Here and There in London. James Ewing Ritchie

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СКАЧАТЬ my lord, the two most insignificant personages in Europe.” The Upper House but registers the decisions of the Lower – the business of the country is carried on elsewhere.

      But while we have been looking at the House, the debate has closed. Lord Granville has asked a question and made an attack. Lord Derby has uttered a few petulant remarks, to which Lord Aberdeen has made a cold and formal reply, to which some peers, disappointed of place, have added a little independent criticism on their own account. Two or three exquisites have been discussing little matters of their own, till they find that if they stop much longer they will be too late for Rotten Row, and the House merely waits for Lord Monteagle to sit down and go home. Happily his lordship is briefer than his wont, and the Lord High Chancellor declares the House adjourned. Rushing outside, we catch hasty glimpses of our hereditary legislators as they, in fashionable brougham or on splendid blood, start for their parks or respective Belgravian homes. We also, in more plebeian manner, do the same. We are sure the reader will have had enough of the Lords for one night. He will have found out that they are not much better orators or speakers than other men – that even lords stammer, utter incoherent remarks, display poverty of ideas. Let us add, in conclusion, the great merit of a night in the Lords is, that it is soon over. If the Lords be dull, at any rate they are short. To be dull and long-winded is an offence against good breeding of which few peers are guilty.

      THE REPORTERS’ GALLERY

      If it has ever been your lot, most magnanimous sir, to be in the neighbourhood of Westminster Hall about four any afternoon while Parliament is sitting, you must have observed more than one individual, with cheeks evidently “sicklied o’er with the pale cast of thought,” rushing into the door which leads to the Strangers’ Gallery in the House of Commons. If, however, you look well, you will see that the parties referred to, instead of going the whole length of the passage, as you are compelled to do when occasionally you get an order, turn sharply to the left and climb a flight of narrow stairs. If you manage to follow them, you will find at the top of the stairs a small lobby, where three or four boys, in the livery of the Electric Telegraph Company, are waiting to receive the parliamentary report, which almost immediately after is flashing along the wires to our great hives of industry, of intelligence, and life, or to the capitals of other lands – to Paris – to Vienna – to Berlin. You turn to the left and enter a small room set apart for refreshments – three or four individuals are seated at table, one drinking Bass’s far-famed ale, another feasting on juicy beef, another regaling himself with brandy-and-water, and another sipping the less stimulating and equally agreeable produce of the coffee plant. The happy fellows are poking their fun at each other in a mild and pleasant way, or possibly discussing the usual political topics of the day; others flit through the room with a celerity, as Mr. Squeers said of nature, easier imagined than described. Were they followed by gentlemen of Hebrew extraction, with those mysterious little slips of paper which contain letters of such magic power, they could not walk faster. As you listen, utterances of doubtful and dire import fall from their lips. “Palmerston is up,” says one. You are alarmed; you think the bottle-holder is in a rage, and you tremble for the consequences. Again you hear, “Lord John is down;” you are distressed at the intelligence, the old champion of civil and religious liberty you hoped would long have been preserved from such a catastrophe. The gentlemen around you, however, listen to such statements with the coolness of stoics, paying little or no regard to such announcements. One says to another, “When are you on?” another demands of his friend, whether he is off; another says he comes on at nine. You are puzzled to know what manner of men you are amongst. They are not strangers fresh from the country – they have too pale and town-like a look for that; they are not members – because members feast in another part of the house. You will soon see what they are! you leave that room and enter another, in which are a few well-dressed personages transcribing hurriedly, as if for life. The truth flashes upon you. “These men are the reporters,” you exclaim. For once, my good sir, you are right; and if you go through that glass-door you will find yourself in the Reporters’ Gallery.

      We will suppose that for this time only the doorkeeper has relaxed his usual vigilance, and you have managed to effect an entrance. There is as much difficulty in getting a stranger into the Reporters’ Gallery as in getting Baron Rothschild into the House. As the gallery will not hold more than thirty, it is quite right this should be the case. On the back seats the reporters are sitting idle – some criticising the speakers in a manner anything but complimentary – some sleeping – some reading a quarterly; but on the front seat you see some dozen or thirteen, each in a little box to himself, busily engaged. If the speaker be a great gun, the reporter puts forward his utmost energies and takes down every word – if he be one of the illustrious obscure the task is less difficult, and a patient public is saved the painful duty of reading the ipsissima verba of Smith or Brown. Beside the reporter, in some cases, sits another gentleman, who has, comparatively speaking, an easier office to perform. He is the gentleman that does the parliamentary summary to which you instinctively turn, instead of wading through the eight or nine columns that give the debate itself. I believe the summary writer in the gallery remains all night, while the reporters take their turns, which last on an average half an hour. Thus, no sooner has a reporter been at his post for that time, than he leaves the house and rushes up to the office to copy out his notes; this may take him an hour. He then returns, and is ready to go on again when he is due. It would be utterly impossible for one man to report a debate and then to copy out his notes, and be in time for the paper of the next morning; consequently each paper is compelled to have a body of nine or ten parliamentary reporters, and these reporters, in order that they may all have an equal chance, vary their turns every week. Thus the man who goes on one week at four, goes the next at a later hour – and the reporter who is one week in the Commons, perhaps the next has the honour of sitting in the House of Lords. Otherwise the hard work might fall to a few, and the rest might take it very easy indeed.

      As we don’t happen to be reporting, we will look about us a little. We will report reporters as they are: on our left, just below us, is the reporter for the Star; next comes the Daily Telegraph, then the Advertiser, and then the Daily News. Three boxes are occupied by the Times: one for the reporters, one for the summary writer, and one for the manager of the Times parliamentary staff. On the other side are the Chronicle reporter and summary writer, the Herald ditto, and the Post. Up to six o’clock in the evening the Globe, and the Sun, and the Express have each a parliamentary reporter present. The gallery is under the care of Lord Charles Russell, Sergeant-at-Arms, who is sadly put to it where to stow the gentlemen of the press, who have increased far beyond the limits of the gallery. Behind the gallery are rooms in which some reporters write out their notes; and so hot and inconvenient are they, that his lordship has latterly acceded to the reporters a committee room attached for such as need it. Behind the gallery also is a refreshment room, and a policeman to keep out intruders. A few of the weekly papers have reporters in on Thursday and Friday nights, and these constitute the only habitués of the gallery. Of course the aspect of the house is different to what it is when viewed from the Strangers’ Gallery. You miss the Speaker and his ornamental chair and majestic wig, but you have a better view of the gangway and the bar – you see the Sergeant-at-Arms, wearing a sword, seated on his easy chair – that chair being made easy by the receipt of twelve hundred a year. You see the gallery under the Strangers’ Gallery in which peers, and members’ sons, and old M.P.’s occasionally sit; and now and then, through the glass door by which members enter, you see a bonnet, a bit of muslin – the lustre of some female eye – denoting that woman in her loveliness is taking note of the Conscript Fathers. This reminds us that the Reporters’ Gallery is just under the little cage in which the British fair are confined during a debate. The consequence is to some of the reporters who wear moustaches, and cultivate the art of killing – who get themselves up in a very different style to your fathers of families – a Barmecide feast of the most cruel kind. They hear the murmur of female voices, not always “gentle and low” – they know that, shining like stars above them, are forms such as “might melt the saintship of an anchorite;” that above them are eyes more eloquent than the tongues below, but they cannot realise what they can imagine; and whilst music comes to them —

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