Название: The Blacksmith's Hammer; or, The Peasant Code: A Tale of the Grand Monarch
Автор: Эжен Сю
Издательство: Public Domain
Жанр: Зарубежная классика
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"One moment, niece. You are mistaken in your appreciations."
"Madam, I said there was not one but several infamies. Did I exaggerate? Let us number them: speculating upon the dissoluteness of the King of England, Louis XIV sends his sister-in-law, the Duchess of Orleans, to fill the role of a coupler – is not that enough of an infamy? And when we see that princess lowering herself to such an ignoble commerce, towards whom? towards her own brother – is there not in that a double infamy?"
"Once more, my niece, what do you know about the negotiations between princes?"
"Finally, Mademoiselle Kerouaille, an accomplice in the ignominious transaction, sells herself to the King of England and accepts the duchy of Portsmouth as the price of her public shame – a further infamy! Shame upon these execrable beings!"
"You seem to forget that you speak of crowned heads!"
"It is true, madam! I forgot that a Prince of the Catholic Church, Bossuet, the Bishop of Meaux, dared to say, in the very house of God, in the presence of the court, assembled on that occasion to hear the funeral oration on the Duchess of Orleans: 'She went on a mission to unite two kingdoms by pleasing methods, and her own virtue was the sole mediator between the two Kings.' Is such language not infamous enough on the lips of a man invested with an august character? Hypocrisy, servility, cowardice – what apanages to a priest who, rather than corrupt, should purify the human race!"
After having first betrayed her sincere astonishment at the vehement indignation of Mademoiselle Plouernel, and after a sense of suppressed anger and even rage succeeded her astonishment, the Marchioness of Tremblay collected herself, reflected for a moment, and promptly imparting to her features the sweetest expression that they could assume, and to her voice the most affectionate accents into which she was capable of modulating it, she rose from her reclining chair and said to her niece, who was still trembling with contempt and disgust:
"Dear child – come to my arms. Let me embrace you – you are an angel."
Not a little astonished at this outburst of tenderness, the young lady hesitated to respond to the invitation of her aunt, who repeated:
"Yes, come and let me embrace you; you are a noble being, worthy of the name that you carry; you are an angel, an archangel; you have issued triumphant from a trial to which I wished to put you."
"A trial?" queried Mademoiselle Plouernel without any effort at concealing her incredulity; but immediately after, and yielding to the impulse of all pure and straightforward characters, who are ever more disposed to believe good than evil, Bertha approached the Marchioness, who, taking her niece in her arms, pressed the noble girl to her heart and kissed her effusively.
"Blessed be God! It was only a trial!" repeated the young girl, smiling with gratification and feeling her chest relieved of a heavy weight. "But aunt, dear aunt, I mean not to reprove you – only those are tried who are doubted. Did you doubt me?"
"No; of course not! But in our days one sees a King's love turn so many young heads, even the most solid, that – "
"And you mistrusted the solidity of mine?"
"However certain I was, I wished, dear niece, to see you prove it in all the luster of good judgment and purity. Only, and neither do I now mean to convey a reproach, I do deplore that a young person of your birth should, as it sometimes happens with you, forget herself to the point of speaking irreverently of the priests, the bishops, the Princes of the Church, and above all of the great King, our master, of whom your brother has the honor of being one of the most faithful, the most devoted servants."
"Aunt, let us not discuss the worthiness of Bossuet and his fellows, any more than the worthiness of him whom you style your master; he never will be mine. I have but one Master: He thrones in heaven."
"Do doubt; but after God, come the priests, the ministers, the Pope, the bishops, and then comes the King, to whom we owe blind submission, boundless devotion, pious respect."
"Pious respect! When at Versailles I saw that King promenading in public in one carriage with the Queen his wife and his two mistresses – the old and the new – Mademoiselle La Valiere and Madam Montespan! Is such audacity in bad morals to be respected? No! I shall not respect that infamous King who surrounds himself with high-born courtesans!"
"In truth, my dear, you are losing your reason. The violence of your language! Where can you have drawn such principles from?"
"Excuse my Breton frankness, but I could not respect a person who inspires me with aversion, disgust and contempt. What! That prince knows how his scandalous amours afflict the Queen. He is aware of the bitterness of the rivalry between La Valiere and Montespan! And yet, without pity for the laceration of the hearts of those three women, he forces them to gulp down the affront put upon them, to silently swallow their mutual jealousy and resentment, to smother their shame. He forces them to appear in public face to face; he drags them triumphantly after him as if anxious to glory openly in his double adultery! Ah, I repeat it, that ridiculous self-infatuation, that disregard of all sense of chastity, that brutal disdain for all human feelings, that insolent cynicism towards women – no, that never could inspire me with aught but aversion, contempt and disgust!"
"Oh, my niece, in their fervent adoration of their much beloved sovereign, La Valiere, Montespan and the Queen do as people do who make to God a sacrifice of their pains – they offer their torn hearts to their idol, the handsomest, the greatest King in the whole world!"
"Well, aunt, that theory becomes excessively hyperbolic. Have I not seen him, that 'great King,' an undersized man in reality, seeking to add inches to his stature with the aid of immoderately high heels and enormous wigs! Tell me, deprived of his heels, his wigs and, above all, his royal mantle, what, I pray you, is left of the 'idol'? Why, a little stuffed and groomed crow! For the rest, a good carpet dancer, a still better knight of the carrousel; always in red paint, severe, buttressed in the majesty of his trappings, never laughing out of fear to expose his villainous teeth, otherwise negligent of his appearance and never shaving but every three days, passionately fond of perfumery in order to conceal his bad breath, finally having, under the category of truly 'great' nothing to show except his appetite, to judge from his voracity, which I once witnessed at Versailles on a gala day! But raillery carries me away, and I blush, myself," added Mademoiselle Plouernel, whose features quickly assumed an expression of deep sadness. "Am I ever to forget that my mother's brother finished his days in a dungeon, the victim of the iniquity of Louis XIV!"
CHAPTER III.
THE HUGUENOT COLONEL
The Marchioness of Tremblay had her secret reasons to suppress her own sentiments, and not to fulminate against what she termed the "enormities of her niece," who, however, on this occasion, had given stronger vent than ever before to her hostility for the "idol" who was desolating Gaul. Accordingly, Bertha's aunt contented herself with a few forced smiles, and seeking to give a different turn to the conversation that, besides being generally distasteful to her, threw doubts into her mind concerning the secret plans that she was pursuing, she observed in a mild tone:
"After all, my dear, the unwonted vehemence of your language has its excuse in this, that the contagion of the country on whose shores we suffered shipwreck has smitten you. This wicked little heretical republic, once so severely chastised by Louis XIV, has always held our great King in particular aversion. The heretical and republican pestilence must have mounted to your head; who knows," she added СКАЧАТЬ