Voltaire: A Sketch of His Life and Works. Foote George William

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СКАЧАТЬ Voltaire, however, gives an unmistakable touch of his quality: “One cannot have public employment in England or Ireland, without being of the number of faithful Anglicans. This reason, which is an excellent proof, has converted so many Nonconformists that not a twentieth part of the nation is out of the pale of the dominant church.”

      After alluding to the “holy zeal” of ministers against dissenters, and of the lower House of Convocation, who “from time to time burnt impious books, that is, books against themselves,” he says: “When they learn that, in France, young fellows noted only for debauchery and raised to the prelacy by female intrigue, openly pursue their amours, compose love-songs, give every day elaborate delicate suppers, then go to implore the illumination of the Holy Spirit, boldly calling themselves the successors of the Apostles – they thank God they are Protestants. But they are abominable heretics, to be burnt by all the devils, as Master François Rabelais says; and that is why I do not meddle with their affairs.”

      The Presbyterians fare little better, for Voltaire relates that, when King Charles surrendered to the Scots, they made that unfortunate monarch undergo four sermons a day. To them it is owing that only genteel people play cards on Sunday: “the rest of the nation go either to church, to the tavern, or to see their mistresses.”

      His admiration for English philosophy was startling to the French mind. Locke’s Essay became his philosophical gospel. “For thirty years,” he writes in 1768, “I have been persecuted by a crowd of fanatics because I said that Locke is the Hercules of Metaphysics, who has fixed the boundaries of the human mind.”

      AT CIREY

      A common admiration for Locke and Newton cemented his attachment to the Marquise du Châtelet, a lady distinguished from others of her age by her love of the sciences. With her Voltaire lived for over fifteen years at the Chateau of Cirey, in Campagne, “far from the madding crowd’s ignoble strife,” and, as Voltaire phrased it, “nine miles from a lemon.” Voltaire was at the outset forty and Madame twenty-seven, neither handsome nor well-formed, yet pleasing. She united learning with a zest for pleasure, and with the handsome fortune which Voltaire brought to the establishment was enabled to satisfy both tastes. Life at Cirey was varied by jaunts to Paris, Brussels and Sceaux, at which last place he wrote Zadig, one of his lightest and most characteristic burlesque stories.

      Madame du Chàtelet has been much laughed at; but in the days when ladies take prizes in mathematics, that should be a thing of the past. Hard intellectual labor rather than the pursuit of pleasure characterised life at Cirey, or rather its inmates found their pleasure in their work. Madame would be translating Newton or studying Leibnitz. Her mathematical tutor worked at physical science in a gallery which had been built expressly for him. Voltaire would be aiding each in turn, or, ever faithful to his first love the drama, occupied with the writing or production of a tragedy or comedy for the theatre also attached to the premises. His production was as ever incessant. At the time of his first settlement there, Pope’s Essay on Man had been published. It suggested a Discourse on Man, in which he sought not to justify the ways of God to man, but to make man contented with his lot, not vainly inquiring into the why and wherefore of things. With Madame he wrote Elements of the Newtonian Philosophy, a work highly praised by Lord Brougham, who says: “The power of explaining an abstract subject in easy and accurate language, language not in any way beneath the dignity of science, though quite suited to the comprehension of uninformed persons, is unquestionably shown in a manner which only makes it a matter of regret that the singularly gifted author did not carry his torch into all the recesses of natural philosophy.” The French Government, despite the influence of aristocratic friends, refused to print a work opposed to the system of Descartes, and the volume had to be printed in Holland. For Madame, who despised the “old almanack” histories then current, in place of which Voltaire aimed at producing something more profitable to the readers, he wrote his Essay on the Manners and Spirit of Nations, in which for the first time in modern literature he applied philosophy to the teaching of history. He dissipated the dull dreams and deceits of the monks, and fixed attention on the real condition of things. With Voltaire, the commonest invention which improves the human lot is of more importance than battles and sieges. He gives importance to the physical and intellectual improvement of man. Brougham remarks that Voltaire’s Philosophy of History was written as a prelude to the Essay on the Spirit of Nations, but the whole work deserves that title. Buckle classes him with Bolingbroke and Montesquieu, the fathers of modern history, and all sceptics; and even now, says Lecky, no historian can read him without profit. Other contributions to history were the History of Charles XII., a masterpiece of vivid and vigorous narrative, and The Age of Louis XIV. It was here he wrote his too famous Pucelle, which he afterwards described as “piggery,” as well as some of the most famous of his plays, including. Ilzire, Zuline, L'Enfant Prodigue, Mahomet and Mérope, the best of his tragedies. With that impish spirit in which he ever delighted, he induced the Pope to accept the dedication of his play of Mahomet, and then laughed at his infallible Holiness for being unable to see that the shafts supposed to be directed at the impostor of Arabia were really aimed at fanaticism in another quarter.

      To his first and last love, the French theatre, Voltaire contributed nearly sixty pieces, the majority of which are tragedies. Zaire and Mérope suffice to show the excellence he obtained in the classic drama. The first-named was written in three weeks, a wonderful tour de force. Olympic– written in old age – occupied but six days, though in this we must agree with the friend who told the author that he should not have rested on the seventh day. Voltaire’s plays indeed contain occasional fine passages, but they have not the rich delineation of character necessary for works of the first rank. It has been well remarked that in his dramas, as in history, he sought to portray not so much individuals as epochs. In Mahomet his subject is a great fanaticism; in Alzire, the conquest of America; in Brutus, the formation of the Roman power; in the Death of Cœsar, the rise of the empire or the ruin of that power. It is noteworthy that, despite his excess of comic talent, Voltaire preferred to devote his mind to tragedy rather than to comedy, in which one might have fancied he would have excelled. In truth, his desire to support the dignity of the stage stood in the way of his shining in comedy. Voltaire also at this period wrote a Life of Molière, in which he mingled criticism with biography.

      Madame de Grafigny, who visited at Cirey, says he was so greedy of his time, so intent upon his work, that it was sometimes necessary to tear him from his desk for supper. “But when at table, he always has something to tell, very facetious, very odd, very droll, which would often not sound well except in his mouth, and which shows him still as he has painted himself for us —

      Toujours un pied dans le cercueil,

      De l’autre faisant des gambades.”4

      “To be seated beside him at supper, how delightful!” she adds. Voltaire at Cirey was out of harm’s way, and could and did devote himself to his natural bent in literary work. Madame du Châtelet was sometimes “gey ill to live with.” but she preserved him from many annoyances and helped him somewhat at Court. Thanks to the Duc de Richelieu, his patron and debtor, he was appointed historiographer-royal in 1745, with a salary of two thousand livres attached, and in the following year was elected one of the Forty of the French Academy.

      His life with Madame du Châtelet had shown him the possibility of woman being man’s intellectual companion. With what scorn does he make a lady, who claims equal rights in the matter of divorce with her husband, say:

      “My husband replies that he is my head and my superior, that he is taller than me by more than an inch, that he is hairy as a bear, and that, consequently, I owe him everything and that he owes me nothing.” This was long before woman’s rights were thought of.

      Voltaire and Frederick the Great.

      While still at Cirey, Voltaire received many a flattering invitation from the Prince Royal of Prussia. СКАЧАТЬ