Döderlein's Hand-book of Latin Synonymes. Ludwig von Doederlein

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СКАЧАТЬ see Culmus.

      Calculus, see Saxum.

Calere; Fervere; Æstuare; Calefacere; Fovere. 1. Calere and fervere denote, objectively, warmth by itself, and, indeed, calidus (κηλέῳ πυρί), in opp. to frigidus, a moderate degree of warmth, but fervidus, in opp. to gelidus, a degree of warmth on the point of boiling, heat; whereas æstuare (from αἴθω), subjectively, the feeling of heat, in opp. to algere. (iii. 89.) 2. Calefacere means to make warm, in a purely physical sense, without any accessory notion; whereas fovere (from ἀφαύω), with reference to the genial sensation, or salutary effect of the warmth. (vi. 48.)

      Caligo, see Obscurum.

      Calix, see Poculum.

      Callidus, see Astutus and Sapiens.

      Callis, see Iter.

      Campus, see Æquum and Villa.

      Candela; Lucerna. Candela is a candle, which can be carried about like a torch, as λαμπάς, whereas lucerna can only be considered as a burning light on a table, like λύχνος. (vi. 50.)

      Candidus, see Albus.

Canere; Cantare; Psallere; Canticum; Cantilena; Carmen; Poema; Poeta; Vates. 1. Canere (from καναχεῖν) means, in the most general sense, to make music, voce, tibiis, fidibus, like μέλπειν; cantare, with vocal music, like ἀείδειν; psallere, with instrumental music, and indeed with string-instruments, like ψάλλειν. 2. Cantica and cantilenæ are only songs adapted for singing, in which, as in popular ballads, the words and melodies are inseparable, and serve to excite mirth and pleasure, in opp. to speech, and that which is spoken; and, indeed, canticum means a favorite piece, still in vogue; cantilena, a piece which, being generally known, has lost the charm of novelty, and is classed with old songs; whereas carmina and poemata are poems which may be sung, but the words of which claim value as a work of art, and serve religion or music as an art, in opp. to prose and real truth; carmina, indeed, were originally religious hymns, ἐπῳδαί, and, in a wider sense, poems of another sort, mostly, however, minor poems, and of a lyrical sort, like ᾠδαι; but poemata are the products of cultivated art, and extensive poems, mostly of the epic or tragic sort, like ποιήματα. The carmen (κάρω, κράζω) is the fruit of natural, but the poema of calm and self-conscious inspiration. 3. Poeta is a technical expression, and denotes a poet only as an artist; vates (ἠχέτης) is an old Latin and religious expression, and denotes a poet as a sacred person. Tac. Dial. 9. (v. 99.)

      Canna, see Culmus.

      Cantare, see Canere.

      Canterius, see Equus.

      Canticum, Cantilena, see Canere.

      Caper; Hircus; Hœdus. Caper (κάπρος) is the general name for a he-goat, and that which is used in natural history, τράγος; hircus (from χήρ) is an old full-grown he-goat, χίμαρος? whereas hædus, hœdus (χοῖρος), a kid, ἔριφος. (v. 336.)

      Capere, see Sumere.

      Capillus, see Crinis.

      Carcer, see Custodia.

      Carere; Egere; Indigere. 1. Carere (from κείρειν) relates to a desirable possession, in opp. to habere, Cic. Tusc. i. 36; whereas egere and indigere, to a necessary and indispensable possession, in opp. to abundare, Lucil. Fr. Sat. viii. Senec. Vit. B. 7. Voluptate virtus sæpe caret, nunquam indiget. Epist. 9. Sapiens eget nulla re; egere enim necessitatis est. Cic. Ep. ad. Qu. Fr. i. 3, 2. Nunc commisi, ut me vivo careres, vivo me aliis indigeres. 2. Egere (from χάω, χαίνω ἀχήν) denotes, objectively, the state of need, in opp. to uti, Cato ap. Gell. xiii. 23; indigere, subjectively, the galling sense of need, and eager longing to satisfy it. (iii. 113.)

      Caritas, see Diligere.

      Carmen, see Canere.

      Caro; Pulpa; Viscera; Exta; Intestina; Ilia. 1. Caro means flesh in its general sense, as a material substance, in opp. to fat, nerves, muscles, and so forth; pulpa, especially, eatable and savory flesh, in opp. to bones; viscera, all flesh, and every fleshy substance between the skin and the bones. 2. Viscera, in a narrower sense, means generally, the inner parts of the body; whereas exta means the inner parts of the upper part of the body, as the heart, lungs, and so forth; intestina, interanea, and ilia, the inner parts of the lower part of the body, namely, the entrails; and indeed intestina, and, in the age after Augustus, interanea, meant the guts as digestive organs; ilia, all that is contained in the lower part of the body, and particularly those parts that are serviceable. (v. 145.)

Cassis; Galea; Cudo. Cassis, cassida (from κόττα), is a helmet of metal; galea (γαλέη), a helmet of skin, and properly of the skin of a weasel; cudo (κεύθων), a helmet of an indefinite shape. Tac. G. 6. Paucis loricæ; vix uni alterive cassis aut galea.

      Cassis, see Rete.

      Castigatio, see Vindicta.

      Castus; Pudicus; Pudens; Pudibundus. 1. Castus (from καθαρός) denotes chastity as a natural quality of the soul, as pure and innocent; whereas pudicus, as a moral sentiment, as bashful and modest. 2. Pudicus, pudicitia, denote natural shame, aversion to be exposed to the gaze of others, and its fruit, chaste sentiment, merely in its sexual relation, like bashfulness; whereas pudens, pudor, denote shame in a general sense, or an aversion to be exposed to the observation of others, and to their contempt, as a sense of honor. Cic. Catil. ii. 11, 25. Ex hac parte pudor pugnat, illinc petulantia; hinc pudicitia, illinc stuprum. 3. Pudicus and pudens denote shame as an habitual feeling; pudibundus as a temporary state of the sense of shame, when excited. (iii. 199.)

      Casu; Forte; Fortuito; Fortasse; Forsitan; Haud scio an. Casu, forte, and fortuito, denote a casualty, and indeed, casu, in opp. to consulto, συμβεβηκότως; forte, without particular stress on the casualty, τυχόν; fortuito, fortuitu, emphatically, by mere chance, in opp. to causa, ἀπὸ τύχης; whereas fortasse, forsitan, and haud scio an, denote possibility, and indeed fortasse, fortassis, with an emphatic perception and affirmation of the possibility, as approaching to probability, and are in construction with the indicative, ἴσως; forsitan, forsan, with merely an occasional perception of the possibility, and are in construction with a conjunctive, τάχ’ ἄν; haud scio an, with a modest denial of one’s own certainty; consequently, haud scio an is an euphemistic limitation of the assertion. СКАЧАТЬ