Luttrell Of Arran. Lever Charles James

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      “Even so, Luttrell. I have a project about purchasing some property on the coast here. Not a very profitable investment, perhaps, but certainly cheap, and at some long future to become possibly remunerative.”

      “Derryvaragh, I suppose?” “Yes, that’s the name.”

      “The most picturesque spot in the island; finer than the boasted Killarney itself, and far and away beyond Windermere and the Scotch Lakes. I know it well. I have walked the mountains grouse-shooting, and fished every mile of the river; but what would you do with it when you called it yours? You dare not assert one single right of property; the people who live there, and whose fathers have lived there for centuries, have never acknowledged lord or master. You’ll stock it with sheep, and send an agent. They’ll eat your mutton, and shoot your agent. You’ll appeal to the law, and you might as well threaten a New Zealander with a bill in Chancery. Leave such speculations alone; there are no fortunes to be made here, nor even fame for having reformed us. All the privilege your purchase will confer, will be to feed us in times of famine, and be shot at when prices rise and the nights grow longer.”

      “Why, you are more discouraging than Grenfell!”

      “I don’t know about Grenfell, but I know that Ireland is not to be bettered by men like you. It is out of our own rough energies must come the cure for our own coarse maladies. Go back and build model cottages in Norfolk, give prizes to your oldest farm labourer, or the mother of the largest family. Here’s your yawl; good-by.”

      “Do step in and come on board with me, Luttrell, if only for an hour or two.”

      “No, I cannot. I’d not stand your friend’s impertinences about Ireland, besides, and I’d be led into rudenesses, which I’d not forgive myself. Lady Vyner is not with you?”

      “No, she’s in Wales, at Llantlannoch, where I wish you’d let me tell her you were coming to see her.”

      “Who knows!”

      “My dear Luttrell, is this a promise?”

      “No, not exactly.”

      “Will you write to me.”

      “I think not.”

      “May I write to you?”

      “I’d rather you wonld not. You cannot suspect, Vyner, how painful even these few minutes we have passed together will render the life I go back to; do not add to that bitterness by what wonld become a ceaseless sorrow.”

      “But Harry. Let Harry come to us; there is an excellent school at Wrexham.”

      “There’s a school on that promontory yonder, where the master, besides reading and writing, instructs in net-mending, sail-making, caulking, and fish salting. Your Wrexham fellow couldn’t compete with that. Good-by.”

      With a hurried shake of the hand, and as though nervously irritable at being stared at by the sailors, Luttrell moved away, and Vyner gazed after him for a moment, and stepped into the boat.

      “Mr. Crab says, Sir, that the weather looks dirty outside,” said the coxswain; but Vyner did not heed the remark, and sat deeply buried in his own thoughts.

      CHAPTER VII. A COTTAGE IN WALES

      If we wanted a contrast to the wild desolation of Arran, it wonld be in the lovely valley of North Wales, where Vyner’s cottage stood. It was a purchase he had made purely from its picturesque beauty; a spot chanced upon in a summer’s ramble, and bought at once with that zest which leads a rich man to secure the gem that has captivated his fancy. It stood on a little rocky platform that projected from a mountain, and looked downwards and upwards, through one of those charming valleys which now widen into luxuriance, and now contract again till they resume the features of a deep ravine. A river of some size foamed and tumbled over a rocky bed beneath, and occasionally deepened into some waveless pool, over which the red-berried ash-trees drooped gracefully, and the dark copper beeches threw their bronzed shadows. Deep woods clothed the mountain in front, and over them all rose the rugged summit of Cader Idris, with its amphitheatre of rock half lost in the clouds.

      If as regards loveliness of position, tranquillity, and beauty in all its details, the cottage of Dinasllyn could scarcely be surpassed. There was one detracting element which certainly impaired its charm, the “Quid amarum,” amidst all its excellence. It was a show place. It had been the scene of some romantic attachment, some half-remembered Abelard and Heloise, whose pictures yet survived, and of whom there were traditions of rustic benches where they used to sit; of trees whereon their initials were carved; of cedars that they had planted. Vyner and his wife did not at first know, nor estimate, to what a heritage they had succeeded, nor in the least suspect what an infliction mere purposeless curiosity, united to plenty of leisure, may become.

      The old gardener whom they had taken on with the cottage was not at all disposed to surrender that perquisite of black mail he had for years long levied from visitors, nor perhaps did he fancy to abdicate those functions of “Cicerone” which elevated him in the eyes of his fellows. If his love-story was not as affecting as Paul and Virginia, it had its realisms that compensated for some pathos. He could show the dairy where Chloe made the butter, and the kitchen-garden where Daphnis hoed his cabbages. There, were the steps cut in the solid rock that led down to her bath in the river; here the bower she loved so well; here the tree she planted.

      To be obliged to devote a day of every week, or even certain hours of a day, to the invasion of a set of strangers, induced by ennui, by curiosity, or, as it may be, by mere imitation, to wander about your house and stroll through your garden, free to lounge in your easy-chair, or dispose themselves on your sofas, criticising your pictures, your prints, your books, and your music, hazarding speculations as to your tastes and dispositions from the titles of the volumes on your table, and the names of your newspapers – to feel that, as the clock strikes a certain hour on a certain morning, all the cherished privacy which constitutes what we call home, is fled, and that your hall is a public street, and your drawing-room a piazza, so that you are driven to hide yourself in your own house, at the peril of being classified among the curiosities, and perhaps sent off to press with the other details, satisfactory or the reverse, of the visitors’ experience. These are no slight evils. They are a heavy tax on all the benefits of possession, and we have our doubts if even Naboth’s vineyard would be enviable, if linked with the condition of showing the grounds and displaying the grapes to vulgar visitors.

      When the Vyners purchased the cottage they had been told of the custom, just as you are told of a certain pathway across the lawn, which was a mere usurpation, a thing “without a shadow of legality,” “that you have only to close to-morrow,” but of whose actual torments when you do come to suppress, no one has ever given the measure. They heard that the former owner usually set an hour or two apart on a Wednesday or a Thursday to gratify tourist curiosity; in fact, the celebrity of the spot had been ingeniously introduced as an element of value – just as the shade of Pope might be catalogued amongst the merits of Twickenham, and the memory of Rousseau figure in the inventory of a certain cottage near Geneva!

      Vyner was himself one of those easy, happy natures, which submit without sacrifice to what affords pleasure to others. His wife saw no hardship in yielding to a moderate amount of this infliction; the more, since they only came to the cottage for about six or eight weeks of every year. It was Georgina Courtenay who resisted the custom as a most “unwarrantable intrusion, a practical impertinence,” as she called it, which “reduced a family either to the condition of the cracked china on the mantelpiece, or the fussy housekeeper who exhibited it.” Georgina was not a very tolerant nature; with what she disagreed, she made no compromise, and, like СКАЧАТЬ