A Top-Floor Idyl. Van Schaick George

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      There had been nearly two years of hard study, with some disappointments and rebuffs, and, finally, great improvement. The crabbed teacher had begun to smile at her and pat her on the back, so that other young women had been envious. This, I presume, was tantamount to a badge of merit. Then, she had sung in one or two concerts and, suddenly, Paul Dupont, the marvelous, had come into her life. He was a first prize of the Conservatoire, for the violin, and, people said, the coming man. There had been another concert and, among other things, Frances had sung Gounod's "Ave Maria" while Paul had played the obligato. It was then that, for the first time, her own voice thrilled her. Joined to the vibrant notes the man could cause to weep and cry out in hope, her song had sounded like a solemn pæan of victorious achievement. Critics had written of her power and brilliancy, of her splendid ease of execution.

      And then had come the making of love. He had played again for her, and she had put her soul in the songs, for him to revel in, for her to cry out the beating of her heart. It seemed to have come with the swiftness of a summer storm, and they had married, with just a few friends present to witness the ceremony and rejoice in their happiness.

      Aunt Lucinda had written that a woman, who would go abroad and espouse a Papist and a fiddler, was utterly beyond the pale. Let her never show her face in Providence again!

      But what did it matter! Happiness lay in the hollow of their hands, rosy and bright, full of wondrous promise. Yet she had written to Aunt Lucinda, dutifully, expressing hope that at some later time she might be looked upon with greater indulgence. And there had been more beautiful songs, and Paul had played, and their souls had vibrated together. Finally, a man from New York had engaged them to come over to America and give a series of concerts. When they started away, she thought she was getting a bad cold, for her voice was beginning to get a little husky. Paul asserted that the trip at sea and the long rest would certainly make everything all right. But in New York she had been compelled to call on a doctor, who was an exceedingly busy man, with hosts of patients, who sprayed her throat and gave her medicine to take and charged very high fees, and – and the voice had kept on growing huskier and – and it was no use trying to sing, and – and the engagement had been broken. And Paul had been so good and swore she would be better by and by, and he had played in concerts, without her, and everything went on very well, except her voice. Then, one day, she had told a most marvelous secret to Paul, and they had rejoiced together and been very happy. Then the war had come like a bolt from the blue, and Paul had taken the very first boat with hundreds of other reservists. She would follow him to France after the baby was born, and there she would wait for him in the dear old house of his parents, who were country people, cultivating a farm and oh! so proud of their wonderful son. They had been ever so good and kind to her. She had written to them several times, but no answer had ever come and then some one told her that the small village in which they lived had been razed to the ground. It was over there on the other side of the Marne. And now it was ever so long since she had received any word from Paul, and they had saved very little, because money came so easily, and – and now Paul was dead and she couldn't sing!

      Frieda was in the room with me when the tale was told. She rushed out, and I found her, a few minutes later, in my room, her nose swollen and her eyes devastated by weeping. But she used my wash-basin and towels for plentiful ablutions and returned to the room where I left her alone with Frances Dupont, realizing the futility of a man in such circumstances.

      At the end of another week our stout angel burst again into my room. Eulalie had been discharged, with mutual regrets, and little Paul was growing apace. Three and a half ounces in seven days!

      "Dave! We've got to find something for Frances to do! In a very short time she will not have a penny left. Go to work at once and, in the meanwhile, I'll do my best also. Yes, I know perfectly well that the two of us will see that she doesn't suffer, but she doesn't want charity; she wants work!"

      She was off again, and I knew that she would at once inquire of the butcher, the baker and the candlestick-maker in regard to positions suited to a young woman with a Murillo-face and a baby. I put on my hat and went at once to Gordon's studio, facing Central Park. I was lucky enough to find him in.

      "Sit down and don't bother me," he said pleasantly. "I must use up the last of this light."

      Before him stood an easel with a wonderful portrait of a young woman endowed with splendid neck and arms. He was working at some detail of the gown, which the lady had evidently sent over for him, since the garment was disposed about a large mannikin with a vacuous face. I watched delightedly the sure touches with which he reproduced the sheen of the silk. Gordon doesn't want to talk while he paints, pretending that in order to do his best work a man must bend all his energies to it, whether he is sawing wood or writing elegies.

      "People wouldn't begin chatting to a fellow while he played Chopin," he told me one day. "What right have they to disturb the harmonies in a man's mind when he's creating melodies in color? Hang their impertinence!"

      I presume, however, that painting a silk dress was somewhat mechanical work to him, for, after some minutes of silent toil, during which he only stepped back once to survey his work, he began to speak. Like many other people, he has not the slightest objection to the infringing of his own rules. It only behooves others to obey them.

      "That's Miss Sophia Van Rossum," he told me, taking his short pipe out of his mouth and putting it down on his stool. "She's been coming in from Southampton three times a week, to pose. Drives her own car, you know, and has been arrested a dozen times for speeding. So I finished the face and hands first, and now I'm sticking in the dress. Don't need her for that."

      "Very rich people, are they not?" I asked.

      "You bet. Zinc and lead, I believe; the old man made it in. Fine buxom creature, isn't she? And mighty good hearted in her way. She hasn't much more brains than a linnet, I think, and she swims and rows and shoots. Golf and tennis, too. Found her rather hard to paint, because it's difficult for her to keep still. Keeps on asking indignantly why I put blue on her nose, and reaching out for the box of chocolates. I told her last time I couldn't paint her with one cheek all bulged out with pralinés. It made her laugh, and I lost fifteen minutes before I could quiet her down."

      He worked hard for another ten minutes, during which I considered that he was rather severe on the young lady, or else had idealized her, which is not a habit of his. To me she looks kindly and not a bit unintelligent, a rather fine specimen of the robustious modern young woman. Gordon picked up his brushes.

      "That'll do," he said. "The light is changing. Now what the devil do you want? Awfully glad to see you."

      My friend is a good listener. I told him about Frances Dupont, giving him a brief account of her story and explaining that Frieda and I wanted to find something for her to do.

      "Of course," I finally said, "I suppose that you are going away very soon to spend the rest of this hot summer in the country. Otherwise, I would have asked if you couldn't make use of her for a model, at least till we can find something else."

      "I'm not going away yet," he answered, "and I emphatically cannot employ her, or, at any rate, I won't, which comes to the same thing. Hitherto I have kept my serenity of mind unimpaired by the simple process of fighting shy of females in distress. There are lots of models who can be depended on to keep their mouths shut and not bother a fellow. My interest is in my picture and nothing else, and I refuse to have it diverted by the economical problems of ladies on their uppers. If you want a check, I'll give it to you for her, not on her account, but because you're the best, old, weak-minded idiot in this burg and I'm glad to help you out, however silly your quixotic ideas may be. Wait a minute, I'll write one out for you."

      "No," I answered, "I've just sold two stories and got some advance royalty on my novel. I'd come and ask you for money, if I needed it, urgently. I might have to, СКАЧАТЬ