The Relentless City. Benson Edward Frederic

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СКАЧАТЬ and with the consciousness of a busy hour before her, she told her butler – Bilton's liberal interpretation of her requirements had included a manservant – that if Mr. Harold Bilton called, he was to be asked to wait.

      The 'room to sleep in' was, if anything, more satisfactory than the 'room to digest her chop in.' Like all proper bedrooms, there was a bed in it, a large table, winking with silver, in the window, and very little else. By the bedside there was a bearskin; in front of the dressing-table in the window there was a rug; otherwise the room was carpetless and parquetted, and devoid of furniture and dust. Dark-green curtains hung by the window, dark-green blinds could be drawn across the window. The bathroom beyond held the hopeless but necessary accessories of dressing. Her maid was waiting for her – Parkinson by name – and it was not Dorothy who came to be dressed, but Puck.

      'Parkinson,' she said, 'once upon a time there was a very fascinating woman called X.'

      'Lor'm!' said Parkinson.

      'Quite so. And there was a very fascinating young man called Y. He wanted to marry her, and wrote to say so. But meantime another man called Z also wanted to – to marry her. So she said "Yes," because he gave her a great deal of money. But she kept Y's proposal – I don't know why, except because it was so funny. And so now I suppose she is Mrs. Z. That's all.'

      'Lor'm!' said Parkinson. 'Will you wear your shiffong and lace dress?'

      'Yes, shiffong. Parkinson, supposing I suddenly burst into tears, what would you think?'

      'I should think you wasn't quite well'm.'

      'Quite right; also there isn't time.'

      Mrs. Emsworth had not been gone more than ten minutes or so before Bilton was shown up. He appeared to be in a particularly well-satisfied humour this morning, and as he moved about the room, noting with his quick eye the stamp of femininity which Mrs. Emsworth had already impressed into the garnishing of the place, he whistled softly to himself. In his hand he carried a small jewel-case with her initials in gold upon the top. As always, in the relaxed mood the true man came to the surface; for a man is most truly himself, not at great moments of emergency or when a sudden call is made on him, but when his ambitions for the time being are gratified, when he is pleased with himself and his circumstances – above all, when he is alone. Thus, though just now the hard eagerness of his face was a little softened, yet its alertness hardly dozed; and though he had made, he felt sure, a great success in bringing Dorothy Emsworth to America, he hardly allowed himself even this momentary pause of achievement, but had called this morning to talk over with her the details of a protracted tour through the principal cities of the States. True son of his country, he realized that to pause spelled to be left behind.

      As his manner was, Bilton did not sit down, but kept walking about, as if not to be caught idle either in mind or body. As in many of his countrymen, the habit of perpetually being ready and eager to snap up an opportunity had become a second nature to him, so that it was far more an effort to him to rest than to work. Working was as natural to him as breathing; to cease to work required the same sort of effort as to hold the breath. To him in his profession as impresario any movement, any glimpse at a room or a picture, could perhaps suggest what in the fertile alchemy of his mind might be transformed into a 'tip,' and he looked with special attention at two Watteau prints which hung on the walls; for in the second piece which Mrs. Emsworth was to produce under his direction a certain scene was laid in the gardens at Versailles, and the note of artificial naturalness had to be struck in the scenery as Watteau and no one else had struck it. Big trees cut formally and square in their lower branches, but with the topmost boughs left unpollarded; fountain in the centre, quite so, and a glimpse, just a glimpse, of the terrace of the palace with the two bronze fountains beneath the trees.

      He stood a moment before the fireplace with eyes half closed, conjuring up the scene, and in particular seeing it with his mind's eye as a setting to that incomparable woman in whom, professionally, at this juncture, he was so deeply interested, to whom he was so managerially devoted, but of whom in other respects he was so profoundly weary. For a year he had been wildly in love with her, for another year he had slowly cooled towards her, and now it required all his steadiness of head and incessantly watchful will not to betray his tedium. Also in years he was now, though still only half way through the thirties, old enough in mind to wish to settle down. His capabilities for passionate attachments were a little cooling, and, with a cynical amusement at himself, he was beginning to realize that married domesticity, even as morals taught, was, though for other reasons, the placid river-bed into which the babbling mountain-streams of youth must eventually empty themselves. Rather bathos, perhaps, but he realized fully that everyone gets in life what they themselves bring to it. The only limitations imposed on a man are those which his own nature makes.

      But these unedifying moralities did not occupy him long. They were the background to his thoughts, just as the terrace of Versailles was the background for the picture he was forming. In the foreground of the picture stood Mrs. Emsworth; on the terrace stood another figure, Sybil Massington.

      He had let his cigar go out as he revolved these things in front of the two Watteau pictures, and then rose to drop it in the fireplace. A letter in an envelope torn once in half lay there, and he stooped and picked it up, laid the two pieces side by side on the table, and read it through. Then he put the pieces in his pocket, and, with that praiseworthy attention to detail which throughout his life had contributed so largely to his success, he took from the table a sheet of paper, folded it inside an envelope, tore it in half, and replaced the pieces in the grate where he had found the others. The whole thing was quickly and naturally done; it was merely one among a thousand million other cases in which his mind was ready to take advantage of any possible opportunity that Fate might cast in his way. The torn letter might conceivably at some future date be useful to him. Therefore he kept it. It is no use to guard against certainties – such was his gospel – for certainties in this life are so few as to be practically negligible. But he who guarded against contingencies and provided for possibilities was the winner in the long-run.

      This done, he dismissed the matter from his mind, and, in order not to let the moments pass without seed, sketched out in some detail the plan of the stage as suggested by the two Watteau prints. He was deep in this when Mrs. Emsworth entered. The 'shiffong' suited her admirably.

      'You have been waiting,' she said; 'I am sorry for keeping you. Oh, Harold, they love me over here; they just love me!'

      His part was at his finger-tips.

      'That doesn't seem to me in the least remarkable,' he said. 'You are a success; no one can be more. I want to be allowed to commemorate it.' And he handed her the jewel-case.

      He was no niggard when business was involved; his business now was to keep her in a good temper, and the opal and diamond brooch he had chosen at Tiffany's was really admirable. Even Mrs. Palmer might have found it brought consolation to a wounded spirit.

      'That is dear of you, Harold,' she said; 'I adore opals. Is it really for me? Thank you ever so much. It goes on now. Is it rather big for the morning? I think it is. A reason the more for wearing it.'

      She pinned it into her dress, and sat down.

      'Well?' she said.

      'I came really to congratulate you,' said he; 'but as I am here, I suppose we may as well talk over some business that must be talked over. About your tour: are you willing to stop over here till April at least?'

      'Yes; I don't see why not. I want to appear in London early in May.'

      'Very well. I will draft an agreement, and send it you. Now, you may consider that with your extraordinary success of last night the theatre will be full for some weeks ahead. I propose your giving an evening performance on Saturdays as well as the matinee.'

      'Terms?'

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