l'Académie des Inscriptions, xxxvii.); F. Lenormant and E. Pottier, s. v. “Eleusinia,” in Daremberg et Saglio, Dictionnaire des Antiquités Grecques et Romaines, ii. 544 sqq.; L. R. Farnell, The Cults of the Greek States, iii. 126 sqq.

138

Hippolytus, Refutatio Omnium Haeresium, v. 8, p. 162, ed. L. Duncker et F. G. Schneidewin (Göttingen, 1859). The word which the poet uses to express the revelation (δεῖξε, Hymn to Demeter, verse 474) is a technical one in the mysteries; the full phrase was δεικνύναι τὰ ἱερά. See Plutarch, Alcibiades, 22; Xenophon, Hellenica, vi. 3. 6; Isocrates, Panegyricus, 6; Lysias, Contra Andocidem, 51; Chr. A. Lobeck, Aglaophamus, p. 51.

139

Clement of Alexandria, Protrept. ii. 12, p. 12 ed. Potter: Δηὼ δὲ καὶ Κόρη δρᾶμα ἤδη ἐγενέσθην μυστικόν; καὶ τὴν πλάνην καὶ τὴν ἀρπαγὴν καὶ τὸ πένθος αὐταῖν Ἐλευσὶς δᾳδουχεῖ. Compare F. Lenormant, s. v. “Eleusinia,” in Daremberg et Saglio, Dictionnaire des Antiquités Grecques et Romaines iii. 578: “Que le drame mystique des aventures de Déméter et de Coré constituât le spectacle essentiel de l'initiation, c'est ce dont il nous semble impossible de douter.” A similar view is expressed by G. F. Schoemann (Griechische Alterthümer,4 ii. 402); Preller-Robert (Griechische Mythologie, i. 793); P. Foucart (Recherches sur l'Origine et la Nature des Mystères d'Eleusis, Paris, 1895, pp. 43 sqq.; id., Les Grands Mystères d'Eleusis, Paris, 1900, p. 137); E. Rohde (Psyche,3 i. 289); and L. R. Farnell (The Cults of the Greek States, iii. 134, 173 sqq.).

140

On Demeter and Proserpine as goddesses of the corn, see L. Preller, Demeter und Persephone (Hamburg, 1837), pp. 315 sqq.; and especially W. Mannhardt, Mythologische Forschungen (Strasburg, 1884), pp. 202 sqq.

141

According to the author of the Homeric Hymn to Demeter (verses 398 sqq., 445 sqq.) and Apollodorus (Bibliotheca, i. 5. 3) the time which Persephone had to spend under ground was one third of the year; according to Ovid (Fasti, СКАЧАТЬ