Anthony The Absolute. Merwin Samuel

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      Anthony The Absolute

      At Sea – March 28th

      THIS evening I told Sir Robert What’s-His-Name he was a fool.

      I was quite right in this. He is.

      Every evening since the ship left Vancouver he has presided over the round table in the middle of the smoking-room. There he sips his coffee and liqueur, and holds forth on every subject known to the mind of man. Each subject is his subject. He is an elderly person, with a bad face and a drooping left eyelid. He wears a monocle; and carries his handkerchief in his left sleeve.

      They tell me that he is in the British Service – a judge somewhere down in Malaysia, where they drink more than is good for them. I believe it. He tosses about his obiter dicta as if he were pope of the human intellect. A garrulous pope. Surely the mind of a judge, when exposed, is a dreadful thing!

      Go where I will, of an evening, there is no peace for me. In the “social hall” some ungoverned young thing is eternally at the piano – “On the Mississippi” and “The Robert E. Lee” and the other musical literature of the turkey trot. I could not possibly sit five minutes there without shrieking. Outside, on deck, it has been raw and chill for a week, with rain penetrating my clothing and misting the lenses of my spectacles and rousing my slumbering rheumatism. And you can not sit long in a stuffy cabin, with the port screwed fast; it is unpleasant enough sleeping there… So I have huddled myself each night in a corner of the smoking-room. I have played at dominoes. I have played at solitaire with cards. And I loathe games! But anything is a relief that will divert my mind, even for an instant now and then, from thoughts of that loose, throaty voice, and of the truly awful mind that animates it.

      Few of the passengers ever give me more than a nod; for I am not what is called a “mixer.” Except the Port Watch. He has looked confidingly at me twice over his siphon. But I have not encouraged him, for he has an over-intense eye and the flush of drink is on his cheek. Every day, hours on end, he paces the deck; hence his nickname. He is, like myself, a lonely man; and a little wild – distinctly a little wild.

      Sir Robert outdid himself this evening. No man could possibly know so much. I have made a list (not complete, of course) of the subjects on which he speaks with dogmatic authority – very positive, very technical, with a glib use of catch phrases, with emphasis always on the peculiarly significant point in the matter. The list runs:

      Aëronautics; the American temperament as affected by immigration; archery; art; ballistics; dog-breeding; engineering (civil and military); ethnology; folk-lore of all nations; geology; horticulture; inferiority of Latin peoples (particularly the French); laces and embroideries; modern accounting; navigation (which he explained last night in detail to the Chief Officer, a silent person); psychology (all branches); Roman law; rugs (and textiles generally); Weltpolitik; wireless telegraphy; and, at all times and places, the glory of England and the superiority of English blood.

      This evening he was dismissing, with a torrent of apparently precise ethnological and historical data, the recent Japanese pretension to Aryan origin – doubtless for the benefit of that little Japanese commercial agent with bad teeth who sat in the corner opposite me working out problems on a go-board. The usual group of weak-minded persons were sitting about Sir Robert’s table, listening with the usual awe.

      Now, I rather like that Japanese. Only this morning he was so kind as to sing several examples of the folk-song of his country into my phonograph. Five records he gave me, so that my work is begun even before we land. Excellent specimens, two of them, of the Oriental tone sense, with observably different intervals for the ascending and descending scales.

      He exhibited no sign that Sir Robert’s talk annoyed him; quietly went on placing the little black and white shells on the board. (It is interesting to note, at this point, that the Japanese handle small objects with the first three fingers only, without employing the thumb as we do.) But I felt myself becoming angry. My forehead grew hot and flushed, as it always does when I am stirred. I tried to calm myself by constructing a house of dominoes; but the pitching of the ship overturned it.

      Still that throaty voice. “Thank God,” I thought, “in another day we shall be at Yokohama!”

      I tried to read a four-weeks-old copy of the Illustrated London News. No use; the voice held me.

      It occurred to me, as an exercise in self-control, to interest myself in speculating on the emotions and the characteristics back of the faces here in the smoking-room. I achieved some success at this exercise. Why, when you come to think of it, should each particular unit in this haphazard assemblage of men and women be journeying away off here to the other side of the earth? There are surely dramas in our little company. The two middle-aged ladies with the firm chins, for instance, who dress so quietly and speak so discreetly – it is whispered among the men that they are high and prosperous in a sad business on Soo-chow Road, Shanghai. And the young German adventurer with the scars across his nose, who borrowed fifteen dollars from me, to be repaid when we land at Yokohama – if he approaches me again I shall refuse him firmly. And the fat vaudeville manager from Cincinnati, who plays fan-tan every night with a heap of Chinese brass cash and a bowl borrowed from the ship’s dining-room!

      As I mused, I felt the Port Watch gazing at me again over his siphon. I believe he would pour out his story, were I to permit it. But I do not choose to hear. After all, I am not a romancer, but a scientific man. My concern is not with the curious and personal tangle of human affairs, but with impersonal fact and sober deductions therefrom.

      Sir Robert was now defining culture as the touchstone of civilization – from the British point of view, of course. God, that voice! And then, without a thought in my head as to where the talk was leading – suddenly – he plumped squarely down on my subject. It was the first time in the twelve days of our voyage. Until this moment, the tribal god referred to in his national anthem had spared him. My subject! The one thing I know more about than any other human being. I had him.

      “The surest test of the culture of a people,” said he, ex cathedra, “is the music of that people. Primitive races invariably express their emotions in primitive music. They try to tell me that the Chinese are a civilized people. ‘Very well,’ I say then; ‘let me hear their music.’ No nation has progressed far along the great highroad of civilization without coming into an understanding of the diatonic system. The Chinese civilized? When their finest musical instrument is the little sheng, a crude collection of twelve pipes that are not even in tune? When they have failed to arrive at even a rudimentary perception of tonality and scale relationships? No; I tell you, the Chinese civilization is to the European as the little sheng is to the grand piano. The piano, on which all scales are related, all harmomes possible, is the supreme artistic achievement of the highest civilization.”

      This was enough. I got right up and went over to the round table. My forehead was burning; I must have been red as fire.

      “You do not know what you are talking about,” I cried out. I had to lean over the shoulder of one of the weak-minded in order to catch Sir Robert’s eye. “It is the piano that has killed music in Europe! The piano is a lie from end to end of the keyboard. Bach confirmed that lie with his miserable triumph of the well-tempered clavichord. And in finally fastening his false scale upon us he destroyed in us the fine ear for true intervals that is to-day found only in your primitive peoples. The Chinese have it. The Javanese have it. The Siamese, most wonderful of all, have a true isotonic scale. But we of the cultured West (I put a wonderful sneering emphasis on that word) can not even hear true fluid music to-day, because our tone perception goes no farther than the barbarous mechanical compromise of the piano keyboard. You do not know what you are talking about. You are a fool!”

      When I am excited my voice rises and becomes shrill. I talked rapidly, so that no one could interrupt. СКАЧАТЬ