The Reclaimers. McCarter Margaret Hill

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      Behind a sealed tomb of a ticket-window Jerry could hear the "tick-tick, tick-a-tick-tick, tick-tick" of a telegraph-wire. Somebody must be in there who at set times, like a Saint Serapion from his hermit cell, might open this blank wall and speak in almost human tones. Just now the solitude of the grave prevailed, save for that everlasting "tick-a-tick" behind the wall.

      When Jerry Swaim gripped her hands on the plow handles, there would be no looking back. She persuaded herself that she wasn't going to die of the jiggermaroos in the empty nothingness here. It would be very different at New Eden, she was sure of that. And this York Macpherson must be a nice old man, honest and easy-going, because he had never realized any income from her big Kansas estate. She pictured York easily – a short, bald-headed old gentleman with gray burnsides and benevolent pale-blue eyes behind gold-rimmed glasses, driving a fat sorrel nag to an easy-going old Rockaway buggy, carrying a gold-headed cane given him by the Sunday-school. Jerry had seen his type all her life in the business circles of Philadelphia and among the better-to-do country-dwellers around "Eden."

      At last it was only fifteen minutes till the Sage Brush train would be due; then she could find comfort in her Pullman berth. She wondered what Aunt Jerry and Eugene were doing now. She had slipped away from "Eden" on her wild adventure in the early dawn. She had taken leave of Aunt Jerry the night before. Old women need their beauty sleep in the morning, even if foolish young things are breaking all the laws by launching out to hunt their fortunes. Eugene had been hurriedly sent away on Darby estate matters without the opportunity of a leave-taking, two days before Jerry was ready to start for Kansas. Everything was prearranged, evidently, to make this going a difficult one. So, without a single good-by to speed her on her quest, the young girl had gone out from a sheltering Eden of beauty and idleness. But the tears that had dimmed her eyes came only when she left the lilac walk to the station to slip around by Uncle Cornie's grave beside the green-coverleted resting-places of Jim and Lesa Swaim.

      "Maybe mother would glory in what I am doing, and father might say I had the right stuff in me. And Uncle Cornie – 'If a man went right with himself' – Uncle Cornie might have said 'if a woman went right with herself,' too. I'm going to put that meaning into his words, even if he never seemed to think much of women. Oh, father! Oh, mother! You lived before you died, anyhow, and I'm going to do the same. Uncle Cornie died before he ever really lived."

      Jerry stretched out her hands to the one good-by in "Eden" coming to her from these silent ripples of dewy green sod. Then youth and the June morning and the lure of adventure into new lands came with their triple strength to buoy her up to do and dare. Behind her were her lover to be – for Eugene must love her – her home ties, luxury, dependent inactivity. Before her lay the very ends of the earth, the Kansas end especially. The spirit of Sir Galahad, of Robinson Crusoe, of Don Quixote, combined with the spirit of a self-willed, inexperienced girl, but dimly conscious yet of what lay back of her determination to go forth —because she wanted to go.

      Chicago and Kansas City offered easy ports for clearing. And the Kaw Valley, unrolling its broad acres along the way, gave larger promise than Jerry had yet dared to dream of for the New Eden farther west. The train service, after the manner of a Pacific Coast limited, had been perfect in every appointment. And then – this junction episode.

      Two eternity-long hours before the Sage Brush branch could take her to New Eden were almost ended.

      "It's not so terrifying, after all." Jerry was beginning to "see things again." "It's all in the game – and I am going to be as 'game' as the thing I am playing. Things always come round all right for me. They must."

      The square white chin was very much a family feature just now. And the shapely hands had no hint of weakness in their grip on the iron arms of the station seat.

      The door which the wind had slammed shut was slammed open again as three prospective passengers for the Sage Brush train slammed through it laden with luggage. At the same time the sealed-up ticket-window flew open, showing the red, grinning face of the tick-tick man behind its iron bars. If Jerry had never paid the slightest heed to the bunch of grubs on the Winnowoc branch, except as they kept down the ventilation, or crowded their odors of Limburger on her offended senses, the Sage Brush grubs were a thousandfold less worthy of her consideration. As the three crowded to the ticket-window, laughing among themselves, she stared through the doorway, unconsciously reading the names on the cars of a freight-train slowly heaving down alongside the station. Who invented freight-cars, anyhow? The most uninteresting and inartistic thing ever put on wheels by the master mechanic of the unbeautiful, created mainly to shut off the view of mankind from what is really worth looking at. Jerry read the dulled lettering mechanically: "Santa Fé" with its symbol of a fat cross in a circle, "Iron Mountain," "Great Northern," "Rock Island," "Frisco," "Union Pacific," "Grand Trunk," came creeping by. "New York Central," "Lehigh Valley," "Pennsylvania Line." These took her back to "Eden" and the Winnowoc country. The station building shook; the ugly old cars slam-banged a bit faster back and forth; the engine, with the breath almost knocked out of it, was puffing down by the switch, and the whole body behind it quivered to a standstill. But Jerry Swaim's tear-blurred eyes were seeing only the green fields of the Darby country-place and the rose-arbor and Eugene Wellington. A voice loud, but not unpleasant, and a laugh, a merry, catching, giggling guffaw, drove the picture of "Eden" and all that belonged to it into "viewless air" that went flapping and flaring across the Kansas landscape.

      "You don't mean it! He, he! Haw!" Everybody must smile now. "The old Sage Brush local is locoed 'way up toward S'liny. Engine shortage, car shortage, common sense shortage. He, he! And we must ride in that sunflower de luxe limited standing out there. Come on, Thelmy. You can take lower nothin', car one-half. We'll soar in now while the soarin's good."

      Jerry looked at the bunch of grubs for the first time. One had to see where that big gloom-chasing giggle came from. Thelma was a spotlessly clean, well-made country product, wherein the girl had easily given place to the woman, erect, full-bosomed, strong of frame. The hazel eyes were arched over by heavy brown brows. There was no rosebud curve to the rather wide mouth that showed a set of magnificent white teeth. The brown hair wound braid on braid about the head was proof of the glory of Saint Paul's scriptural decree. Not that Jerry Swaim really noted any of these features. She merely saw a country girl – a not offensive native. The native's comrade, he with the big-laugh fixtures, was short and stout, with a round face on the front side of a round head, set on top of a tight-built body. Grub though he was, Jerry involuntarily smiled with him. That far the fat little man controlled everybody. But the funny little strut in his gait as he walked was irresistible. The third passenger, the grubbiest of the three grubs, was a nondescript of whose presence Jerry was not even aware until she heard his voice. It was a thin, high, unused voice, and its pitch wabbled up and down.

      "Be you goin' on the Sage Bresh train, lady?"

      The questioner had turned back after the country girl and the fat man had passed out.

      Jerry looked at him without taking his question to herself. His shoes, draped with wrinkled-down hose, were very much worn. His overalls flapping around his legs, his shirt and neck and face and hair and hat, were all of one complexion, a fuzzy, yellow brown.

      "Be you goin' on this train, too?"

      It was a humble, kindly voice, and the scaly old hand holding the door open against the high prairie wind was only a fisherman's hand. The deep-set eyes in the yellow-brown old face were trained to read the river; the patient mouth set to wait for the catch of lines and nets.

      Jerry had never in her life spoken to such a creature. So far as she was concerned, he did not exist.

      "This is the only train on the Sage Bresh to-day, lady. The reg'lar train's busted through a culbert out yander," the high, quavering voice persisted.

      A sharp tooting from the engine СКАЧАТЬ