The Strollers. Isham Frederic Stewart

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СКАЧАТЬ his heart. “Ah, that’s better! The pain has left. No; it’s nothing. The machinery is getting old, that’s all! Let me see–Ah, yes!” And he drew a cigar from his pocket. “Perhaps there lies a crumb of comfort in the weed!”

      The manager smoked contemplatively, like a man pushed to the verge of disaster, weighing the slender chances of mending his broken fortunes. But as he pondered his face gradually lightened with a faint glimmer of satisfaction. His mind, seeking for a straw, caught at a possible way out of this labyrinth of difficulties and in a moment he had straightened up, puffing veritable optimistic wreaths. He arose buoyantly; before he reached the inn the crumb of comfort had become a loaf of assurance.

      At the tavern the manager immediately sought mine host, stating his desire to give a number of free performances in the dining-room of the hotel. The landlord demurred stoutly; he was an inn-keeper, not the proprietor of a play-house. Were not tavern and theater inseparable, retorted Barnes? The country host had always been a patron of the histrionic art. Beneath his windows the masque and interlude were born. The mystery, harlequinade and divertissement found shelter in a pot-house.

      In a word, so indefatigably did he ply arguments, appealing alike to clemency and cupidity–the custom following such a course–that the landlord at length reluctantly consented, and soon after the dining-room was transformed into a temple of art; stinted, it is true, for flats, drops, flies and screens, but at least more tenable than the roofless theaters of other days, when a downpour drenched the players and washed out the public, causing rainy tears to drip from Ophelia’s nose and rivulets of rouge to trickle down my Lady Slipaway’s marble neck and shoulders. In this labor of converting the dining-room into an auditory, they found an attentive observer in the landlord’s daughter who left her pans, plates and platters to watch these preparations with round-eyed admiration. To her that temporary stage was surrounded by glamour and romance; a world remote from cook, scullion and maid of all work, and peopled with well-born dames, courtly ladies and exalted princesses.

      Possibly interested in what seemed an incomprehensible venture–for how could the manager’s coffers be replenished by free performances?–Saint-Prosper that afternoon reminded Barnes he had returned from the village without fulfilling his errand.

      “Dear me!” exclaimed Barnes, his face wrinkling in perplexity. “What have I been thinking about? I don’t see how I can go now. Hawkes or O’Flariaty can’t be spared, what with lamps to polish and costumes to get in order! Hum!” he mused dubiously.

      “If I can be of any use, command me,” said the soldier, unexpectedly.

      “You!”–exclaimed the manager. “I could not think–”

      “Oh, it’s a notable occupation,” said the other with a satirical smile. “Was it not the bill-posters who caused the downfall of the French dynasty?” he added.

      “In that case,” laughed Barnes, with a sigh of relief, “go ahead and spread the inflammable dodgers! Paste them everywhere, except on the tombstones in the graveyard.”

      Conspicuously before the postoffice, grocery store, on the town pump and the fence of the village church, some time later, the soldier accordingly nailed the posters, followed by an inquisitive group, who read the following announcement: “Tuesday, ‘The Honeymoon’; Wednesday, ‘The School for Scandal’; Thursday, ‘The Stranger,’ with diverting specialties; Friday, ‘Romeo and Juliet’; Saturday, ‘Hamlet,’ with a Jig by Kate Duran. At the Travelers’ Friend. Entrance Free.”

      “They’re going to play after all,” commented the blacksmith’s wife.

      “I don’t see much harm in ‘Hamlet,’” said the supervisor’s yokemate. “It certainly ain’t frivolous.”

      “Let’s go to ‘The Honeymoon’?” suggested an amorous carl to his slip-slop Sal.

      “Go ’long!” she retorted with barn-yard bashfulness.

      “Did you ever see ‘The School for Scandal’?” asked the smithy’s good wife.

      “Once,” confessed the town official’s faded consort, her worn face lighting dreamily. “It was on our wedding trip to New York. Silas warn’t so strict then.”

      Amid chit-chat, so diverting, Saint-Prosper finished “posting” the town. It had been late in the afternoon before he had altered the posters and set out on his paradoxical mission; the sun was declining when he returned homeward. Pausing at a cross-road, he selected a tree for one of his remaining announcements. It was already adorned with a dodger, citing the escape of a negro slave and offering a reward for his apprehension; not an uncommon document in the North in those days.

      As the traveler read the bill his expression became clouded, cheerless. Around him the fallen leaves gave forth a pleasant fragrance; caught in the currents of the air, they danced in a circle and then broke away, hurrying helter-skelter in all directions.

      “Poor devil!” he muttered. “A fugitive–in hiding–”

      And he nailed one of his own bills over the dodger. As he stood there reflectively the lights began to twinkle in the village below like stars winking upwards; the ascending smoke from a chimney seemed a film of lace drawn slowly through the air; from the village forge came a brighter glow as the sparks danced from the hammers on the anvils.

      Shaking the reins on his horse’s neck, the soldier continued his way, while the sun, out of its city of clouds, sent beams like a searchlight to the church spire; the fields, marked by the plow; the gaunt stumps in a clearing, displaying their giant sinews. Then the resplendent rays vanished, the battlements crumbled away and night, with its army of shadows, invaded the earth. As Saint-Prosper approached the tavern, set prominently on the brow of the hill, all was solemnly restful save the sign which now creaked in doleful doldrums and again complained wildly as the wind struck it a vigorous blow. The windows were bright from the fireplace and lamp; above the door the light streamed through the open transom upon the swaying sign and the fluttering leaves of the vine that clambered around the entrance.

      In the parlor, near a deteriorated piano whose yellow keys were cracked and broken–in almost the seventh stage of pianodum, sans teeth, sans wire, sans everything–he saw the dark-eyed girl and reined his horse. As he did so, she seated herself upon the hair-cloth stool, pressed a white finger to a discolored key and smiled at the not unexpected result–the squeak of decrepitude. While her hand still rested on the board and her features shone strongly in relief against the fire like a cameo profile set in bloodstone, a figure approached, and, leaning gracefully upon the palsied instrument, bent over her with smiling lips. It was the grand seignior, he of the equipage with silver trimmings. If the horseman’s gaze rested, not without interest, on the pleasing picture of the young actress, it was now turned with sudden and greater intentness to that of the dashing stranger, a swift interrogation glancing from that look.

      How had he made his peace with her? Certainly her manner now betrayed no resentment. While motionless the rider yet sat in his saddle, an invisible hand grasped the reins.

      “Shall I put up your horse?” said a small voice, and the soldier quickly dismounted, the animal vanishing with the speaker, as Saint-Prosper entered the inn. Gay, animated, conscious of his attractions, the fop hovered over the young girl, an all-pervading Hyperion, with faultless ruffles, white hands, and voice softly modulated. That evening the soldier played piquet with the wiry old lady, losing four shillings to that antiquated gamester, and, when he had paid the stakes, the young girl was gone and the buoyant beau had sought diversion in his cups.

      “Strike me,” muttered the last named personage, “the little stroller has spirit. How her eyes flashed when I first approached her! СКАЧАТЬ