The Poems of Philip Freneau, Poet of the American Revolution. Volume 1 (of 3). Freneau Philip Morin

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СКАЧАТЬ later by Powers and Willis of Boston. Freneau's introduction is characteristic:

      "Most of those accounts of North America, given to the public by British explorators and others, previous to the Revolution, are generally taken up, with the recitals of wonderful adventures, in the woods beyond the Lakes, or with the Histories and records of the wild Indian nations, so that by the time the reader gets through one of those performances, he never fails to be better acquainted with the Ottagnies, Chereokees, Miamees, Nadouwessians, and a hundred others, with their various customs of paw-wawing, or methods of making wampum, than with the most interesting particulars relative to the inhabitants of the then colonies these were but rarely thought worthy mentioning by those gentlemen, and when they are, it is mortifying enough to see them constantly considered as mere beasts of burden, calculated solely for the support of the grandeur, wealth and omnipotence of Great-Britain, than as men and Free-Men.

      "Our French Author is more liberal – two years before the present peace he considered the United States as a great independent nation, advancing with hasty strides to the summit of power and sovereignty."

      It was during this year that the poet, for the first time, met with positive opposition and abuse. Oswald, the editor of the newly established Gazette, quarrelled with Bailey, and a poetical battle was one phase of the contest. The details of this affair will be found in the proper place, and I need not recount them here, but suffice it to say that Freneau soon found his muse assailed by the meanest of all critics. His extremely sensitive nature could brook no criticism. His Celtic temperament could fight fiercely in the presence of an open foe, but it was easily depressed and discouraged by criticism and covert attack. He lost heart in his work, and at the end of the third volume he quietly withdrew from his editorship.

      The three volumes of the Journal which bear his impress are notable for their vigor of policy, their high ideals, their unswerving patriotism, and their real literary merit. It is to be hoped that a selection from Freneau's prose writings during this critical era in our history may sometime be made. Nowhere else can we gain so distinct a picture of the man, with his sanguine, impetuous temperament, his proud spirit, and his intense hatred of every form of tyranny. He wrote vigorously not only on British oppression, but on such topics as the wrongs of negro slavery, cruelty to animals, the wanton destruction of trees, the evils of intemperance, and the rights of woman.

      The "Epistle to Sylvius" was his valedictory. In it he deplores the lack of literary taste in America, and the sad fate which has befallen his youthful poetic dreams. The age is grown mercantile, and Sejanus the mighty tradesman, —

      "Sejanus has in house declared

      'These States, as yet, can boast no bard,

      And all the sing-song of our clime

      Is merely nonsense fringed with rhyme.'"

      A bard with more Teutonic blood, if he knew within himself that he was indeed a poet, and the only real poet of his time, would have staid at his post and made himself heard, despite narrow criticism and mean abuse, but Freneau was too proud to fight for recognition. The people had crowned him, to be sure, but if the critics, those who should be the real judges, rejected him, he would strive no longer. He would leave the field.

      "Then, Sylvius, come – let you and I

      On Neptune's aid, once more rely:

      Perhaps the muse may still impart

      The balm to ease the aching heart.

      Though cold might chill and storms dismay,

      Yet Zoilus will be far away."

      On June 24, 1784, Freneau sailed from Middletown Point as master of the brig Dromilly, bound for Jamaica. The voyage was indeed a memorable one. On the night of July 30, while off the end of the island, the ship encountered a violent hurricane. According to contemporary accounts, "No more than eight out of one hundred and fifty sail of vessels in the ports of Kingston and Port Royal were saved." The Dromilly survived the storm, but it was a mere wreck when the next morning it crept into Kingston Harbor.

      Freneau remained in Jamaica until September 24, when he left for Philadelphia in the brig Mars, arriving November 4. His experiences in trying to fit out the wrecked Dromilly are not recorded, but the one incident of his poetic reply to the keeper of the King's water works, who had refused him a puncheon of water, is characteristic.

      From this time until 1790, Freneau's life is redolent of the ocean. A complete itinerary of this wandering era may be compiled from the shipping news of the various seaport newspapers, but it is useless to go into details. He was master for a time of the sloop Monmouth, plying for freight between Charleston, S. C., New York, and Savannah. His brother Peter, in Charleston, had become a man not only of influence, but of means, and together they owned the vessel and shared its profits. For several years advertisements like this appeared in the Charleston papers:

      "For freight to any part of this State or Georgia; for charter in any free port in the West Indies, the sloop Monmouth, Philip Freneau, Master, burden about 40 tons. She is new, stanch, well-formed and draws six feet when loaded. Will carry about one hundred barrels of rice. For further particulars inquire of said master on board at Mrs. Motte's wharf or Peter Freneau."

      On the 1st of June, 1786, there was issued from Bailey's press the first collected edition of Freneau's poetry. During the entire year its author was at sea almost continuously. It is evident that he had little to do with the edition. The copy furnished to Bailey consisted of the manuscript of a few early poems, revised copies of the 1775 pamphlets, and corrected and enlarged versions of his contributions to the United States Magazine. The bulk of the book is made up of Freneau's contributions to the Freeman's Journal, printed seriatim and without change. The poem "Rivington's Confessions" is even divided into two parts, with another poem between, as it first appeared in the paper. An index of the poetry in the first four volumes of the Journal is a nearly perfect index of the 1786 edition, after the poem "The Prison Ship."

      Bailey wrote for the edition the following introduction:

      "The pieces now collected and printed in the following sheets, were left in my hands, by the author, above a year ago, with permission to publish them whenever I thought proper. A considerable number of the performances contained in this volume, as many will recollect, have appeared at different times in Newspapers (particularly the Freeman's Journal) and other periodical publications in the different States of America, during the late war, and since; and from the avidity and pleasure with which they generally appear to have been read by persons of the best taste, the Printer now the more readily gives them to the world in their present form, (without troubling the reader with any affected apologies for their supposed or real imperfections) in hopes they will afford a high degree of satisfaction to the lovers of poetical wit, and elegance of expression."

      This edition is the most spontaneous and poetic of the poet's works. In it we see Freneau before he has lost his early poetic dream, before he has become hardened by close contact with the world of affairs and the cold, practical round of political life. This and the 1788 edition contain by far the most valuable part of his poetic work.

      In those days before the invention of book reviews, the fate of a book turned largely upon its immediate reception by the reading public. Criticism was by word of mouth: the poems were discussed in polite circles and over the morning coffee. Thus we have nothing to quote to show how America received her bard. We know, however, that the poems were successful even beyond Bailey's expectations. In less than five months he was out with proposals for "an additional collection of entertaining original performances in prose and verse by Philip Freneau." The book was to be published as soon as five hundred subscribers could be secured, and the subscribers' names were to be printed at the beginning of the volume.

      "Such persons СКАЧАТЬ