Furze the Cruel. Trevena John

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СКАЧАТЬ was a quiet life at the Barton. Pendoggat had no society, except that of some minister whom he might bring back to dinner on Sundays. On that day he attended chapel twice. He also went on Wednesday, when he sometimes preached. His sermons were about a cruel God ruling the world by cruelty, and preparing a state of cruelty for every one who didn't attend chapel twice on Sundays and once during the week. He believed in what he said. He also believed he was himself secure from such a punishment; just as certain ignorant Catholics sincerely rely on the power of a priest to forgive their sins. Pendoggat thought that he was free to act as he pleased, so long as he didn't miss his attendances at chapel. If he cheated a man, and missed chapel, his soul would be in danger; but if he attended chapel the sin was automatically forgiven. It was a strange form of theology, but not an uncommon one. Many excellent people tend towards it. Pious old ladies will do all they can to induce young men to attend church. It does not appear to trouble them much if the young men read comic papers, wink at the girls, or slumber audibly, while they are there. The great point has been gained. The young men are in church; therefore they are religious. The young man who goes for a walk to the top of the highest tor to watch the sunset is a vile creature who will be damned some day.

      The Barton had its parlour, and Pendoggat practised the entire ritual connected with that mysterious apartment. No Dartmoor farm-house would have the slightest pretensions to be regarded as a civilised home without the parlour. Its rites and ceremonies remain unwritten, and yet every farmer knows them, and practises them with the precision of a Catholic priest obeying his rubrics, or with the zeal of an Anglican parson defying his. It must be the best room in the house, and it must be kept locked and regarded as holy ground. The windows must not be opened lest fresh air should enter, and equally dangerous sunlight must be excluded by blinds and curtains and a high bank of moribund plants. The furniture is permitted to vary, with the exception of a few ornaments which must be found in every house as a mark of stability and respectability. There must be a piano which cannot be used for purposes of music, and a lamp which is not to be lighted. Whatever books the house contains must be arranged in a manner pleasing to the householder, and they must never be opened. There is a central table, and upon it recline albums containing photographs of the family at different stages of their careers, together with those of ancestors; and these photographs have little value if they are not yellow and faded to denote their antiquity. In the centre of the table must appear a strange device; a stuffed bird in a glass case, a piece of coral on a mat, or some recognised family heirloom. The pictures must be strongly coloured and should have a religious accent. As Germany has achieved surprising results in the matter of colour, the pictures are usually from that fatherland. Ruined temples on the Nile are a favourite subject; only the temples should resemble dilapidated barns, and the Nile bear a distinct likeness to a duck pond. Upon the mantel must stand a clock which has not gone within living memory, and some assorted crockery which if viewed continuously in a strong light will bring on neuralgia. A copy of a penny novelette, and a sheet of music-hall songs lying about, denote literary and musical tastes; but these are unusual. There is generally a family Bible, used to support a large shell, or a framed photograph of the master in his prime of life; and this is opened from time to time to record a birth, marriage, or death. The pattern of the wall-paper must be decided and easily discernible; scarlet flowers on a yellow background are always satisfactory.

      The ceremony of entering the parlour takes place usually on Sunday. There is a Greater Entry and a Lesser Entry. The lesser takes place after tea. The master in his best clothes, his face and hands washed, although that point is not always insisted upon, carefully shaven, or with well-groomed beard, as the case may be, his boots removed after the manner of a Mussulman, enters the holy place, sits stiffly upon a chair without daring to lean back lest he should disturb the antimacassar, lights his pipe, and revels in the odour of respectability. He does not really enjoy himself, but after a time he grows more confident and ventures to cross his legs. From time to time he rises, goes out, walks along the passage, and spits out of the front door. The greater entry takes place after chapel. The entire family assemble by the light of the kitchen lamp and say wicked things about their neighbours. Sometimes guests are introduced, and these display independence in various ways, chiefly by leaning back in their chairs and shuffling their boots on the carpet. The ceremonies come to a close at an early hour; the members of the family file out; father, leaving last, locks the door. The parlour is closed for another week.

      Pendoggat's parlour was orthodox; only more cold and severe than most. The wall-paper was stained with moisture, and the big open fire-place always smoked. The master thought himself better than the neighbouring commoners, and none of them were ever invited to enter his sanctuary. In a way he was their superior. He could write a good hand, and read anything, and he spoke better than his neighbours. It is curious that of two commoners, educated and brought up in exactly the same way, one will speak broad dialect and the other good English. There was naturally very little society for Pendoggat. He lived in his own atmosphere as a philosopher might have done. He encouraged his minister to visit him, but he had a good reason for that. Weak-minded ministers are valuable assets and good advertising agents; for, if their congregations do not exactly trust them, they will at least follow them, which is more than they will do for any one else.

      The sanctity of the parlour may be violated on weekdays; either upon the occasion of some chapel festival, or when a visitor of higher rank than a farmer calls. When Pendoggat reached the Barton he knew at once that the place was haunted by a visiting body, because the blinds were up. Annie Crocker met him in the yard, which in local parlance was known as the court, and said: "The Maggot's waiting for ye in the parlour. Been there nigh upon an hour. He'm singing Lighten our Darkness by now, I reckon, vor't be getting whist in there, and he'm alone where I set 'en, and told 'en to bide till you come along."

      "Given him no tea?" said Pendoggat, appearing to address the stones at his feet rather than the woman. That was his usual way; nobody ever saw Pendoggat's eyes. They saw only a black moustache, a scowl, and a moving jaw.

      "No, nothing," said Annie. "No meat for maggots here. Let 'en go and eat dirt. Bad enough to have 'en in the house. He'm as slimy as a slug."

      "Shut your noise, woman," said Pendoggat. "Take the horse in, and slip his bridle off."

      "Tak' 'en in yourself, man," she snapped, turning towards the house.

      Pendoggat repeated his command in a gentler voice; and this time he was obeyed. Annie led the horse away, and the master went in.

      The Reverend Eli Pezzack was the Maggot, so called because of his singularly unhealthy complexion. Dartmoor folk have rich red or brown faces – the hard weather sees to that – but Eli was not a son of the moor. It was believed that he had originated in London of West-country parents. He had none of the moorman's native sharpness. He was a tall, clammy individual, with flabby hands dun and cold like mid-Devon clay; and he was so clumsy that if he had entered a room containing only a single article of furniture he would have been certain to fall against it. He was no humbug, and tried to practise what he taught. He was lamentably ignorant, but didn't know it, and he never employed a word of one syllable when he could find anything longer. He admired and respected Pendoggat, making the common mistake with ignorant men of believing physical strength to be the same thing as moral strength. He agreed with those grammarians who have maintained that the eighth letter of the alphabet is superfluous.

      "Sorry to have kept ye sitting in the dark," said Pendoggat as he entered the parlour.

      "The darkness has not been superlative, Mr. Pendoggat," said Eli, as he stumbled over the best chair while trying to shake hands. "The lunar radiance has trespassed pleasantly into the apartment and beguiled the time of lingering with pleasant fancies." He had composed that sentence during "the time of lingering," but knew he would not be able to maintain that high standard when he was called on to speak extempore.

      "'The darkness is no darkness at all, but the night is as clear as the day,'" quoted Pendoggat with considerable fervour, as he drew aside the curtains to admit more moonlight.

      "True, Mr. Pendoggat," said Eli. "We know who uttered that СКАЧАТЬ