A Novelist on Novels. George Walter Lionel

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СКАЧАТЬ You might think that, for instance, paper supply concerned us, for we use cruel quantities, yet no recognised author sat on the commission; a publisher was the nearest approach. Apparently there were two great consumers of paper, authors and grocers, but alone the grocers were consulted. What is the matter with us? Is our crime that we put down in indecent ink what we think and feel, while other people think and feel the same, but prudently keep it down? Possibly our crimes are our imagination and our tendency to carry this imagination into action. Bismarck said that a State conducted on the lines of the Sermon on the Mount would not last twenty-four hours; perhaps it is thought that a State in the conduct of which a novelist had a share would immediately resolve itself into a problem play. Something like that, though in fact it is unlikely that Ariel come to judgment would be much more fanciful in his decrees than the historic Solomon.

      All this because we lack solidity … and yet the public calls us commercial, self-advertisers, money-grubbers. It is thought base that we should want three meals a day, though nobody suggests that we can hope to find manna in the street, or drink in our parks from the fountain Hippocrene. We are told that we make our contracts too keenly, that we are grasping, that we are not straight … and yet we are told that we are not business men. What are we to do? Shall we form a trade union and establish a piece rate? Shall we sell our novels by the yard? May we not be as commercial and respected as the doctor who heals with words and the lawyer who strangles with tape? Now and then the defences of society and state are breached, and a novelist enters Parliament. Mr Hilaire Belloc, Mr A. E. W. Mason, followed Disraeli into the House of Commons, but it is very extraordinary. No one knows how these gentlemen managed to convince the electors that with their eye 'in fine frenzy rolling' they would not scandalise their party by voting against it. (Those writing chaps, you know, they aren't safe!)

      It must be said that in Parliament the novelists did not have a very good time; they were lucky in having been preferred to a landowner or a pawnbroker, but once in they had not the slightest chance of being preferred to those estimable members of society. It was not a question of straight votes; it never came to that, for Mr Belloc soon disagreed with both sides and became a party of one, while Mr A. E. W. Mason as a rushlight flickered his little flicker and went out. It is as well; they would never have been taken seriously. It is almost a tradition that they should not be taken seriously, and it is on record in most of the worldly memoirs of the nineteenth century that the two main objections to Disraeli were his waistcoats and his authorship of Contarini Fleming. Nero liked to see people burnt alive; Disraeli wrote novels. Weaknesses are found in all great men.

      There seems in this to lie error as well as scandal; when a new organisation is created, say for the control of lamp oil, obviously a novelist should not be made its chairman, but why should a blotting paper merchant be preferred? Indeed, one might side with Mr Zangwill, who demands representation for authors in the Cabinet itself, on the plea that they would introduce the emotion which is necessary if the Cabinet is to manage impulsive mankind. As he finely says, we are professors of human nature; if only some University would give us a title and some initials to follow our name, say P.H.N., people might believe that we knew something of it. But the attitude of the State in these matters is steadfast enough. It recognises us as servants rather than as citizens; if in our later years we come upon hard times, we can be given, through the Civil List, pensions which rescue us from the indignities of the poorhouse, but no more. Mostly these pensions benefit our heirs, but the offering is so small that it shocks; it is like tipping an archbishop. Thus Mr W. B. Yeats enjoys a pension of £150, Mr Joseph Conrad, of £100. Why give us pensions at all if they must be alms? One cannot be dignified on £100 a year; one can be dignified on £5000 a year, because the world soon forgets that you ride a gift horse if that horse is a fine, fat beast. The evidence is to be found in the retiring pensions of our late Lord Chancellors, who receive £5000 a year, of our Judges, £1000 to £3750, in the allowances made to impoverished politicians, which attain £2000. Out of a total of £320,000 met by our civil list, literature, painting, science, research, divide every year £1200. Nor do the immediate rewards show greater equality. Lord Roberts was voted £100,000 for his services in South Africa; Mr Thomas Hardy has not yet been voted anything for The Dynasts.

      The shame of literature is carried on even into following generations. The present Lord Nelson, who is not a poor man, for he owns 7000 acres of land, is still drawing a pension of £5000 a year, earned by his august ancestor, but the daughter of Leigh Hunt must be content with £50. We are unknown. We are nobody. Rouget de l'Isle, author of La Marseillaise, gave wings to the revolutionary chariot, but tiny, bilious, tyrannic Robespierre rode in it, and rides in it to-day through the pages of history, while men go to their death singing the words of Rouget de l'Isle and know him not.

      Even in our own profession of authorship the novelist is an object of disdain. We are less than the economists, the historians, the political writers: we amuse while they teach; they bore, and as they bore it is assumed that they educate, dullness always having been the sorry companion of education. Evidence is easily found; there exists a useful, short encyclopædia called Books That Count. It contains the names of about 4000 authors, out of whom only sixty-three are novelists. Divines whose sermons do not fetch a penny at the second-hand bookseller's, promoters of economic theories long disproved, partisan historians, mendacious travellers … they crowd out of the 'books that count' the pale sixty-three novelists, all that is left of the large assembly that gave us Tom Jones and The Way of All Flesh. This attitude we observe in most reference books. We observe it, for instance, in the well-known Who's Who Year Book, which, amazing as it seems, contains no list of authors. The book contains a list of professors, including those of dental surgery, a list of past Presidents of the Oxford Union, a list of owners of Derby winners, but not a list of authors. The editors of this popular reference book know what the public wants; apparently the public wants to know that Mr Arthur H. King is General Manager of the Commercial Bank of London Ltd. … but the public does not want to know that Mr Anatole France is a great man. The only evidence of notice is a list of our pseudonyms. It matters that Mr Richard Le Gallienne should write under the name of 'Logroller,' for that is odd. Mr Le Gallienne, being an author, is a curiosity; it matters to nobody that he is a man.

II

      What is the area of a novelist's reputation? How far do the ripples extend when he casts a novel into the whirlpool of life? It is difficult to say, but few novelists were ever so well known to the people as were in their time such minor figures as Bradlaugh and Dr Grace, nor is there a novelist to-day whose fame can vie with that of, say, Mr Roosevelt. It is strange to think that Dickens himself could not in his own day create as much stir as, say, Lord Salisbury. He lacked political flavour; he was merely one of the latter day prophets who lack the unique advertisement of being stoned. It will be said that such an instance is taken from the masses of the world, most of whom do not read novels, while all are affected by the politician, but in those circles that support literature the same phenomenon appears; the novel may be known; the novelist is not. The novel is not respected and, indeed, one often hears a woman, at a big lending library, ask for 'three of the latest novels.' New novels! Why not new potatoes? She takes the books away calmly, without looking at the titles or the names. She is quite satisfied; sometimes she does not care much whether or not she has read those novels before, for she does not remember them. They go in at one ear and come out at the other presumably, as a judge said, because there is nothing to stop them.

      It is undeniable that the great mass of readers forget either names or titles; many forget both. Some of the more educated remember the author and ask their library for 'something by E. M. Dell,' because she writes such sweet, pretty books, a definition where slander subtly blends with veracity. But, in most cases, nothing remains of either author or title except a hazy impression; the reader is not quite sure whether the book she liked so much is Fraternity or the Corsican Brothers. She will know that it had something to do with family, and that the author's name began with 'G' … unless it was 'S'. It cannot be otherwise, so long as novels are read in the way they are read, that is to say, if they are taken as drugs. Generally, novels are read to dull the mind, and many succeed, ruining the chances of those whose intent is not morphean, which fulfil the true function of art, viz., to inflame. The object of a novel is not to send the reader СКАЧАТЬ