Bud: A Novel. Munro Neil

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      “I don’t mean that; he tied me – that’s lash in books – to the mast, and then – and then – well, then we waited calmly for the end,” said Bud, at the last of her resources for ocean tragedy.

      Kate’s tears were streaming down her cheeks at this conjured vision of youth in dire distress. “Oh, dear! oh, dear! my poor wee hen!” she sobbed. “I’m so sorry for you.”

      “Bud! coo-ie! coo-ie!” came the voice of Aunt Ailie along the lobby, but Bud was so entranced with the effect of her imaginings that she paid no heed, and Kate’s head was wrapped in her apron.

      “Don’t cry, Kate; I wouldn’t cry if I was you,” said the child at last, soothingly. “Maybe it’s not true.”

      “I’ll greet if I like,” insisted the maid. “Fancy you in that awful shipwreck! It’s enough to scare anybody from going anywhere. Oh, dear! oh, dear!” and she wept more copiously than ever.

      “Don’t cry,” said Bud again. “It’s silly to drizzle like that. Why, great Queen of Sheba! I was only joshing you: it was as calm on that ship as a milk sociable.”

      Kate drew down the apron from her face and stared at her. Her meaning was only half plain, but it was a relief to know that things had not been quite so bad as she first depicted them. “A body’s the better of a bit greet, whiles,” she said, philosophically, drying her eyes.

      “That’s what I say,” agreed Bud. “That’s why I told you all that. Do you know, child, I think you and I are going to be great friends.” She said this with the very tone and manner of Alison, whose words they were to herself, and turned round hastily and embarrassed at a laugh behind her to find her aunt had heard herself thus early imitated.

      CHAPTER VII

      IF Molyneux, the actor, was to blame for sending this child of ten on her journey into Scotland without convoy, how much worse was his offence that he sent no hint of her character to the house of Dyce? She was like the carpet-bag George Jordon found at the inn door one day without a name on it, and, saying, “There’s nothing like thrift in a family,” took home immediately, to lament over for a week because he had not the key to open it. There should have been a key to Lennox Brenton Dyce, but Molyneux, a man of post-cards and curt and cryptic epistles generally, never thought of that, so that it took some days for the folk she came among to pick the lock. There was fun in the process, it cannot be denied, but that was because the Dyces were the Dyces; had they been many another folk she might have been a mystery for years, and in the long-run spoiled completely. Her mother had been a thousand women in her time – heroines good and evil, fairies, princesses, paupers, maidens, mothers, shy and bold, plain or beautiful, young or old, as the play of the week demanded – a play-actress, in a word. And now she was dead and buried, the bright, white lights on her no more, the music and the cheering done. But not all dead and buried, for some of her was in her child.

      Bud was born a mimic. I tell you this at once, because so many inconsistencies will be found in her I should otherwise look foolish to present her portrait for a piece of veritable life. Not a mimic of voice and manner only, but a mimic of people’s minds, so that for long – until the climax came that was to change her when she found herself – she was the echo and reflection of the last person she spoke with. She borrowed minds and gestures as later she borrowed Grandma Buntain’s pelerine and bonnet. She could be all men and all women except the plainly dull or wicked – but only on each occasion for a little while; by-and-by she was herself again.

      And so it was that for a day or two she played with the phrase and accent of Wanton Wully Oliver, or startled her aunts with an unconscious rendering of Kate’s Highland accent, her “My stars!” and “Mercy me’s!” and “My wee hens!”

      The daft days (as we call New Year time) passed – the days of careless merriment, that were but the start of Bud’s daft days, that last with all of us for years if we are lucky. The town was settling down; the schools were opening on Han’sel Monday, and Bud was going – not to the grammar-school after all, but to the Pigeons’ Seminary. Have patience, and by-and-by I will tell about the Pigeons.

      Bell had been appalled to find the child, at the age of ten, apparently incredibly neglected in her education.

      “Of course you would be at some sort of school yonder in America?” she had said at an early opportunity, not hoping for much, but ready to learn of some hedge-row academy in spite of all the papers said of Yales and Harvards and the like.

      “No, I never was at school; I was just going when father died,” said Bud, sitting on a sofa wrapped in a cloak of Ailie’s, feeling extremely tall and beautiful and old.

      “What! Do you sit there and tell me they did not send you to school?” cried her aunt, so stunned that the child delighted in her power to startle and amaze. “That’s America for you! Ten years old and not the length of your alphabets! – it’s what one might expect from a heathen land of niggers, and lynchers, and presidents. I was the best sewer and speller in Miss Mushet’s long before I was ten. My lassie, let me tell you you have come to a country where you’ll get your education! We would make you take it at its best if we had to live on meal. Look at your auntie Ailie – French and German, and a hand like copperplate; it’s a treat to see her at the old scrutoire, no way put-about, composing. Just goes at it like lightning! I do declare if your uncle Dan was done, Ailie could carry on the business, all except the aliments and sequestrations. It beats all! Ten years old and not to know the ABC!”

      “Oh, but I do,” said Bud, quickly. “I learned the alphabet off the play-bills – the big G’s first, because there’s so many Greats and Grand? and Gorgeouses in them. And then Mrs. Molyneux used to let me try to read Jim’s press notices. She read them first every morning sitting up in bed at breakfast, and said, ‘My! wasn’t he a great man?’ and then she’d cry a little, ‘cause he never got justice from the managers, for they were all mean and jealous of him. Then she’d spray herself with the peau d’espagne and eat a cracker. And the best papers there was in the land said the part of the butler in the second act was well filled by Mr. Jim Molyneux; or among others in a fine cast were J. Molyneux, Ralph Devereux, and O. G. Tarpoll.”

      “I don’t know what you’re talking about, my poor wee whitterick; but it’s all haivers,” said Miss Bell. “Can you spell?”

      “If the words are not too big, or silly ones where it’s ‘ei’ or ‘ie’ and you have to guess,” said Bud.

      “Spell cat.”

      Bud stared at her incredulously.

      “Spell cat,” repeated her aunt.

      “K-a-t-t,” said Bud (oh, naughty Bud!).

      “Mercy!” cried Bell, with horrified hands in the air. “Off you pack to-morrow to the seminary. I wouldn’t wonder if you did not know a single word of the Shorter Catechism. Perhaps they have not such a thing in that awful heathen land you came from?”

      Bud could honestly say she had never heard of the Shorter Catechism.

      “My poor, neglected bairn,” said her aunt, piteously, “you’re sitting there in the dark with no conviction of sin, and nothing bothering you, and you might be dead to-morrow! Mind this, that ‘Man’s chief end is to glorify God, and to enjoy Him forever.’ Say that.”

      ‘"Man’s chief end is to glorify God, and to enjoy Him forever,’” repeated Bud, obediently, rolling her r’s and looking solemn like her aunt.

      “Did СКАЧАТЬ