Sandburrs and Others. Lewis Alfred Henry

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      “Singletree Jennings!” observed the Reverend Handout F. Johnson, in a tone of solemn anger, while his pistol pocket still throbbed from the visitation of Andrew Jackson, “Elder Shakedown Bixby is in pursuit of dat goat of your’n with a razor. He has orders to immolate when cotched. At de nex’ conference dar’ll be charges ag’in you for substitutin’ a deboshed goat for de Ram of Holy Writ. I keers nothin’ for my pussonel sufferin’s, but de purity of de Word mus’ be protected. De congregashun will now join in singin’ de pestilential Psalms, after which de social will disperse.”

      JESS

      It was sunset at the Cross-K ranch. Four or five cowboys were gloomily about outside the adobe ranch house, awaiting supper. The Mexican cook had just begun his fragrant task, so a half hour would elapse before these Arabs were fed. Their ponies were “turned” into the wire pasture, their big Colorado saddles reposed astride the low pole fence which surrounded the house, and it was evident their riding was over for the day.

      Why were they gloomy? Not a boy of them could tell. They had been partners and campaneros, and “worked” the Cross-K cattle together for months, and nothing had come in misunderstanding or cloud. The ranch house was their home, and theirs had been the unity of brothers.

      The week before, a pretty girl – the daughter she was of a statesman of national repute – had come to the ranch from the East. Her name was Jess.

      Jess, the pretty girl, was protected in this venture by an old and gnarled aunt, watchful as a ferret, sour as a lime. Not that Jess, the pretty girl, needed watching; she was, indeed! propriety’s climax.

      No soft nor dulcet reason wooed Jess, the pretty girl, to the West; she came on no love errand. The visitor was elegantly tired of the East, that was all; and longed for western air and western panorama.

      Jess, the pretty girl, had been at the Cross-K ranch a week, and the boys had met her, everyone. The meeting or meetings were marked by awkwardness as to the boys, indifference as to Jess, the pretty girl. She encountered them as she did the ponies, cows, horned-toads and other animals, domestic and fero naturo, indigenous to eastern Arizona. While every cowboy was blushingly conscious of Jess, the pretty girl, she was serenely guiltless of giving him a thought.

      Before Jess, the pretty girl, arrived, the cowboys were friends and the tenor of their calm relations was rippleless as a mirror. Jess was not there a day, before each drew himself insensibly from the others, while a vague hostility shone dimly in his eyes. It was the instinct of the fighting male animal aroused by the presence of Jess, the pretty girl. Jess, however, proceeded on her dainty way, sweetly ignorant of the sentiments she awakened.

      Men are mere animals. Women are, too, for that matter. But the latter are different animals from men. The effort the race makes to be other, better or different than the mere animal fails under pressure. It always failed; it will always fail. Civilisation is the veriest veneer and famously thin. A year on the plains cracks this veneer – this shell – and the animal issues visibly forth. This shell-cracking comes by the expanding growth of all that is animalish in man – attributes of the physical being, fed and pampered by a plains’ existence.

      To recur to the boys of the Cross-K. The dark, vague, impalpable differences which cut off each of these creatures from his fellows, and inspired him with an unreasoning hate, had flourished with the brief week of their existence. A philosopher would have looked for near trouble on the Cross-K.

      “Whatever did you take my saddle for, Bill?” said Jack Cook to one Bill Watkins.

      “Which I allows I’ll ride it some,” replied Watkins; “thought it might like to pack a sure-’nough long-horn jest once for luck!”

      “Well, don’t maverick it no more,” retorted Cook, moodily, and ignoring the gay insolence of the other. “Leastwise, don’t come a-takin’ of it, an’ sayin’ nothin’. You can palaver Americano, can’t you? When you aims to ride my saddle ag’in, ask for it; if you can’t talk, make signs, an’ if you can’t make signs, shake a bush; but don’t go romancin’ off in silence with no saddle of mine no more.”

      “Whatever do you reckon is liable to happen if I pulls it ag’in to-morry?” inquired Bill in high scorn.

      Watkins was of a more vivacious temper than the gloomy Cook.

      “Which if you takes it ag’in, I’ll shorely come among you a whole lot. An’ some prompt!” replied Cook, in a tone of obstinate injury.

      These boys were brothers before Jess, the pretty girl, appeared. Either would have gone afoot all day for the other. Going afoot, too, is the last thing a cowboy will consent to.

      “Don’t you-all fail to come among me none,” said Bill with cheerful ferocity, “on account of it’s bein’ me. I crosses the trail of a hold-up like you over in the Panhandle once, an’ makes him dance, an’ has a chuck-waggon full of fun with him.”

      “Stop your millin’ now, right yere!” said Tom Rawlins, the Cross-K range boss, who was sitting close at hand. “You-alls spring trouble ‘round yere, an’ you can gamble I’ll be in it! Whatever’s the matter with you-alls anyway? Looks like you’ve been as locoed as a passel of sore-head dogs for more’n a week now. Which you’re shorely too many for me, an’ I plumb gives you up!” And Rawlins shook his sage head foggily.

      The boys started some grumbling reply, but the cook called them to supper just then, and, one animalism becoming overshadowed by another, they forgot their rancour in thoughts of supplying their hunger. Towards the last of the repast, Rawlins arose, and going to another room, began overlooking some entries in the ranch books.

      Jess, the pretty girl, did not sit at the ranch table. She had small banquets in her own room. Just then she was heard singing some tender little song that seemed born of a sigh and a tear. The boys’ resentment of each other began again to burn in their eyes. None of these savages was in the least degree in love with Jess, the pretty girl.

      The singing went on in a cooing, soft way that did not bring you the words; only the music.

      “What I says about my saddle a while back, goes as it lays!” said Jack Cook.

      The song had ceased.

      As Cook spoke he turned a dark look on Watkins.

      “See yere!” replied Watkins in an exasperated tone – he was as vicious as Cook – “if you’re p’intin’ out for a war-jig with me, don’t go stampin’ ‘round none for reasons. Let her roll! Come a-runnin’ an’ don’t pester none with ceremony.”

      “Which a gent don’t have to have no reason for crawlin’ you!” said Cook. “Anyone’s licenced to chase you ‘round jest for exercise!”

      “You can gamble,” said Watkins, confidently, “any party as chases me ‘round much, will regyard it as a thrillin’ pastime. Which it won’t grow on him none as a habit.”

      “As you-all seem to feel that a-way,” said the darkly wrathful Cook, “I’ll sorter step out an’ shoot with you right now!”

      “An’ I’ll shorely go you!” said Watkins.

      They arose and walked to the door. It was gathering dark, but it was light enough to shoot by. The other cowboys followed in a kind of savage silence. Not one word was said in comment or objection. They were grave, but passive like Indians. It is not good form to interfere with other people’s affairs СКАЧАТЬ