Название: The So-called Human Race
Автор: Taylor Bert Leston
Издательство: Public Domain
Жанр: Зарубежная классика
isbn: http://www.gutenberg.org/ebooks/31138
isbn:
So winds the Delectable River —
idly where the vale spreads out, quickly where the hills close in; black and mysterious in the deep places, frank and golden in the shoal. In one romantic open, where the stream flows thinly over a long stretch of sand, the bed is of an almost luminous amber, as if its particles had imprisoned a little of the sunlight that had fallen on them through the unnumbered years.
The River was somewhat low when I dipped paddle in it, and the ooze at the marge was a continuous chronicle of woodland life. Moose and deer, bear and beaver, mink and fisher, all the creatures of the wild had contributed to the narrative. Even the water had its tale: a line of bubbles would show that a large animal, likely a moose, had crossed a few minutes before our canoes rounded the bend. There were glimpses of less wary game: ducks and herons set sail at the last moment, and partridges, perching close at hand, cocked their foolish heads as we went by; two otters sported on a bit of beach; trout leaped every rod of the way.
And never a sign of man or mark of man’s destructiveness; nor axe nor fire had harmed a single tree. A journey of unmarred delight through a valley of unending green.
“This,” you say, as you step from the canoe and help to fling the cargo ashore, “this looks like good camping ground.”
The place is more open than is usual, comparatively level, and a dozen feet above the river, which, brawling over a ledge, spreads into an attractive pool. The place also faces the west, where there is promise of a fine sunset; a number of large birches are in sight, and an abundance of balsam. “And,” you remark, stooping to untie the tent-bag, “there are not many flies.”
Instantly a mosquito sings in your ear, and as you still his song you recall a recent statement by the scientist Klein, that an insect’s wings flap four hundred times in a second. The mind does not readily grasp so rapid a motion, but you accept the figures on trust, as you accept the distances of interstellar spaces.
Very soon you discover that you were in error about the fewness of the flies. They are all there – mosquitoes, black-flies, deer-flies, and punkies, besides other species strictly vegetarian. So you drop the tent-bag and build a smudge. Experience has taught you to make a small but hot fire, and when this is well under way you kick open a rotted, moss-grown cedar and scoop up handfuls of damp mould. This, piled on and banked around the fire, provides a smudge that is continuous and effective. We built smudges morning, noon, and night. Whenever a halt was called, if only for five minutes, I reached mechanically for a strip of birchbark and a handful of twigs. At one camping place the ring of smudges suggested the magic fire circle in “Die Walküre.” Brunhilde lay in her tent, in a reek of smoke, while Wotan, in no humor for song, heaped vegetable tinder upon the defending fires. More than once the darkening forest and the steel-gray sky of a Canadian twilight have set me humming the motives of “The Ring,” and I shall always remember a pretty picture in an earlier cruise. “Jess” was a stable boy who drove our team to the point where roads ceased, and during a halt in the expedition this exuberant youth reclined upon a log, and with a pipe fashioned from a reed sought to imitate responsively the song of the white-throated sparrow. He looked for all the world like Siegfried in his forest.
“Smudge.” It is not a poetic word – mere mention of it would distress Mr. Yeats; but it is potent as “Sesame” to unlock the treasures of memory. And before the laggard Spring comes round again many of us will sigh for a whiff of yellow, acrid smoke, curling from a smoldering fire in the heart of the enchanted wood.
We have been paddling for more than an hour, through dark and slowly moving water. Two or three hundred yards has been the limit of the view ahead, as the stream swerves gracefully from the slightest rise of land, and flows now east, now north, now east, now south again. So long a stretch of navigable water is not common on the Delectable River, and we make the most of it, moving leisurely, and prisoning the everchanging picture with the imperfect camera of the eyes. Presently a too-familiar sound is heard above the dipping of the paddles, and the Indian at the stern announces, “Bogwah!” – which word in the tongue of the Chippewa signifies a shallow. And as we round the next bend we see the swifter water, the rocks in midstream, and the gently slanting line of treetops.
“Bogwah” spells work – dragging canoes over sandy and pebbly river-bottom, or unloading and carrying around the foam of perilous rapids. For compensation there is the pleasure of splashing ankle-deep and deeper in the cool current, and casting for trout in the “laughing shallow,” which I much prefer to the “dreaming pool.” They who choose it may fish from boat or ledge: for me, to wade and cast is the poetry of angling.
Assured that the “bogwah” before us extends for half a mile or more, we decide for luncheon, and the canoes are beached on an island, submerged in springtime, but at low water a heap of yellow sands. And I wish I might reconstruct for you the picture which memory too faintly outlines. Mere words will not do it, and yet one is impelled to try. “All literature,” says Mr. Arnold Bennett, in one of his stimulating essays, “is the expression of feeling, of passion, of emotion, caused by a sensation of the interestingness of life. What drives a historian to write history? Nothing but the overwhelming impression forced upon him by the survey of past times. He is forced into an attempt to reconstitute the picture for others.”
And so you are to imagine a marshy, brushy open, circular in shape, from which the hills and forest recede for a considerable distance, and into which a lazy brook comes to merge with the Delectable River; a place to which the moose travel in great numbers, as hoofmarks and cropped vegetation bear witness; a wild place, that must be wonderful in mist and moonlight. Now it is drenched with sunrays from a vaporless sky, and the white-throat is singing all around us – not the usual three sets of three notes, but seven triplets. Elsewhere on the River, days apart, I heard that prolonged melody, and although I have looked in the bird books for record of so sustained a song, I have not found it.
There is a certain school of anglers that go about the business of fishing with much gravity. You should hear the Great Neal discourse of their profundities. Lacking that privilege, you may conceive a pair of these anglers met beside a river, seeking to discover which of the many insects flying about is preferred by the trout on that particular morning. There is disagreement, or there is lack of evidence. It is decided to catch a trout, eviscerate him, and obtain internal and indisputable evidence. For the cast any fly is used, and when the trout is opened it is learned that he has been feeding on a small black insect; whereupon our anglers tie a number of flies to resemble that insect, and proceed solemnly with their day’s work. Though the trout scorn their fine feathers, they will not fish with any fly.
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